Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

a great big mess. available everywhere 3.29

Having toured relentlessly for three years, alongside recording their debut album with numerous producers and in numerous studios, Clean Cut Kid decided to take a 10 month break from touring to record new music. On Wednesday 12th September, the band will mark their return with new single ‘Emily,’ taken from their upcoming ‘Painkiller’ EP out 22nd October.

The first thing the band did was head back to their native Liverpool, where they rented a pod in an old shipping factory in the Baltic Triangle area of the city, and filled it with vintage recording equipment. Once that was fully set up, they locked themselves away for months on end, getting everything up to the standard they wanted.

Mike Halls (lead singer/guitarist) was adamant that these new songs would be more personal to Clean Cut Kid, both in the themes they cover, but also to the band as a whole. Explaining this, Mike says: “I want to write about things in my life, what we’re feeling, whether they be sad or joyous. The ultimate thing is to take the deepest emotions and work it in to a message that isn’t miserable.”

Written, recorded and engineered entirely by the band, ‘Emily’ finds Clean Cut Kid deviating from their indie-pop sound of first album Felt – released last year – in to a more lo-fi, American East Coast sound, complete with 70s-inspired, fuzz guitar lines, harmonic backing vocals, a stand-alone verse from Evelyn Halls (keys) and thudding drums, with echoes of Fleetwood Mac, The Rolling Stones and Phoebe Bridgers.

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