chill

Good music

pre-released on www.other-people.net on April 6th, 2014 (issue #33 & #34)



OP008 - Ezekiel Honig - Paragraphs

Other People

Refraction

I like the way you talk

From his second EP 'Fragile'
Bandcamp: http://vresh.bandcamp.com/
iTunes: https://itunes.apple.com/us/album/fragile-ep/id739718296

Vinyl can be ordered at:
http://vresh.bandcamp.com/
https://www.deejay.de/VLP1301__131876 
http://www.triplevision.nl/release/VLP1301/


VLP1301: Pascäal - Fragile
Digital/12"

Written and produced by Peter Wiley
Copyright 2013 Vresh
www.vresh.nl

Pascäal - Cheated (Fragile) - VLP1301

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Going Wrong':

“This song is just delicate. It starts delicate, and stays delicate – even when it expands a little bit, it still has this quality of warmth and delicacy. It never needs to become ironic and cynical and step back and see what it’s doing; it’s just this little jewel box of a song.”

Innocents

Going Wrong

Buy & Listen

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Everything That Rises':

“I just thought this song had a really odd, strangely beautiful quality to it, which is why I used it to open the record. I like the idea of starting absurdly small and then getting quite big and epic about two-thirds of the way through. Hopefully, people won’t turn up their stereos really loud at the beginning to compensate, because it does get quite loud at the end; but when it begins, it’s just so thin and strange. When you first listen to it, there’s a chance you’ll wonder what’s wrong with your stereo! 

It’s hard to talk about instrumentals because… they’re instrumentals: It’s difficult to say, “The song is about this,” because technically it isn’t about anything. And I never know what to name them, either, so I figure, why not pay homage to my favorite writers and borrow their titles? I’ve named a few of my songs after Southern Gothic stories, and this one comes from “Everything That Rises Must Converge,” which is a Flannery O’Connor story.”

Everything That Rises

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Saints':

“‘Saints’ was supposed to be a song with vocals – a big New York 1984 almost freestyle type song. Originally it was just drums, bassline, and synths;
it kind of reminded me of something you would’ve heard at Danceteria in ’84 -’85,  pre house music. But I was never able to write good vocals for it. By the end, I kept adding more strings, more orchestral elements, more drums, so I ended up with an instrumental that was so filled, there just wasn’t room for real vocals on it.
I like music with vocals, but having an instrumental on a record provides a moment where the listener doesn’t have to be as engaged, so you can kind of take a little break; the parts of your brain that are engaged by people singing can quiet down for a minute and you can just relax. 

Spike said ‘Saints” reminded him of ‘Slave to the Rhythm’ and ‘Unfinished Sympathy’: when he told me that, I listened to them, and was like, ‘Oh, yeah – you’re right!’ It wasn’t intentional, and I wasn’t aware of it when I was working on it, but afterwards I was like, “Yeah, I hear it.” If you listen to records enough, eventually they are going to infect how you make your own music. The fact that “Unfinished Sympathy” is one of my favorite songs of all time, and “Slave to the Rhythm” is such an inspirational piece of music, it’s not surprising that some of those elements would come through in what I do.”

Saints

VISUALS debut EP available on @otherpeoplerecords
produced by DARKSIDE

facebook.com/visualsvisualsvisuals
other-people.net

ORDER on iTunes :
itunes.apple.com/us/album/visuals-ep/id734558132

VISUALS - space oddity

Remix of https://soundcloud.com/purplepurplepurple - "The Club"

From the "Salvation Remix EP" coming December 11th on 
https://soundcloud.com/wedidit-collective

Buy the "Salvation EP" here: itunes.apple.com/us/album/salvation/id731743402

https://www.facebook.com/pages/Shlohmo/215424843565
www.twitter.com/shlohmo

https://soundcloud.com/wedidit-collective

Purple - The Club (Shlohmo Remix)

UK & North America Tour on sale: http://dukedumont.com/live/
Blasé Boys Club, Pt. 1 Pre-order: http://po.st/BBCPT1
Ocean Drive Out Now: http://smarturl.it/BBCPT1

Out now! Download at iTunes: http://po.st/IGotU
Watch the official video - http://po.st/IGOTUVIDEO
Tag this with Shazam to get a free download of the Tensnake remix.

