Juan Atkins & Moritz von Oswald Present Borderland: Transport

Lightyears

Step into a moonlit river of sound. Session XIX — Lanterns Over the Water drifts through the heart of Japan’s shrine and lantern traditions, weaving non‐lexical shrine chorus hums, shakuhachi sighs, koto glissandi, and taiko heartbeat pulses into a deep, meditative lounge journey.
Inspired by Kyoto’s Gion nights, coastal lantern festivals, and the still elegance of Shinto shrine waters, this session captures a ritual calm where fireflies, incense smoke, and floating lights move as one.

▸ REGION: Japan — Shinto shrine ambience, lantern festivals, Gion street nights
▸ VOCALS: nonverbal shrine chants, breath vowels (“aaa–ooo–eee”), whispered blessings (“mizu,” “tsuki,” “kokoro”)
▸ INSTRUMENTS: shakuhachi, koto, taiko, suzu bells, temple woodblock, night cicadas, water ripple field recordings
▸ MOOD: moonlit stillness • ritual elegance • drifting light on water

🎧 For meditative evenings, incense-lit moments, or midnight walks by water.

#LanternsOverTheWater #JapaneseChill #ShintoAmbient #BuddhaBarVibes #DowntempoBeats #WorldFusion #ZenChill #AmbientLounge #RitualMusic #GlobalLounge #TaikoBeats #KotoMusic #ShakuhachiFlute #LanternFestival #Ætherflux #ChilloutMusic #OpiumLounge #SlowBPM

Tenzo

oz-chan debut EP "Sleepers, Wake" is out now on AETHER PROJECT.

幻想的なサウンドスケープで描かれる、目覚めの物語。

Sound artist poropiore is releasing his first album under a new name, oz-chan.

poropiore, a Japanese sound artist who designs spatial soundscapes using his own voice as a material, has worked on numerous acoustic designs for architecture and commercial facilities both in Japan and abroad. This album marks his first dance music work and his first album to be made available for general sale.

This work, centered on the label's concept of "space," expands into an auditory cosmos created by oz-chan. The core of the album is his unique theme: "sound that revolves and expands." His distinctive sound style, where individual notes connect and move like a spiral, weaves throughout the entire album.

While grounded in familiar genres such as deep house, techno, new age, and ambient, the beautifully delicate yet powerful rhythms and unique sounds created from his own voice build a world unique to oz-chan.

Exoplanet

Millions

'One' is the debut album of Ben Klock. 

Stylistically, Klock draws on plentiful resources. There's the dirty techno in 'Grip', the sexy intermittent 'Check Your Pulse', alongside ambient like tracks like 'Init One' and 'Init Two', as well as the dubstep inspired 'Goldrush'. And then there are the outstanding cuts 'Goodly Sin' and 'Ok' featuring Elif Biçer's vocals. In comparison to her records with Prosumer & Murat Tepeli, here her voice has been reduced to the bare essentials.

With its rugged bassline and crafty claps 'Ok' is even reminiscent of a contemporary version of Nicolette's early work with Shut Up And Dance, but first and foremost it expands the Berghain sound to include a notion of pop.

'One' displays a depth and maturity of sound rarely found in this compactness. In all its stylistic variety, this album oozes with Klock's traditional understanding of techno. The special sound at Berghain, the low bass, the hiss and the rumble, the economically used melodic fragments and the eerie atmospheres are present at any moment of this recording. The album creates a sealed off space reflecting Berghain as an actual place. Ben Klock defines techno as visonary music knowing about its past, yet appearing completely up to date without ever coming close to Detroit and minimal clichés.

Buy 2x12"

Ben Klock | In A While

Blawan -  What You Do With What You Have

Nthng — 1996

Obsidian

Monolith

‘Paul’s Horizon’ – @Ryan-Elliott’s first EP in six years – falls musically between Berlin and Detroit, between house and techno and between hypnotic repetition and unpredictability, revealing a subtle ear for groove and composition.

It’s the DJ’s perspective that has informed the Berghain / Panorama Bar resident's own analogue productions, with ‘Paul’s Horizon’ turning its focus toward deep and slick percussion. This is apparent from the get-go, with the title track’s triangle/clap interplay, funky 5-6 kicks per bar, and bleary-eyed atmosphere. From there “Martinsville Morning” slows down into an understated sunrise groover, led by bassline, strings and pads. EP closer “Grafton Road” turns up the pace again with gasps for hats, aggressive punctuating snares, and a modulating synth bubbling-up throughout.

Paul's Horizon

Buy 12"

Ryan Elliott | Paul's Horizon

REPRESS AVAILABLE HERE: https://noctanumerica.bandcamp.com/album/stretched-world-nn016

Fasme's debut on Nocta Numerica Records (Vinyl / Digital)!

Order your copy here (Limited edition of 300) :

Bandcamp: bit.ly/2OKgbBU
Syncrophone: bit.ly/2vELes2

Juno: bit.ly/3c6kUrx
Clone: bit.ly/386s37Z
Deejay: bit.ly/2Vi3Uss
Decks: https://bit.ly/2XV1JfK
Redeye: bit.ly/38QIIh0
Oye: bit.ly/2Pk7mio
Chez Emile: bit.ly/2T8aHDC
Techno Import: https://bit.ly/2XrYj3O
Disco Piu: https://bit.ly/2ycsyAY

EP EXPECTED FOR APRIL 2020

Catalog number: NN016
Title: Stretched World
Artist: Fasme
Distributed by Syncrophone (Worldwide)
Artwork: Christophe Le Gall
Illustration: Antoine DJACK
Mastering: MA Spaventi

A1 - Carte Sim
A2 - Sweet Flux
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B1 - Spaceship
B2 - Comme Ça La Nuit
B3 - Brume

Fasme - Sweet Flux

Contact / demos policy: https://www.ostgut.berlin/label/contact/

Ben Klock | In A While

Ostgut Ton | A-TON | unterton