2016

Techno 2

Ostgut Ton

Planetary Assault Systems/Rødhad/B.Klock/S.Paganini/Surgeon & Token records...&more)

Fallow & Grizzle - One More Time

Vocals by Gemma Dunleavy https://twitter.com/gemmadunlovely

Original Murlo out on Mixpak 

xx

Sharda - Jasmine 4x4

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/wolfsheim-the-sparrow-and-the-nightingales-12/

Wolfsheim are a synthpop duo from Hamburg, Germany consisting of Markus Reinhardt (music) and Peter Heppner (lyrics and vocals). The band was founded in 1987 by Markus Reinhardt and Pompejo Ricciardi and was named after Meyer Wolfsheim, a fictional character from F. Scott Fitzgerald's novel ‘The Great Gatsby’.  Ricciardi soon left the band and was replaced by Peter Heppner, a childhood friend of Reinhardt's. Together they produced their first demo tape, “Ken Manage”, in 1988.

After making a second demo tape, “Any But Pretty”, in 1989, Wolfsheim applied at various labels until they caught the attention of independent record label Strange Ways Records. They are best known for their debut breakthrough single, "The Sparrows and the Nightingales”, the first single to be released on Strange Ways in 1991. The band's musical style takes cues from the 1980s New Romantics, new wave, synthpop, and darkwave. The track's sombre synths were produced by Carlos Peron of Yello. Reinhardt says the lyric was inspired by ‘The Great Gatsby’, "in the 'onomatopoeic tension' between predator and security."  Over six minutes, the narrator describes being lost, unsure of where his life is heading, using highly metaphorical language. On the flip is a brand new remix by German producer Ancient Methods, a pseudonym of Michael ‘Trias’ Wollenhaupt, who provides a driving, EBM-leaning, amphetamine-laced club ready cut.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Designer Eloise Leigh has updated the record's original design with two sparrows
enclosed in a blood moon circle against a deep black purple backdrop. Each copy comes with a black and white photo postcard notes by Carlos Peron and the song's lyrics. This release comes in time to celebrate the single’s 25th anniversary.

The Sparrows And The Nightingales (Ancient Methods 'Ode To The Night' Remix)

A1. N1L – Ice Cage

Gilles Peterson-endorsed Bristolian, Typesun, makes his next chess move following on from a queue of primo productions over the last few years. "The PL", which featured the softly softly croons of an anonymous vocalist, was an undisputed 2013 jewel. "Water Song" was a swaddling pool of Latin loveliness; so good we had to take a dive ourselves. Now he's recruited MOBO-award winning jazz quartet Empirical’s Lewis Wright (vibraphone) and top guitar session player Miles James alongside a group of Bristol’s finest musicians for "Make It Right". Infused with smoke-tinted funk and pinned down by Typesun’s finely-honed production chops, it's the ideal mid-night foot-shifter. 

Ready your shuffle for the February 5 release date via Don't Be Afraid.

Typesun "Make It Right" — Boiler Room Debuts

"It's very direct, danceable club music, anchored stylistically between Electro, Techno and Industrial/NewWave, strongly influenced by '80s acts Liaisons Dangereuses, CH BB, sporadically, DAF and the Consumed /Concept period of Richie Hawtin." is how Hanno Leichtmann describes his new project Gesetz Der Oktaven. "The name 'Gesetz Der Oktaven' was chosen because I wanted something very German sounding, as we say 'sperrig', something technical, scientific. All the track titles are very old skool or obsolete studio/audio terms. "I wanted a completely new set-up, so I got a large Soundtracs desk from the 80s with 16 channels and, crucially 6 Aux Sends for effects." He continues, "The large number of aux sends was essential for the project. I used a drum machine, a MiniMoog sequenced by a TB 303, a vintage Drum Synth and six 6 effect combinations for the delay / reverb tracks. All very old-skool and in real time with no plugins. It took months of trial and error but the result is a very beautiful high-quality vintage studio sound." 

Semen Contra ep

Verpolung

Gesetz Der Oktaven - Verpolung - Third Ear Recordings

12" available in all good record shops soon.

Designer + Four Tet - Mothers (TEXT038A)

An intense introspection of sound deconstructionism and spacial dissonance presented in this 4 track (plus 2 lock grooves) EP entitled Nonharmonic Beautifault. 

The A Side is introduced with the track 'Blank Hand', a sludge fuelled walk into dusty audio bites and asthmatic rhythms, topped with screaming hoovers and TV static that at once builds up, collapses into beautiful cacophony. Leading us into the 'Body Molecule' - A rushing pad and sparkling percussion pinned to a rolling kick pattern that drives this track toward a central point of attacking synths and swarming soundscape. The run out locked groove features a deep distorted kick that loops into infinity. 

The other side starts with 'Angular Beautifault'. Acidic Rhythms and Buzz Saw Synths all washed together into a shimmering reverberated cavern that explodes with high powered clap patterns and bubbling 303 lines. Following this we have 'The Burin' - an uncompromising, high paced assault of power kicks and slanted percussion. Incessantly driving and unyielding towards the final lock groove of distorted sub loop. 

Nonharmonic Beautifault represents a shift in Positive Centre's work that aims beyond the delicate ambience into harder and darker sound territories. 

Nonharmonic Beautifault EP will be released on 12" vinyl and digital on February 19.

Tracklist:
Blank Hand
Body Molecule
Angular Beautifault
The Burin

Buy all

B2. Positive Centre - The Burin

B1. Positive Centre - Angular Beautifault

A2. Positive Centre - Body Molecule

A-TON is a new edition and platform of Berghain's in-house imprint Ostgut Ton, focussing on ambient, archive and alternative music, differing from the club-focussed records on the main label. Furthermore the first A-TON offering – Chronicles I – marks the start of a series from Luke Slater's The 7th Plain moniker, with remastered, previously released and unheard archive material.

First published on General Production Recordings between 1993 and 1996, Slater's The 7th Plain pushed the further burgeoning genre of ambient music towards its boundaries by not limiting itself to mostly beatless synth pads, but by including propulsive beat progressions, nuanced rhythms and subtle melodies. The 7th Plain's extramundane music dodged classification, as heard on the albums The 4 Cornered Room and My Yellow Wise Rug (both on GPR, 1994) – emotional, eerie and escapist music, at the time of release forward thinking records that in retrospect managed to overcome time.

Originally recorded at Slater's Spacestation Ø, now all newly mastered for A-TON, Chronicles I depicts the futurist aesthetic and musical agenda of the 90s in a contemporary context, without nostalgia but confidence of its timelessness. With seven original musical pieces and a previously unreleased Ken Ishii remix, The 7th Plain sounds as spirited and relevant as ever.

While “Boundaries” (taken from My Yellow Wise Rug), “Grace” and “Surface Bound” (from The 4 Cornered Room) should be familiar to Slater aficionados, “The Super 8”, “T Funk States”, “Slip 7 Sideways” and “Chords Are Dirty” are previously unheard like the aforementioned remix of Ishii's “Extra”.

The 7th Plain - T Funk States

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