Everlasting progressions, distorted guitars with strings and great dynamics. What's not to like? 👍✌️

such a big sound here...film, soundtrack for sure

Really strong track- fantastic work with many different and interesting sections definitely soundtrack worthy!

listened to several of your instrumentals all quite intense...suited for dramatic action screen work I think,...though this one has a few melodic quite episodes. My mind is shot these days and these moments work best for me

IN THE FOREST OF MOROIS   from  "PICTURES"

A kinda upbeat song I wrote, thanks for listening 💜

sense of time (look inside)

A song in which we channel our inner Portishead........

I guess it was just my own world
After all
Having you as the other part
Was nothing more
And nothing less than illusion

Oh you really fooled me good
Oh so good
Good, as in pleasantly 
And good as in sublimely
Good as in nothing wanting
As in I thought you were just too good to be true

CHORUS
Who was the one
Who always said forever and ever
Don’t forget
Who was the one who always said
We were a perfect fit
Who was the one 
Who had no doubt 
The future lay right ahead of us
Who was the one who said
That we were all that we needed
Don’t forget (x3)
It was I all along

Having you as the other part
Was nothing more
And nothing less than illusion

Oh you really fooled me good
Oh so good
Good, as in completely
And good as in oh so very cleverly
And good as in I was good and gone for you 
As in you had me hook line and sinker good

Repeat CHORUS

Oh you fooled me good
Oh so good
As in your disguise was crafted with care
But I had no idea 
They made those costumes
In such a slim fit

9000 Things To See

Keep Me Forever

Slim Fit

After many drafts, hopefully I have a final version of this song! It’s about narcissists, who can seem shiny and attractive at first. But the dissonance eventually reveals itself.

Lyrics:

I love you, yes I do!
And you love me, I can see!
I’m the one, yes the one.
Shining bright, I’m the sun.

Little darlin’ fall for me,
The false charms ring true.
Magnetic ways I save for you,
A little scene, I make the score.

You love me, I’m a catch!
No one else in the race!
But can’t they understand
I’m the best in the land.

Little darlin’ fall for me,
The false charms ring true.
Magnetic ways I save for you,
A little scene, I make the score.

Ooh, why do they fall
For the lies
That make us despise
The size of his ego
Ooh, what can be done, for
The lives that have been
Taken
Why do they fall for the lies
Time to make the move.
Arise.

Narcissus

Колискова (Ukrainian folk)

Marco Lucchi : piano and analog synthesizer

playing with
https://soundcloud.com/itwasthewires/093022001-mdlr-ambient
by itwasthewires

4 ottobre 2022

Ansikte mot ansikte [w/itwasthewires]

A short sort-of classical tune. I've no idea where I got the idea for the title!

Henry's Ghost

"Send In the Clowns" is a song written by Stephen Sondheim for the 1973 musical A Little Night Music, an adaptation of Ingmar Bergman's 1955 film Smiles of a Summer Night. It is a ballad from Act Two, in which the character Desirée reflects on the ironies and disappointments of her life. Among other things, she looks back on an affair years earlier with the lawyer Fredrik, who was deeply in love with her, but whose marriage proposals she had rejected. Meeting him after so long, she realizes she is in love with him and finally ready to marry him, but now it is he who rejects her: He is in an unconsummated marriage with a much younger woman. Desirée proposes marriage to rescue him from this situation, but he declines, citing his dedication to his bride. Reacting to his rejection, Desirée sings this song. The song is later reprised as a coda after Fredrik's young wife runs away with his son, and Fredrik is finally free to accept Desirée's offer.[1]

Sondheim wrote the song specifically for Glynis Johns, who created the role of Desirée on Broadway. The song is structured with four verses and a bridge, and uses a complex compound meter. It became Sondheim's most popular song after Frank Sinatra recorded it in 1973 and Judy Collins' version charted in 1975 and 1977. Subsequently, numerous other artists recorded the song, and it has become a standard.
 This is our version with a Tempus twist.

Send In The Clowns

The Tempus Collective - Send In The Clowns

Mossa Och Sten I

The so-called Mariner is a mutant and can breathe under water. One day he is captured by the inhabitants of an atoll. During an attack by the Smokers, a pirate gang, he manages to escape with the help of Helen and her adopted daughter Enola. He soon discovers the true motives for the attack: the leader of the Smokers, Deacon, has it in for the little girl and believes that the tattoo on her back points the way to the legendary Dryland.

https://youtu.be/8sdRPgMPIDA ... WATCH THE VIDEO 🙏🏼🌊

At minute 2:56 the violins play a bit wrong...noticed? 😱😅

🌅 Video

Waterworld

OTTFRIED MIETZKE-Composer,orchestral arranger,guitar and bass player,keyboarder from Hannover,Germany.

IN THE FOREST OF MOROIS from "PICTURES"

Ottfried Mietzke / Composer

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