Planetary Assault Systems/Rødhad/B.Klock/S.Paganini/Surgeon & Token records...&more)

@salty_dj

Salty DJ is one of Berlin's notable artists in the electronic music scene, known for his vinyl-only sets that which ranges the early era of techno, house, trance, and overall progressive music. His performances are dynamic and captivating, guiding audiences through an immersive musical journey while harnessing the energy of the dancefloor. With a deep passion for dance music and a distinctive sound that combines technical precision with creativity, Salty DJ has firmly established himself in the global music scene.

Salty DJ @ coppi 22.08.2024

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club's Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play. Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals. 
 
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub-infused UK garage house track anyone in the world can easily describe in the course of a second.
 
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk. 
 
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo's sets in the club.
 
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to "The Prince of Techno" Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
 
The 12" was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12" format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

BANDCAMP

LNS & DJ Sotofett - Reach Out

13. Wallace - Pivot Point

16. Gallegos - PAXMAN

Tech House – often misunderstood and unfairly written off as commercial – takes centre stage in the upcoming Blitzcast by our good friend Sylwa, who has been influenced by its original, understated sound and approach, and now thrills with a soulful interpretation.

Blitzcast 028 comes courtesy of Sylwa – here’s what he has to share about the mix.

> This mix features tracks released exclusively between 1996 and 2005, with a strong leaning toward the sound pioneered by early UK tech house figures like Terry Francis, Eddie Richards, and the circle surrounding London’s Fabric club and Swag Records.
I aimed to create an obscure, moody atmosphere with long blends, moving through stripped-back, loop-heavy cuts, dubby stabs, and acid lines—gradually brightening into more melody-driven tracks toward the end. You’ll hear some crackles and slight mixing imperfections; I guess it's the unavoidable nature of mixing with vinyl. <

We also had time for a swift conversation with Sylwa about his background and musical approach - find out more in the Blitz Magazine on our homepage:

https://www.blitz.club/2025/05/26/blitzcast-028-sylwa/

Blitzcast 028 : Sylwa

lost & found 001

“Every day, mixes are born —
some reach the cloud,
some drift unseen.

Saved but never shared,
they gather dust
while new sounds take the stage.

lost & found is their return:
a space for the almost-lost
& the nearly forgotten — bringing back what once filled a room but never left the walls.

Not lost —
just waiting
to be found.”

the first episode of the “lost & found” series features Jan Goertz.
this mix was recorded on the 27.07.24 -  at the first @hyperfokus Open Air where he showcased his slower and deeper side - let him take you on a journey through ambient, dub techno, and more experimental sounds. As is often the case with the best recordings, something had to go wrong: the recorder stopped working after nearly 2 hours. 
Still, this mix deserves to be heard and shared across the digital realm. Enjoy!

Jan Goertz socials: 
[instagram] instagram.com/jan.goertz
[soundcloud] @jangoertz 

~

[lost&found] ~ Jan Goertz

Multisexual Dance Music by @blasha-allatt
4-hours recording of their set at Multisex Easter 2025 <3

Multisexual Mix #27 Blasha & Allatt

Kvanchi | Vault Sessions x BASSIANI, RADION | 31 MAY 2025

Ciao tutti 🌞
Latest NTS episode is live ~ featuring the iconic Stojche 💿✨

 🌀 🦀🐚 Cosmic update ~ We’re stepping into Cancer season and the Summer Solstice, a time to soften, feel, and return to what truly matters.

🥁🎧🪩 Delighted to have Stojche, a cornerstone of underground techno, joining me this month with a stunning mix ~ raw, soulful, and timeless. All vinyl as per 🤌 ~ he always delivers.

🖼️ Art by MeteFYI

~ with love & gratitude ~
GiGi FM 🧿💓

NTS RADIO GIGI FM PRESENTS STOJCHE 18.06.2025

For our 31st podcast, we're excited to share a part of a fantastic mix recently recorded at Lux Frágil in Lisbon by Portuguese DJ and producer Fresko (@fresk0). We really like this one, as it’s a smooth and slower-paced blend of deep atmospheres, tribalistic percussive rhythms and sci-fi-esque bleeps and basslines.

UNTAPE031 – Fresko

A-TON is a new edition and platform of Berghain's in-house imprint Ostgut Ton, focussing on ambient, archive and alternative music, differing from the club-focussed records on the main label. Furthermore the first A-TON offering – Chronicles I – marks the start of a series from Luke Slater's The 7th Plain moniker, with remastered, previously released and unheard archive material.

First published on General Production Recordings between 1993 and 1996, Slater's The 7th Plain pushed the further burgeoning genre of ambient music towards its boundaries by not limiting itself to mostly beatless synth pads, but by including propulsive beat progressions, nuanced rhythms and subtle melodies. The 7th Plain's extramundane music dodged classification, as heard on the albums The 4 Cornered Room and My Yellow Wise Rug (both on GPR, 1994) – emotional, eerie and escapist music, at the time of release forward thinking records that in retrospect managed to overcome time.

Originally recorded at Slater's Spacestation Ø, now all newly mastered for A-TON, Chronicles I depicts the futurist aesthetic and musical agenda of the 90s in a contemporary context, without nostalgia but confidence of its timelessness. With seven original musical pieces and a previously unreleased Ken Ishii remix, The 7th Plain sounds as spirited and relevant as ever.

While “Boundaries” (taken from My Yellow Wise Rug), “Grace” and “Surface Bound” (from The 4 Cornered Room) should be familiar to Slater aficionados, “The Super 8”, “T Funk States”, “Slip 7 Sideways” and “Chords Are Dirty” are previously unheard like the aforementioned remix of Ishii's “Extra”.

The 7th Plain - Slip 7 Sideways

Ben Klock | Goodly Sin (feat. Elif Biçer) (Robert Hood Remix)

Planetary Assault Systems | Beauty In The Fear

Planetary Assault Systems | Wriss

Planetary Assault Systems | Rip The Cut

Planetary Assault Systems | Motif

Contact / demos policy: https://www.ostgut.berlin/label/contact/

-R-ebellion -U-nited -[N]-º -[ª]-rea

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The 7th Plain - Slip 7 Sideways

Ostgut Ton | A-TON | unterton

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