Artist: Ancient Methods & OTHR
Title: Vast Vanishing
Album:  "Two thorns together, a hundred tears apart"
Label: @khidi
Format: 12'' vinyl,  Digital
Release date: September 23th, 2022
Buy link: https://khidi.bandcamp.com/music

To mark the club's 6th Anniversary, Tbilisi club KHIDI announces a series of three VA EPs with tracks from its residents and artists closely affiliated with the club. The series will be released over the course of summer and autumn on its KHIDI label The first EP will be released on 26th of July with tracks from James Ruskin, Tensal, Phase Fatale & Reka, and Yanamaste. 

The second EP is out in September and consists of three track collaborations between the club res idents; Ancient Methods & OTHR; Unhuman & Vulkanski; Roman & Boyd Schidt; the last track of the EP is from the club's close friend Silent Servant. 

The final EP will be released in October with tracks from Matrixxman vs Espen Lauritzen, Inigo Kennedy, Deano and clubs resident Christoph Faust.

More information and promos: info@tforgotten.org
Follow us on Instagram: https://bit.ly/3dIwmu6
PayPal donations here: https://bit.ly/TFDonative

DISCLAIMER: All tracks are loaded in low quality for promotional purposes only and with purchase links to respect the label and the artists.

FOLLOW US: 

Website: https://www.tforgotten.org
Youtube: https://goo.gl/MNiXdG
Instagram: https://goo.gl/NwLscp
Facebook: https://goo.gl/DWJBmK
Twitter: https://goo.gl/b3TJgt

Ancient Methods & OTHR - Vast Vanishing [KHIDI]

BITE welcomes one of the most prominent talents from Georgia, Tbilisi’s fixture and KHIDI resident – OTHR.

The Georgian artist has already been making waves in Berlin by joining forces with Ancient Methods on occasions like their stellar b2b at the first BITE label night at Berghain last October.

With a background as a guitarist for metal bands, OTHR’s post-punk upbringing is ever-present in his moody productions. His earlier output ranges through a wide variety of sound, from acclaimed ambient to noise releases, while OTHR’s present style is defined by industrial-oriented techno, mutated vocals, and groovy distorted baselines.

With his debut release on BITE – Scythe Of Vyse, OTHR is doing what he does best. The EP delivers five sharp and powerful industrial techno tracks that sound both harmonious and rough. Rhythmic and heavy-hitting, the record features a remix from Kris Baha and provides a variety of tools for dark, sweaty basements. In short, OTHR’s most recent work is certain to create a setting for a cathartic dancefloor experience.

Scythe Of Vyse

OTHR - Backpfeifengesicht (BITE024)

Embark on a captivating journey of strength, love, vulnerability, and resilience in the face of adversity with Pulse In Time Tunes Agency. 🎵 In the dynamic world of electronic music, where every pulse echoes through time, experience an exhilarating sonic journey that transcends boundaries. 🎶 

https://www.youtube.com/watch?v=Mhhfc2vdNbc
https://music.apple.com/us/music-video/adaptive-resonance-feat-tempestas/1750358265

#ElectronicMusic #SonicJourney #Innovation #MusicAgency #AdaptiveResonance

"Adaptive Resonance" formerly Innovative Groove Dynamics blends innovation with rhythm, drawing inspiration from samba and Cuban Afro music. 🎶 Crafting atmospheric soundscapes and dynamic drops, this track invites you to a world where creativity meets movement. 🌍 From studio inception to the dancefloor, it captivates with rhythmic harmony, creating a unique sonic adventure.

Adaptive Resonance

From the upcoming "Redeemer" LP (HOS-494) to be released October 13th, 2017 on Hospital Productions

Redeemer MP3

Order Of Severity

from the Redeemer Extended Mixes 12" on Hospital Productions out November 2nd, 2017. Additional production by Silent Servant.

Tracklist:
A1. Order Of Severity (Extended Mix)
B1. Operate Within (Extended Mix)
B2. Spoken Ashes (Extended Mix)

Redeemer Extended Mixes

Spoken Ashes (Extended Mix)

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Phase Fatale | De-Patterning

Ostgut Ton | A-TON | unterton

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