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POP ETC x Rick Springfield

New album 'Souvenir' out now
Vinyl + CD: smarturl.it/shopsouvenir
iTunes: smarturl.it/isouvenir 
Amazon: smarturl.it/asouvenir 
Spotify: smarturl.it/spsouvenir

Follow POP ETC:
POPETC.com
facebook.com/popetc
twitter.com/popetcetera
instagram.com/popetcetera
Snapchat: popetcetera

Jessie's Girl (Rick Springfield Cover)

I'M YOUR PUPPET

Otis Redding - Look At That Girl

11 the chi-lites - have you seen her

Mo  Better Blues

SCHIZO MIX

Tracklist:
ICYTWAT - PORSCHE TRUCK
Duwap Kaine - Out On Bond
Dee Aura & Slimesito - XZIBIT
Baby Smoove - Gotham City
Izaya Tiji - Militia
Glokk40Spaz - Free Sumo
Axxturel - Bad Terms
BigSmokeChapo, Slimesito, Fluhkunxhkos - Slidin W Dark Tint
SmokingSkul, MajinBlxxdy - Knarka
DVNZXL - NUNMASSACREFREESTYLE
Izaya Tiji - sfs
Hardrock - feel alive
Baby Drill - Last Day In
Kankan - Rookie









---------------------------------------------
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playboi carti type beat
rap beat
instrumental
trap beat
soundcloud
juice wrld type beat
lil peep type beat
ken carson type beat
yeat type beat
Opium
Opium Type Beat
Playboi Carti Kanye West
Whole Lotta Red
lil durk type beat
pop smoke type beat
pushing p instrumental
young thug type beat
gunna type beat
sad instrumental
moonlight instrumental
trap metal
slumped
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slowed & chopped
808
trap music
slumped music
too easy instrumental
idk that bitch instrumental
flooded instrumental
life of sin instrumental
die alone instrumental
missing me instrumental
so far ahead > empire instrumental
too easy (remix) instrumental
private island type beat
pushin p type beat
pushing p type beat
poochie gown type beat
how you did that type beat
alotta cake type beat
livin wild type beat
you & me type beat
south to west type beat
25k jacket type beat
too easy type beat
idk that bitch type beat
flooded type beat
life of sin type beat
die alone type beat
missing me type beat
so far ahead > empire type beat
too easy (remix) type beat
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SCHIZO MIX

3. You’ve Got The Makings Of A Lover
Textbook Northern Soul from a little known Dallas, Texas group called The Festivals. I was digging for records in NY with my homey DJ Kurse, and the shopkeeper played the 45 in the store. Both of us immediately ran up to the counter and said “yo! what is THAT?!”. The original version was recorded in the late 60s, and the mix isn’t very good. I wanted a version that I could bump. Quentin Joseph played the drums and we recorded them at Sam Beaubien’s studio in Detroit. That’s Sam playing the trumpet as well.

You've Got The Makings Of A Lover

1st official mixtape by Sione Toki. Features include Jovi, Loa Pole'o, Chola and U.L.A. of TAKE CARE ENT.

04 Bad Boy (Big Bang ENG ReMake)

Light Heat - And The Birds

Soil & "Pimp" Sessions - Mo’ Better Blues

iTunes: https://itunes.apple.com/us/album/same-love-feat.-mary-lambert/id560097651?i=560097759

From the forthcoming debut LP "The Heist", which is being independently released on 10.09.2012.

As part of a partnership with Music for Marriage Equality campaign, Sub Pop Records has released this track digitally on iTunes and will release a limited run 7" vinyl on 7/31, available through Sub Pop direct sales and http://www.subpop.com. 

All proceeds will benefit marriage equality in Washington State.

MME On The Web:
http://music4marriage.org
http://www.facebook.com/MusicForMarriageEquality
https://twitter.com/Music4MEquality

The Heist

Same Love (feat. Mary Lambert)

Kurloz/Meulin filk. Track art by the incredibly talented <a href="http://nicholanton.tumblr.com/">Nicholanton</a>.

