Papel Maché 024 - zizi K

Model:Cycles, 6 tracks, one pattern. Knobs and buttons. No clicks.

Sketch One

Delta Funktionen's set recorded live on Saturday, 20th of September 2025 at BOSC - A short story by Paral·lel in Gualba, Spain.

Delta Funktionen @ BOSC 2025

This was a dope little journey.

	1.	Jan Jelinek – Do Dekor
	2.	Youandewan – Have The Guts
	3.	Atomic Moog – Unlocked Groove
	4.	Efdemin – Drop Frame
	5.	Speedy J – Armstrong
	6.	Second Woman – Apart I
	7.	Forest Drive West – Ritual
	8.	Forest Drive West – Dualism
	9.	Anthony Fade / TRP – No Smoke
	10.	Luke Hess – Two Prophets
	11.	Pablo Bolivar – Reflect (Francisco Aguado Remix)
	12.	Joaquin Cornejo, Gotopo – Spatial Request (Original Mix)
	13.	Ben Sun, Jon Sable – Sable Sun (Original Mix)
	14.	Chaos In The CBD – Intimate Fantasy (Original Mix)
	15.	Wa Wu We – The Grip of the Frost Release Itself
	16.	Andrea (IT) – Dove Mai

Garraf Mix 02

VC-118A Live set recorded on Saturday, 20th of September 2025 at BOSC - A short story by Paral·lel in Gualba, Spain.

VC-118A Live @ BOSC 2025

Carmen Villain's set recorded live on Saturday, 26 July 2025 at Paral·lel Festival in Port del Comte, Spain.

Carmen Villain @ Paral.lel 2025

Long Delays: 13th November '25

SO's set recorded live on Saturday, 26 July 2025 at Paral·lel Festival in Port del Comte, Spain.

SO @ Paral.lel 2025

At the end of summer 2024, while recovering from an accident that almost took me out, I threw myself into making my own sounds with my one piece of hardware: the Model:Cycles, an FM synthesizer sequencer groovebox. I started from zero in terms of production chops, spending hours alone during some rough stretches. Anything to sit alongside the tinnitus and the existential dread. During those months, I occasionally posted a few pieces. I didn’t care about perfection. Any seasoned artist might cringe at how basic and simple the work was, and at the fact that I thought it was worth sharing. Thankfully, I don’t give a fuck. I just wanted to put out these “sonic sketches” as a snapshot of what I was feeling during this time and as a marker for what my square one looked like. Some of these sketches (jams really) are muddy and may clip at times. Part of the process I guess?

Eventually, I hit a point where I wanted to explore other moods and more complex forms of production. That felt like the end of an era. I made my own sound without copying anyone or taking any shortcuts. Just me jamming on a sequencer. With that in mind, and knowing full well that Spotify has become the fast food of music, I deleted all my early releases from the app and everywhere else. I’ve compiled my favorite sketches from the past 14 months into this EP. The end of a chapter, but something small and meaningful to me.

It was foolish to build it on the sand

otrabanda

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