full track list here > https://archive.org/details/Nicolas_Jaar-BBC_Radio_1_Essential_Mix_2012-05-19

Electronic Music

Nov. 3, 2023 - Brussels, BE
*The Gods Return to Reclaim Their Rightful Throne*

audio recording: Stef Van Alsenoy

00:00:00  Intro
00:02:00 Kruder & Dorfmeister: Johnson
00:06:05 Depeche Mode: Useless (The Kruder + Dorfmeister Session)
00:13:07 The Doors: Riders On The Storm (K&D edit)
00:17:25 Kraftwerk: Musique Non Stop (K&D edit)
00:20:51 Haft: Denic (Lukas Endhardt Acid Reflux)
00:24:24 Thornato: Gaita Gaita
00:27:15 Kiryll & Redford: Superstition (Lukas Endhardt Remix)
00:30:35 Count Councellor: Celine (bootleg)
00:33:55 Jean Paul Gavri: Les Dance (bootleg)
00:41:13 Monolink: Running
00:45:28 beatsbyhand: Gypsy Woman (She's Homeless) [feat. Kali Mija] [Atmos Blaq & Chymamusique Remixes]
00:50:52 Elvis Presley: Fever (K&D edit)
00:58:22 Kruder & Dorfmeister: King Size
01:01:40 Kruder & Dorfmeister: Holmes
01:03:00 Kruder & Dorfmeister: Swallowed The Moon
01:04:21 Kruder & Dorfmeister: Morning
01:06:20 Kruder & Dorfmeister: Don Gil Dub
01:08:10 Kruder & Dorfmeister: Dope
01:10:26 Adam F: Circles (Pola & Bryson bootleg) 
01:14:45 Netsky: Everybody Loves The Sunshine
01:18:29 Culture Shock & Sub Focus: Recombine
01:22:09 Interlude
01:23:17 Nu: Who Loves The Sun (Depart Acoustica)
01:27:08 Jacques Lu Cont: Innervision
01:30:32 HUGEL, BLOND:ISH & Nfasis: Tra Tra
01:34:49 J Balvin & Skrillex: In Da Getto
01:39:14 Peace Orchestra: Who Am I
01:41:52 Tosca: Fuck Dub pt. 1
01:43:47 Alex Reece: Jazz Master (K&D session)
01:45:49 Rockers HiFi: Going Under (K&D Session TM)
01:47:59 Lamb: Trans Fatty Acid (K&D session)
01:49:50 Kruder & Dorfmeister: Deep Shit, Pt. 2
01:51:16 Sofa Surfers: Sofa Rockers (Richard Dorfmeister Edit)
01:52:52 Bomb The Bass: Bug Powder Dust (K&D Session)
01:56:37 Count Basic: Speechless (Drum 'N' Bass) (Encore

Kruder & Dorfmeister Live At AB - Ancienne Belgique 30th Anniversary Show 2023

► Download audio on our app: http://blrrm.tv/BR_APP ► Watch here: http://blrrm.tv/acid-mexico
► Acid Pauli broadcasting from the Mexican jungle with chirruping polyrhythms and cinematic techno.

Acid Pauli Boiler Room Tulum DJ Set

Impressionist

OP 𓅛 mix 1 - Nicolas Jaar Summer 2008 Live Set

Read our interview with @hippie-dance co-founder @superpitcher and check out this mix's track list here: bit.ly/SuPod (German) or here bit.ly/SupEPod (English)

Groove Podcast 101

Tracklist

Groove Podcast 101 - Superpitcher

Kompakt head Michael Mayer drops by Sunday Best over Memorial Day weekend in NYC.   More info at www.sundaybestnyc.com

Michael Mayer - Live At Sunday Best (May 30, 2010)

We got our hands on the recording of @weval's @redlightradio session that happened during week of ADE 2017.
Their track 'Metazoa' was a highlight this year and their performance at @dgtl-festival during ADE was as great as ever. If you listended closely, you could hear the guys are working on new material already. Catch them on their European tour this fall/winter!

KOMPAKT PODCAST #4  - Weval (DJ Set) at Red Light Radio

The Wolf + Lamb prodigy whips up a diverse hour-long mix for this week's RA podcast.

RA211 100614 Nicolas-Jaar-residentadvisor.net

Taken from blog post:
http://www.gregwilson.co.uk/2012/05/it-was-back-in-82/

IT WAS BACK IN ’82:
One of the defining moments of my DJ career took place exactly 30 years ago, on Monday May 10th 1982, when my first radio mix was broadcast on Mike Shaft’s show, ‘T.C.O.B’ (Taking Care Of Business), on Manchester’s hugely influential Piccadilly Radio, which played a major part in bringing black / dance music to wider attention during the 70’s and ‘80’s - from Soul, Funk and Disco, through Jazz-Funk and Electro, and on into Hip Hop, House and Techno. I go into its rich legacy in greater depth here:
http://www.electrofunkroots.co.uk/articles/dont_touch_that_dial.html   

