Listen to all tracks from ‘Utility’ in full at https://sambarker.bandcamp.com/album/utility

On his debut solo LP ‘Utility’, Barker [@voltek] turns his focus toward melding experimentation and dancefloor pragmatism with the psychology behind the musical decision making process.

‘Utility’ is a playful but non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas: from models for quantifying pleasure and “gradients of bliss” to abolishing suffering for sentient beings (not just people) through the ethical use of drugs and nanotechnology. Over nine tracks, Barker’s vision ebbs and flows through waves of deeply psychedelic musical vignettes; free-floating and futuristic melodies and rhythms as targeted brain stimulation.

Listen now in full

Barker | Utility

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I’m not new to SoundCloud, quite the opposite. All my accounts of any kind have been pauperised by cowardly hackers: perhaps, once the breaches opened, more than one were to rage and cannibalized me a bit everywhere.
“Private is Public and “Public is Private” is my philosophy. No doubt: there’s no greater suffering [LovePain apart] than being deprived of one’s identity on the network’s life and who knows what damage to my image in real life.
Share music is sharing love; a love of our own. All my ancient accounts are concerned and contaminated like Tchernobyl.                                                                           But now I don't give a shit anymore! A lot of work and a lot of pleasure for nothing: when I look back I don't see anyone I like anymore. The future is the only option. I operate from Paris because this city exalts me; everyone says it’s expensive. Perhaps, but if you stretch your ear well you get good deals. In Montparnasse I found a quarry , as I had it before in the Bastille area. I am restoring it and hope next spring I will be able to install matérialise and myself. The sound is not  an anechoic chamber but like Thousand in all  Europe It sounds like a small village chapel. Enchantig me! A lot of Euros saved by not treating the sound either materially or in final DAW Mastering, except scrambling the sound. I am not Flume but that’s the idea.                    The Gods leave, the angry ones stay.                                  It all depends on where the fader is placed. Too low no signal enters; too high is the uncontrollable brothel. Imagine this operation repeated on a hundred tracks. So it is in real life: check it out twice.

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Barker | Utility

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