((NEW DOWNLOAD AT <a href="http://www.muziboo.com/mp3/thin-lines/">MUZIBOO.</a>))

Music/Lyrics (c) Me/Phemiec
Track Art (c) <a href="http://nicholanton.tumblr.com/">Nicholanton</a>
Homestuck (c) Andrew Hussie

~
LYRICS
~

I said a word
it got caught in my throat, and it burned
slipped off my tongue and I choked,
you were concerned for a second 
then cries echoed into the night, lesson learned

because you heard a word 
that I said, and this word how it rang 
in your head, it was loud and glorious, yes
and from where you lay on my chest 
well, you heard it best

but you held me closely while I screamed
and I watched the thinnest trails of green 
run down your neck, and drip from your chin 
thin trails of green, thin lines, on gray skin

Thin lines on gray skin
Thin lines on gray skin
where they world ends that's were we begin
my thin line, my thin line

I said a word
was it a blessing or curse?
Nobody knows the whole story, 
nobody hears me but you 
and you would have heard more if you could have I'm sure

because you heard my word, 
you still do with your hands, eyes and rest of you too
little stray on my lap, zealot, hellcat
can't forgive what I did to my dream-maker, 
(has thou forsaken her?)

And if you knew what I knew, would you object?
Are we madmen or soothsayers? Truthfully, sweet heretic?
I bit off the bit that silenced the world for you, sewed up my sin
With thin threads of black, thin lines on gray skin

Thin lines on gray skin
Thin lines on gray skin
when they world ends, that's where our work begins
my thin line, my thin line

Thin Lines

mo better blues (pre-listen)

An update fansong. Trickster Jane's POV. Enjoy! :)

DOWNLOAD LIMIT REACHED. ALTERNATE DOWNLOAD AT <a href="http://www.muziboo.com/mp3/sweet-3/">MUZIBOO</a>

music/lyrics (c) phemiec/hamsters
Homestuck (c) Andrew Hussie

~
LYRICS
~

Hello, my candy coated darling, it's your vanilla baby
I've come to say I love you and I always have
I find it so amusing, I used to be confused and
afraid that you would never love me back

But now I see that we were always meant to be
you and me forever planting lots of family trees
counting out our children, half a zillion at least
we'll name the boys for you and we will name the girls for me

Hello, the sour peach of my skin, the sweetest poison icing
so tasty it could rot your teeth and brain
The chaotic consumption, the diabetic gumption
to do a thing like make me go insane

and leave this plane of reality completely
float among the clouds of pink and blue cotton candy
let's blast into space and race around like airplanes
spreading multicolored chem-trails, soda pop and acid rain

Feels so neat! Never wanna be myself again, I just wanna be SW--E--ET!
Feels so fun! Never wanna come back down...

Goodbye to heartbreak on my birthday, annoying boys who hurt me
with all the stupid things they do and say
I can't even remember, what I was so upset for
Spun sugar melts in water anyway

So no more crying, dry those tears, I'll end your pain
Soon you'll feel the cherry syrup running through your veins
Heaven is a grinning face with not a trace of shame
Take a taste of every flavour, favour anything but plain

Feels so neat! Never wanna be myself again, I just wanna be SW--E--ET!
Feels so fun! Never wanna come back down....

Sweet

BOOKING: harald@mfm-booking.de

FACEBOOK: http://www.facebook.com/robin.schulz.official

Robin Schulz - Sunset (Original Mix) OUT NOW!!!

Decided to take a break from recording new songs and did this cover to clear my head. Thinking of doing more of these, so if you have any requests, leave them in the comments....

xo,
POP ETC
www.POPETC.com
www.facebook.com/popetcetera
www.twitter.com/popetcetera

How Deep Is Your Love (Bee Gees Cover)

Beach Boys x POP ETC

New album 'Souvenir' out now
Vinyl + CD: smarturl.it/shopsouvenir
iTunes: smarturl.it/isouvenir 
Amazon: smarturl.it/asouvenir 
Spotify: smarturl.it/spsouvenir

Follow POP ETC:
POPETC.com
facebook.com/popetc
twitter.com/popetcetera
instagram.com/popetcetera
Snapchat: popetcetera

God Only Knows (Beach Boys Cover)

From Misun Summer Bootlegs mixed by Cousin Cole & Nacey: https://soundcloud.com/nacey/sets/misun-summer-bootlegs


Cousin Cole: https://soundcloud.com/cousin-cole
Nacey: https://soundcloud.com/nacey

Misun - Darkroom (Cousin Cole & Nacey Edit)

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


I'M YOUR PUPPET

otamendipalace