Found Me

day of the dead

Original song by @Poomband available on the album « 2016 » out now :
apple.co/1YWnK4B

Remix by @lewis-ofman

POOM : www.facebook.com/Poomband
Lewis OfMan : https://www.facebook.com/lewisofman
                       

Poom - Qui es-tu? (Lewis OfMan Remix)



<a href='https://theartistunion.com/tracks/b389be'>Download for free on The Artist Union</a>

Chop Sui - Percy

The Neville Brothers- Yellow Moon

We welcome back long-time First Word family, Souleance, with ‘Bamboule’; fresh from their respective cut-ups for our sister label, Excursions, and their recent ‘Raw Funk’ set, we have a 5-track EP containing something for all the family, crafted with love once again by France’s Fulgeance & DJ Soulist. A truly eclectic collection, comprised of afro grooves, tropical vibes, b-boy rhymes, head-nodding shakers and intensely hype floor-fillers. A seriously fun selection. 

It kicks off with ‘Partay’, a mid-tempo slice of bouncy tropical boogie that does exactly what it says on the tin. An effervescent synth-bassline rides on top of a delectable disco shuffle, complete with classic reggae chants. 

Title track ‘Bamboule’ is a seriously energetic afro-funk beast. A truly infectious percussive rhythm track, laced with an immense bassline, vocal chops and synth rides, this one is 100% guaranteed to entice any dancefloor into a trance-like state of bugged-out body moves. 

’That Guy’ is some uptempo piano-rolling hip hop business, enlisting the help of Brooklyn MC, Von Pea, from the crew Tanya Morgan, who’ve been making noise on the independent hip hop scene for over a decade, as well as recently collaborating with GUTS. 

We dip down to around the 85BPM mark for ‘J’aime Marcher’, a lounging boom bap bumper with sloppy drums, jazzy rhodes and vivacious horns. 

Closing the EP is ‘Brown Bags’; an almost Dilla-esque cut-up, complete with rolling neck-breaking drums, sweet soul samples and stabs of prog rock. An abundance of variety, we think you’ll agree. 

For those that don’t know, the Parisian duo hooked up just over a decade ago, and haven’t stopped to rock & shock parties, clubs and festivals globally since, building a fan-base of solid party people and revered selectors along the way. As always, the wonderful Alice Dufay provides the artwork, making this an essential package for you and yours. 
credits
released October 27, 2017 on First Word Records

Bamboule

J'aime Marcher

You've Been My Girl

Try to Think

Marc Rebillet x Childish Gambino - Bridge Redbone

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-----------------------------------
"Old Graffiti" by Bibio

Curated by: Mike Floeck

Spotify: http://bit.ly/OldGraffitiBibio

Genre: #indierock

Stephen Wilkinson has figured out a thing or two about timing and tempo: Ribbons is Wilkinson’s tenth album as Bibio, and although his tenure resulted in a bit of diversion and experimentation, his predominant lane resembles folk music and experimental electronica without breaking a sweat about the comparison. Ribbons sits right in this lane: “Old Graffiti” settles down like a fresh spring rain shower of medium density, pattering against the windowsill, drops randomly striking at different angles and intensities. Wilkinson’s voice apparates from seemingly nowhere, echoing short syllables that he coos and barks through the song.

Bibio has credited phonemes as influences for his uniquely bizarre lyrical phrasing and articulation. Phonemes, per Merriam-Webster, are “[members] of the set of the smallest units of speech” that separate and identify one syllable from another. An example is when two words end in different consonants yet sound phonetically similar, e.g. “tad” and “tab”. The phonemes would be the “d” and “b” sounds, distinguishing the two words but just barely. You feel the tension of the “p” hanging on Wilkinson’s lips as he sings “makeup” and the word echoes rapidly behind; you sense the restraint as he transitions from the hard “e” sounds in “graffiti” into a yodel, howling over the plains of his percussion-driven arrangement.

Speaking of percussion, Bibio says “Old Graffiti” began with it whereas most of his compositions begin on guitar. He was “inspired by listening to old Batucada and Capoeira recordings,” both influenced by African percussion and native to Brazil. This broad-reaching influence lends an exotic air to “Old Graffiti”, a lost gem in a modern world.

Bibio - Old Graffiti

OURS SAMPLUS
hip-hop, trip-hop, electro, instrumental
https://www.ours-samplus.com/

Try to Think

Ours Samplus