DJ Free Time/Sias/Frank B

Repeater 

Repeater Radio
https://www.mixcloud.com/DublinDigitalRadio/playlists/repeater-radio/

Archive of radio show with Lumigraph - 
http://www.mixcloud.com/6MONTHVACATION/

30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border, the band Big Thief (a.k.a. Adrianne Lenker, Buck Meek, Max Oleartchik, and James Krivchenia) set up their instruments as close together as possible to capture their most important collection of songs yet. The band had only just finished work on their 3rd album, U.F.O.F. -“the celestial twin”- days before in a cabin studio in the woods of Washington State. Now it was time to birth U.F.O.F.’s sister album -“the earth twin”- Two Hands. 

In sharp contrast to the wet environment of the U.F.O.F. session, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session. Two Hands had to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. 

Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. “Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says Adrianne. “Musically and lyrically, you can’t break it down much further than this. It’s already bare-bones.” 

Lyrically this can be felt in the poetic blur of the internal and external. These are political songs without political language. They explore the collective wounds of our Earth. Abstractions of the personal hint at war, environmental destruction, and the traumas that fuel it. Lyrics like “And the blood of the man who killed my mother with his hands is in me/ it’s in me/ in my veins” are genuine attempts to point the listener towards the very real dangers that face our mother planet. When Adrianne sings “Please wake up,” she’s talking directly to the audience. “Attention is power,” she says. “I believe you can manifest something on the other side of the world just by using your power well.” 

Engineer Dom Monks and producer Andrew Sarlo, who were both behind U.F.O.F., capture the live energy as instinctually and honestly as possible. Sarlo teamed up with James Krivchenia to mix the album, where they sought to emphasize raw power and direct energy inherent in the takes. The journey of a song from the stage to the record is often a difficult one. Big Thief’s advantage is their bond and loving center as a chosen family. They spend almost 100% of their lives together working towards a sound that they all agree upon. A band with this level of togetherness is increasingly uncommon. If you ask drummer James Krivchenia, bassist Max Oleartchik or guitarist Buck Meek how they write their parts, they will describe—passionately—the experience of hearing Adrianne present a new song, listening intently for hints of parts that already exist in the ether and the undertones to draw out with their respective instruments. It is an honor to give life to these intricacies. 

With raw power and intimacy, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album. While you listen, let your own two hands rest in front of your body with palms facing inward and see what power grows between them.

amiina is a band based in Reykjavík Iceland. At present the band counts five people - Hildur Ársælsdóttir, María Huld Markan Sigfúsdóttir, Sólrún Sumarliðadóttir, Magnús Trygvason Eliassen and Guðmundur Vignir Karlsson (aka Kippi Kaninus).
The group's origins go back to the late 1990s, when four girls studying string instruments at the Reykjavík College of Music formed a string quartet. The group started out playing classical music, but increasingly moved on to play all sorts of music with various bands in Reykjavík.
In 1999 the quartet joined Icelandic band Sigur Rós on-stage. The collaboration continued for over a decade, with amiina contributing strings to Sigur Rós’ music on tour and in the recording studio on the albums ( ) , Takk, Með suð í eyrum við spilum endalaust and Valtari.
In 2004, amiina’s first EP, AnimaminA, was released, followed by the single “Seoul” (2006), the full-length album Kurr (2007), a Lee Hazlewood collaboration on a 7” vinyl Hilli (at the Top of...) (2008) and the limited release EP Re Minore (2009). In the autumn of 2007, drummer Magnús Trygvason Eliassen joined amiina on tour, adding percussion to the band’s textures. A few months later, collaboration between the electronic artist Kippi Kaninus and amiina was established while preparing a show together for the Reykjavík Arts Festival. The merging of Kippi Kaninus' electronics and rhythms with amiina's sounds and Magnús' percussion became the starting point for more established collaboration between the six musicians.
amiina’s second long playing album, the much acclaimed Puzzle, was released by the band in 2010 in Iceland, getting worldwide distribution the following year. The songs on Puzzle are more rhythmically rugged than amiina's previous work and feature heavier use of electronics. amiina's long-standing fondness for zero-g melodies and open-minded instrumentation, however, continues.
In 2009 amiina started to perform their original soundtracks to pioneering German filmmaker Lotte Reiniger's 1930's silhouette animations of the timeless fairy tales Sleeping Beauty, Cinderella and Aladdin. The so called Animagica program, originally performed at the Branchage film festival in Jersey, has now been put on show at Art festivals around the world.
The band released The Lighthouse Project in 2013, a work centered around some performances given in Icelandic lighthouses.
In between work with amiina and growing ever larger families, band members have also kept themselves busy, recording or touring with other artist such as Sigur Rós, Yann Tiersen, Spiritualized, Efterklang, Damien Rice, Yukihiro Takahasi, Canon Blue, Pétur Ben, Ben Forst Tilbury, Borko, múm, Jónsi & Alex, Kippi Kaninus, adhd, Moses Hightower and Sin Fang to name a few.

amiina's new album - Fantômas - will be released in November 2016. The release is inspired by the 1913 film Fantômas 2, which amiina is currently touring with an original live score.

John Flynn, Ultan O’Brien, and Patrick Cummins.

Ensemble Ériu, a septet led by Jack Talty and Neil O’Loghlen draw on a wealth of creative sources to perform arrangements of Irish traditional music rooted in the styles of West and North County Clare. The group brings together a chamber ensemble of some of Ireland’s most exciting young musicians from a range of performance backgrounds. The result is a unique combination of the fresh and familiar, a soundscape that is creatively progressive, yet rooted in tradition.

Bluiríní Béaloidis is the podcast from The National Folklore Collection, University College Dublin, and is a platform to explore Irish and wider European folk tradition across an array of subject areas and topics. Host Jonny Dillon hopes this tour through the folklore furrow will appeal to those who wish to learn about the richness and depth of their traditional cultural inheritance; that a knowledge and understanding of our past might inform our present and guide our future.

Podcasts are available for download directly from SoundCloud or via iTunes.

Visit www.hannatuulikki.org for more info.

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