www.facebook.com/dukedumont
www.facebook.com/onmyjaxjones

Spring Break 2014

I Got U (feat. Jax Jones)

Thievery Corporation - Fragments (Tycho Remix)

Drafting Hindsight

Here We Are

May 11

Little re-work we did of one of our favourite songs ever...
ENJOY!

http://disclosureofficial.com
http://facebook.com/disclosureuk
http://twitter.com/disclosure
http://instagram.com/disclosure
http://instagram.com/disclosure_pics
http://youtube.com/disclosureVEVO
http://youtube.com/officialdisclosure
https://open.spotify.com/artist/6nS5roXSAGhTGr34W6n7Et

Frontin' - Pharrell ft. Jay Z (Disclosure Re-Work)

Facebook: fb.com/ChrisMeidOfficial
Twitter: https://twitter.com/ChrisMeid
Instagram: http://instagram.com/chris_meid

Peace ;)

Sam Smith - How Will I Know (Chris Meid Remix)

Produced/Recorded/Mixed/Mastered by me

Lyrics:

[1st verse]
Blood on my lips I'm so hungry I'm 'bout to kill them all
Tears on your cheek, bitch you thristy and I'm your waterfall
Street is the shit, you can't escape so we had to got balls
Don't even speak your language, stil got more bars
Don't need to sell your shit to prove who's the boss
I'm fighting everyday you can see on my arms
Capoeira, pancrase, with no gun bitch you done
Grandpa's a warrior, I got that on my bones
Today I may chill with you, tomorrow you done
Today I may be unknown, tomorrow I'm on
Now many motherfuckers starving to be known
You ain't even spit a verse, I already won

[Chorus: Quotation] x2
"Nowadays niggas want to be at the top"
"Nowadays rebeus want to get out the block"
"Nowadays white motherfuckers wanna rap"
And I'm sitting here ready to burn them up, hun

[2nd verse]
Now, who's the realest?
Now, where're the killers?
Now, who's the baddest?
No, we ain't modest
To this street credibility,you can't find no democracy
But we use our abilities to get out of this misery
Bitch, you know my name 
But you don't know my mind, my history
I came in this game, I was well trained
My mom in hysteria
We are so scary that at first sight I beat the shit of you
Don't even speak your language I'm before every move you do
Every move you do, every, every move you do
Every move you do, every fucking move you do!

[Chorus 2: Quotation] x2
"Nowadays white motherfuckers at the top"
"Nowadays niggas want to get out the block"
"Nowadays all of my rebeus wanna rap"
And I'm sitting here ready to burn them up, hun

[3rd verse]
Ain't nobody better than me, and if you find better than me
It's just that it's a second me, a second we? a second us
I told you we the killers, I told you we the realest
I told you we the best and I told you we'll be better 
Than you, maafaka
Now where's your bitch blocka
If you kill me tomorrow, I'll be you next phobia
I'll be you next terror, unable to see color
Just living to feel the dolor, crying every night "Mamaaa!"
"Mama, mama, I just killed a mothafaka, faka!"

[Chorus 3: Quotation] x2
"Nowadays rebeus want to be at the top"
"Nowadays white motherfuckers at the block"
"Nowadays all of my niggas wanna rap"
And I'm sitting here ready to burn them up, hun!


VIDEO

NOWADAYS (Prod. Rilès)

Nicolas Jaar - Fight (Nymphs IV) 
Buy from R&S - http://bit.ly/1P63g8e
Buy on - iTunes - http://hyperurl.co/gyc66j 
Buy on - Bleep - http://hyperurl.co/vj7n3t

Fight

Nicolas Jaar - Fight

A Jon Hopkins mix ahead of his show alongside partner-in-folk King Creosote on the 2nd of February. Tickets and details: http://eatyourownears.com/events/king-creosote-jon-hopkins-1/

TRACKLIST: 

Bibio - Cherry Blossom Road
Carol Anne McGowan - When The Night Comes Falling
(Diamond Mine section)
Evenings - Babe
Glasser - Plane Temp
Lali Puna - Faking The Books
King Creosote & Jon Hopkins - Bats In The Attic
Jonsi & Alex - Boy 1904
(Diamond Mine section)
Bibio - Great Are The Piths

Jon Hopkins Mix

Innovativeleisure.net

12" Available Early 2012.