The mix had been recorded a few days earlier, as live, one afternoon at Legend in Manchester (the club closed at the time). Mike Shaft had brought along a Revox B77 reel-to-reel to record onto, the machine being the portable unit of choice throughout the radio industry in this country back then. This was the first time the Revox, which has since played a constant role in my work, entered my life. At the time I had no means to record at home, but by the end of the year, following the runaway success of the mixes, which would subsequently become a regular feature on Piccadilly, I’d purchase a couple of Technics SL1200’s and a Matamp Super Nova mixer (this was at a time when, with the exception of London DJ, Froggy, who used them for his Roadshow, no UK DJ’s had such equipment at home). To top things off I bought my first B77, so I could put together my mixes at home, which would serve to lead me ever-deeper into my obsession with editing. So glory be to Mike Shaft and to Piccadilly Radio for facilitating this life-defining arc of continued discovery.

The reel of ¼ tape onto which that first mix was recorded onto was, as with most of my radio mixes (the final one, ‘The Best Of ‘83’, being aired in December 1983), lost – probably copied over at some point or other, having been stored at the station. I managed to salvage a few of these mastertapes, most importantly ‘The Best Of ’82, but the original mix wasn’t amongst these, and I only had it on an extremely lo-fi cassette recorded from the radio at the time.

As the author / DJ Dave Haslam once said, the mixes “were probably some of the most taped programmes in Manchester radio history”. These tapes would also spread further afield than the Greater Manchester region that Piccadilly broadcasted to, with copies, and copies of copies, finding their way into cassette players and ghetto blasters in all corners of the country, often without people having a clue about their source – this was the ‘mixtape’ in its earliest form from a British perspective. One such recipient of my mixes was Stafford based Pezz, then a 14 year old lad discovering his musical influences, and later of the fabled Nottingham-based soundsystem and DJ collective, DiY, who were amongst the pioneers of the UK free party scene, having formed in 1989.

I’d meet Pezz at the Liverpool offices of 3Beat, the record shop / label he worked for – this was in 2002, 20 years on from when my radio mixes first aired. My DJ comeback was still in the future, and I was very much an obscure name from the past at best, most people of Pezz’s age brought up on a later generation of DJ’s. So his excitement at meeting me was unexpected – he was talking about this tape from back in my Piccadilly days that had made a big impact on him and his friends at the time, as they set off on their own personal dance music odysseys, and asked me if I could identify a couple of the tracks featured (these id’s having eluded them for 2 decades). It turned out that one of his big mates back then was Dean Meredith, later of Bizarre Inc, who enjoyed chart success in the early 90’s, and more recently  Chicken Lips (whose ‘He Not In’ I edited on my first ‘Credit To The Edit’ compilation in 2005), and that this tape had been a major influence on the sound of his latter project, which, along with Bizarre Inc, was produced in collaboration with partner Andy Meecham.

Pezz takes up the story in the sleevenotes of a limited run CD (300 copies only) from 2007, to mark the 25th anniversary, which he called ‘It Was Back In ‘82’:

“As soon as I’d met Greg, an excited call was made to Dean. ‘…. Hey kid, guess what! I just met Greg Wilson – No way – I need you to send me a copy of the tape up as soon as possible….’ Then came the months of waiting more phone call’s hassling to get a copy before eventually with the bribe of digitally remastering it onto CD it finally arrived!

In the meantime I’d had many conversations with Greg and e-mail’s were exchanged, one of which contained a list of essential Electro-Funk releases. This list was full of records I, and anyone I showed it to, had never heard of, apart from some obvious classic’s such as the Peech Boy’s ‘Don’t Make Me Wait’, and Afrika Bambaataa’s ‘Planet Rock’. When I finally sent him a copy of the tape I’d got from Dean he identified mysterious artists and titles like The Gunchback Boogie Band’s ‘Funn’ and Jimmy Spicer’s ‘The Bubble Bunch’. I began hunting down these tracks on the internet, the first to arrive was Larry Graham’s ‘Sooner Or Later’, and the excitement of finally getting my hands on these tunes was unreal, mindblowing! I hadn’t had such a buzz from buying records in years. A goal was then set to collect every track on the tape. Gradually over the coming weeks all but a handful were found. In the meantime, Greg found the old tracklistings for his first ever mixes for Mike Shaft, which just happened to be the two mixes contained on the legendary tape. I was then able to find all but two tracks, or rather two small drum sections he used in the first of the mixes. Not even Greg can recall where these came from!

Before long it seemed obvious that listening to this 20-year-old tape was not enough. After collecting these, and a host of other early 80’s Electro-Funk releases, I decided that the only thing left to do was to re-create the mixes myself! Rather than just re-do them as Greg did back in ‘82 on the decks at Legends. I decided to use the computer to ensure the tightest of mixes and present them in today’s highly polished manner (I also lifted and cleaned the missing drum parts direct from the tape). The whole concept of taking someone else’s work and re-creating it is quite strange, and actually completing it and then re-presenting it to Greg felt even more bizarre. Thankfully he was really into what I’d done, especially as the original ¼” masters have been lost and, like myself, the only copy of these mixes that Greg had was recorded onto cassette from the radio.”

