A one-hour selection by @nicolas-jaar aired first on May 15th, 2021 as part of the Sonic Liberation Front on @radioalhara, an initiative for Palestine by a group of audio platforms and sound artists who came together to unify their sound for Palestine and protest against the ethnic cleansing of the Palestinian people.

"Hello,
 
Thank you for inviting me to be here today. 

These are difficult days and it is difficult to express the feelings that I have inside. 

We have seen the horrors of Israeli occupation. We have seen the hypocrisy of the European and American media. We have heard the silence of our peers. And we have felt the screams inside Al Aqsa, in Sheikh Jarrah, in Gaza, in Haifa, in Jaffa, in Lydda. But this is only news to those who don't know. 
In reality, this is nothing new. 

The past 2 weeks have been a microcosm for the past 20 years, the past 40 years years, the past 70 years. 

The Israeli government is a racist settler colonial project committed to the ethnic cleansing of the Palestinian people. The legacies of systemic violence, racism and dispossession shaped by colonialism must stop. 

Today this means standing up and signaling clearly our support, our solidarity and our love for Palestine. Complicity with Israeli war crimes is found in silence and we cannot tolerate silence. 

As I speak something else is happening in another part of the world that is also very close to my heart. Chileans are right now electing  155 citizens who will write a new constitution for the country. It will replace the constitution that has been in place since the years of the military dictatorship. This constitution will be the first anywhere in the world to be written by an equal number of men and women. The only reason this moment of hope is possible in Chile is because of the incredible social movements that rose up to tell truth to power, to tell the story of life in the face of death. 
The courage and determination of Chilean activists, writers, artists has been astounding. I am sure many of them are inspired and influenced by the courage of Palestinians living under occupation. 

These social movements are creating change, and the forces of Empire are having a difficult time trying to control this change. When we see Israel bombing the tower that houses AP and Al Jazeera in Gaza, we understand that this war is being waged on multiple fronts. Journalism is one of them. Art and music is also one. 

So thank you for this initiative Radio Alhara and Recordat. 

This mix is different from any mix I've ever played. 

I'm gonna play a mix I made for myself, never meant to be shared. It's the music I play to feel better, in some ways it's my own kind of therapy, it gives me hope that life can always shine in the dark."

-- Nicolás Jaar

This is the 31st session of a series of sessions Recordat is hosting on Radio Alhara every other Sunday.

recordat:Palestine #0031 - Nicolás Jaar

APHEX TWIN - QU1 ///  SMPALESCHATULL
MARTIN KOHLSTEDT - HIE /// SMPALESCHATULL
ROBERTA FLACK - THE FIRST TIME EVER I SAW YOUR FACE
ONEOTHRIX POINT NEVER - CHROME COUNTRY
AROVANE - THAEM NUE
JORAM FEITSMA - LENTE
MIKE LAZAREV & AROVANE - FOOTSTEPS /// SMPALESCHATULL
HANDBOOK - BALMY /// SMPALESCHATULL
ROBAG WRUHME - SPODDY SPY
SILVIO ASTIER - GUILLERMO HUDSON
ROBAG WRUHME - TISMA
NANWEI CHIN SU - JAPAN
MICHAEL ANDREWS - WHEN I CALL A NAME
BRIAN ENO / JON HOPKINS / LEO ABRAHAMS - EMERALS AND STONE 
FRESCO & PFEIFFER - SPLINTER
WILIAM BASINSKI - MELANCHOLIA VI /// SMPALESCHATULL
DAVID LAST / FEATHERICCI / MI - ASPEN EXES /// SMPALESCHATULL
ARCHITECT - PASTGATE
THE AVALANCHES - LIGHT UP

BBC RADIO - ROBAG WRUHME MIX 2021

DJ Fog Puma aka Jean-Marie Dhur was infected by the post-punk, 2-tone and reggae virus at the age of 14, and soon acquired a solid collection of copied cassettes and mixtapes by trading with friends. A few years and some tangled cassette tapes later - initiated by the discovery of New Order's ‘Technique’ album - came the second epiphany in the form of Chicago house, Detroit techno, and communal euphoric dance experiences. Both spheres eventually merged into a preference for hypnotic, rhythmic, dubby, minimalist sounds with a counter-cultural and leftfield attitude. The affinity for this is still reflected in Fog Puma's DJ sets, which move along atmospheres rather than clearly defined genre boundaries. In addition to his dance sets, he also likes to play calmer music, which he presents monthly in the show Abendlandung on Cashmere Radio. And he is co-owner of the specialist bookshop Zabriskie in Berlin-Kreuzberg.

The source of inspiration for a Fog Puma mix are the sounds that are created incessantly by the countless great non-conformist, creative and experimental musicians worldwide - as well as moods that are generated by experiencing and connecting with plants, animals, landscapes, skies, weather and other natural phenomena. The mix for LiO is also inspired by the sounds on the chill-out floors of the 90s, which were mandatory for a proper rave back then.

@djfogpuma

Lio Press Mixes

LIO Press mix #24 ~ by Fog Puma · 'No Bounds'

© Mahi – All rights reserved.