Woman

Open

The climax of the lunar escape is when you break through the clouds on your ascent to a new atmosphere.
On this track we employed a 17 piece orchestra to help us get our point across, working with the talented string arranger Richard Chester in Air Studios, London. 

Buy the 'Lunar Escape' EP worldwide via iTunes

Quick Links:
USA: https://itunes.apple.com/us/album/lunar-escape-ep/id593288393
UK: https://itunes.apple.com/gb/album/lunar-escape-ep/id593288393

Bandcamp:
http://psychemagik.bandcamp.com/album/lunar-escape-ep

From the Psychemagik - 'Lunar Escape EP' 

Label - Psychemagik, 2012
ISRC: GB GJ5 12 00007
http://www.psychemagik.com

EP Cover Photo:
Mariana Bassani 2012
www.marianabassani.com

Above The Clouds            (96Kbps)

Buy ‘Need U (100%)’: hhttp://smarturl.it/DukeDumont-NeedU

Need U (100%) ft. A*M*E is the first release on the Blasé Boys Club label.

http://dukedumont.com/
http://www.facebook.com/DukeDumont
http://twitter.com/dukedumont
http://youtube.com/dukedumontofficial

MNM Big Hits 2013 Vol. 1

Need U (100%) [feat. A*M*E]

Sweetest

http://www.dominorecordco.com/uk/albums/28-01-13/rounds-reissue

Unspoken (promo version)

Polyethers
30th June
Champion Records - DL
Buy from iTunes: http://smarturl.it/polyethersitunes
Buy from Beatport: http://smarturl.it/polyethersbeatport
Buy from Juno Download: http://smarturl.it/polyethersjuno
Buy from Bleep.com: http://smarturl.it/polyethersbleep
Buy from Boomkat.com: http://smarturl.it/polyethersboomkat
Buy from Amazon.com: http://smarturl.it/polyethersamazon
Buy from Trackitdown: http://smarturl.it/polyethersTID

‘Py shows massive promise’ – Q Magazine

After releasing her astounding mixtape ‘Tripping On Wisdom’ which featured collaborations with the likes of George Fitzgerald, Throwing Snow, Breton and Raffertie last year, Py returns with the long-awaited follow up, ‘Polyethers’, produced by Maths Time Joy and released via Champion Records on 30th June. 

A song about being so in tune with someone you love you ride the same emotional cycle together through romance and nostalgia via the testing times, ‘Polyethers’ marks the next natural musical step for Py. Showcasing her vocal depth and tone, ‘Polyethers’ is an epic love song, complete with soul-tinged harmonies; both emotionally grand and understated in all its bittersweet subtleties. 

Fresh from his groundbreaking Jamie Lidell remix, from Berlin based DJ/ Producer Jimmy Edgar (Warp/!k7/Hotflush) on the flip, Py has effortlessly managed to retain her contemporary electronic sound and clear artistic vision, rooted deep through ‘Tripping On Wisdom’, whilst simultaneously showcasing her impressively versatile, pop-spattered voice. 

Since completing a debut headline UK tour late last year as well as support for the likes of Fenech Soler on their the recent sold-out tour, Py has developed a full live show in the past few months. 

With support as diverse as Radio 1’s Rob Da Bank, Mixmag, Dazed & Confused, FACT and The Guardian and with further releases to drop on Champion, as well as forthcoming live dates and collaborations with Supreme Cuts through the latter half of 2013, Py is one artist set to stick around for a long time yet. Make sure you also watch out for her Red Bull Introducing session set to drop in late May. 

Live Dates
11th July - Electrowerkz supporting MAUSI, London
17th July - Mahogany Blog Live @ St. Pancras with Glitches, London
20 July – Farr Festival, Hertfordshire, UK

http://www.pymusic.co.uk/
http://soundcloud.com/pymusic
http://www.facebook.com/pypage
http://twitter.com/Py_tweets

Py logo and Artwork: Alex Menczykowski
Picture: Stephanie Sian Smith
Makeup: www.laureysimmons.com using Mac cosmetics.
Styling: Elizabeth Black
Hair: Keti Nikolova

Buy from iTunes

Polyethers

Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

Here We Are

OTHER PEOPLE