Pezz’s full sleevenotes can be read at:
http://www.electrofunkroots.co.uk/it-was-back-in-82/

So, to mark its 30th anniversary, this reconstructed version of my first ever radio mix, which was painstakingly pieced together by Pezz, has now been uploaded onto my SoundCloud.

The mix would be the first of its type on British radio, and following the fantastic response to mix 1, Mike Shaft decided to make it a regular feature, with new mixes every 3-4 weeks. It would have an instant impact in the clubs, with Legend’s attendance, which was already on the up, going through the roof in a matter of weeks. It was a momentous month, which also saw the release of the seminal Electro track, ‘Planet Rock’ (see: www.electrofunkroots.co.uk/articles/when_the_planet_rocked.html) and the opening of a new Manchester club, which I’d DJ at later down the line, called The Haçienda.

My career was about to go into overdrive, and ‘The Greg Wilson Mix’, as Mike, in his distinctive mid-Atlantic drawl, would introduce it, was a major part of this process.

Greg Wilson May 2012

IT WAS BACK IN '82 (by greg wilson for piccadilly radio manchester 1982 reconstructed by pezz 2004)

The Bianca Story – Dancing People Are Never Wrong (Jan Blomqvist Remix)

OP 𓅛 mix 6 - Nicolas Jaar - (BBC Essential Mix 2012)

Sit back and relax. Enjoy this musical trip, without any BBC jingle interference. :)

Tracklist:
Angelo Badalamenti – Conversation On Twin Peaks [Warner Bros]
The Brothers Four – Greenfields [Columbia]
Jay-Z – My First Song (Acapella) [Roc-A- Fella]
Jonny Greenwood – There Will Be Blood [NONESUCH]
Los Ángeles Negros – Tu Y Tu Mirar… Yo Y Mi Cancion [Harmless]
LaShun Pace – It’s Me Oh Lord (Acapella Praise) [Shanachie]
Jonny Greenwood – Open Spaces [NONESUCH]
Pearson Sound – Footloose [Pearson Sound]
The Electric Prunes – Holy Are You (There Is No God Edit) [Reprise]
Aphex Twin – Ziggomatic 17 [WARP]
Keith Jarrett – Tokyo, November 14 (Encore) [ECM Records]
My Girl And Me – Always Back To You (feat. Lorraine) [Unknown]
Vera November – Last Night Together (You’re Coming Back Edit) [Rough Trade]
Nikita Quasim – L’amour L’après Midi [Clown and Sunset]
Nikita Quasim – The Way I Felt Today [Clown and Sunset]
Feist – Caught A Long Wind [Polydor]
??? – Yujemi’s Theme (In The Mood For Love) [Higher Octave OmTown]
*NSYNC – It Makes Me Ill (Edit) [JIVE]
[unknown] – Unknown
Charles Mingus – Myself When I’m Real [IMPULSE]
Bill Callahan – America! [DRAG CITY]
The Field – The Little Heart Beats So Fast [Kompakt]
Sneaky Sound System – Always By Your Side (Nicolas Jaar Remix) [Modular]
Just Friends – Avalanche [Unknown]
Pavla + Noura – Don’t Owe Me A Thing [Clown and Sunset]
Acid Pauli – La Voz Tan Tierna [Clown and Sunset]
Igor Wakhevitch – Taddy’s Dream: Ramallah’s Road [Pathé Marconi EMI]
Nikita Quasim – Derridu [Unknown]
Beyoncé Knowles – 1+1 [Columbia]
Anouar Brahem – Vague / E La Nave Va [ECM]
Rio Grande – Let’s Groove (Tonight Edit) [Unknown]
Gonzales – Manifesto [Sunnyside]
The Grass Roots – Let’s Live For Today (Learn To Live Edit) [Dunhill]
Marvin Gaye – Inner City Blues (Sk Edit) [TAMLA]
Man Friday – Real Love (The Paradise Garage Mix) (feat. larry levan) [Nite Grooves]
DJ Slugo – What That Do [Subterranean Playhouse]
Ricardo Villalobos – What You Say Is More Than I Can Say [Playhouse]
Untitled – Untitled [Unknown]
Nicolas Jaar – The Student [Wolf & Lamb]

CSP006 Nicolas Jaar - Essential Mix (NO BBC Edit)

"Like a fly bouncing uselessly off a closed window, I'm caught at a moment when the effort of finding new ways to perceive the world feels just out of reach for me." - David Toop

Recorded May 7th 2020

www.99chants.com

"TOMORROW IS FOREVER" - May 7th 2020

Beats in Space #549 Part 2 by Nicolas Jaar

Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

OP 𓅛 mix 6 - Nicolas Jaar - (BBC Essential Mix 2012)

OTHER PEOPLE

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