This track and all other works released under the artist name "Mahi" are original productions created and owned by Mahi.  
Unauthorized use, reproduction, uploading, distribution, or copyright claiming of this material is strictly prohibited.  

Any false copyright claims or misuse of this content may result in formal copyright disputes and legal action.  
For licensing, remix permission, or business inquiries, please contact: Mahi1998hb@gmail.com

محمدرضا شجریان  ز مژگان سیاه تو

The Wolf + Lamb prodigy whips up a diverse hour-long mix for this week's RA podcast.

RA.211 Nicolas Jaar

go support your favorite artists by buying their music and seeing their shows.

Nicolas Jaar - DJ Set at Sub Club 11.15.15

OP 𓅛 mix 23 - Nicolas Jaar Presents the Network - Part 1 (Sept 7, 2016)

Sit back and relax. Enjoy this musical trip, without any BBC jingle interference. :)

Tracklist:
Angelo Badalamenti – Conversation On Twin Peaks [Warner Bros]
The Brothers Four – Greenfields [Columbia]
Jay-Z – My First Song (Acapella) [Roc-A- Fella]
Jonny Greenwood – There Will Be Blood [NONESUCH]
Los Ángeles Negros – Tu Y Tu Mirar… Yo Y Mi Cancion [Harmless]
LaShun Pace – It’s Me Oh Lord (Acapella Praise) [Shanachie]
Jonny Greenwood – Open Spaces [NONESUCH]
Pearson Sound – Footloose [Pearson Sound]
The Electric Prunes – Holy Are You (There Is No God Edit) [Reprise]
Aphex Twin – Ziggomatic 17 [WARP]
Keith Jarrett – Tokyo, November 14 (Encore) [ECM Records]
My Girl And Me – Always Back To You (feat. Lorraine) [Unknown]
Vera November – Last Night Together (You’re Coming Back Edit) [Rough Trade]
Nikita Quasim – L’amour L’après Midi [Clown and Sunset]
Nikita Quasim – The Way I Felt Today [Clown and Sunset]
Feist – Caught A Long Wind [Polydor]
??? – Yujemi’s Theme (In The Mood For Love) [Higher Octave OmTown]
*NSYNC – It Makes Me Ill (Edit) [JIVE]
[unknown] – Unknown
Charles Mingus – Myself When I’m Real [IMPULSE]
Bill Callahan – America! [DRAG CITY]
The Field – The Little Heart Beats So Fast [Kompakt]
Sneaky Sound System – Always By Your Side (Nicolas Jaar Remix) [Modular]
Just Friends – Avalanche [Unknown]
Pavla + Noura – Don’t Owe Me A Thing [Clown and Sunset]
Acid Pauli – La Voz Tan Tierna [Clown and Sunset]
Igor Wakhevitch – Taddy’s Dream: Ramallah’s Road [Pathé Marconi EMI]
Nikita Quasim – Derridu [Unknown]
Beyoncé Knowles – 1+1 [Columbia]
Anouar Brahem – Vague / E La Nave Va [ECM]
Rio Grande – Let’s Groove (Tonight Edit) [Unknown]
Gonzales – Manifesto [Sunnyside]
The Grass Roots – Let’s Live For Today (Learn To Live Edit) [Dunhill]
Marvin Gaye – Inner City Blues (Sk Edit) [TAMLA]
Man Friday – Real Love (The Paradise Garage Mix) (feat. larry levan) [Nite Grooves]
DJ Slugo – What That Do [Subterranean Playhouse]
Ricardo Villalobos – What You Say Is More Than I Can Say [Playhouse]
Untitled – Untitled [Unknown]
Nicolas Jaar – The Student [Wolf & Lamb]

CSP006 Nicolas Jaar - Essential Mix (NO BBC Edit)

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Nicolás Jaar - Cenizas

Für die Ewigwachgebliebenen zum Feierabendbier, für die Frühaufsteher als Seelenfutter zum Wochenbeginn: Montagssorbet mit Laut & Luise. Alles erlaubt, was gut tut und Gedanken kreisen lässt, nur der Name ist Programm: cremig, fluffig und ganz schön weich.

#12 macht unser Sorbet-Jahr voll und der Frühling lässt sich auch endlich blicken. Ganz passend dazu heute  weichgerührtes Fruchtfleisch mit https://soundcloud.com/dwig aka Die Wiese im Garten﻿. So für Gemütlichkeiten und natürlich zur Einstimmung auf das bevorstehende Album, welches in den kommenden Wochen auf https://soundcloud.com/giegling erscheint.

Alle Beats produziert von DWIG.
Beat Zwo: "Ausverkauf" feat. MC Malik
Last Beat: Christian Rottler - Proust (DWIG Remix)

(Ansage: Daniel)

#012: Die Wiese im Garten *live - Montagssorbet mit Laut & Luise

Tracklist: http://www.factmag.com/2013/06/17/fact-mix-387-dj-koze/

FACT mix 387 - DJ Koze (June '13)

Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

OP 𓅛 mix 23 - Nicolas Jaar Presents the Network - Part 1 (Sept 7, 2016)

OTHER PEOPLE