J.S. Bach - Complete Works (Hänssler Edition) - 4

Bach Favourite Melodies

Gavotte en Rondeau from Partita for Violin solo No. 3 in E Major, BWV 1006

Calm Classical Lullaby Vol.5

Johann Sebastian Bach : The Well-Tempered Clavier, Book 1 BWV 846-869 - 2. Fugue

Tranquil Classical Meditation Music vol. 1

Johann Sebastian Bach : English Suite No.3 In G Minor, BWV 808, I. Prelude

Album Release: March 2016

Since 2015, Krzysztof Urbański has been principal guest conductor of the NDR Symphony Orchestra in Hamburg, one of the leading German orchestras. They are currently preparing together the inauguration in January 2017 of Hamburg’s new concert hall, the Elbphilharmonie, a major musical event in Germany with which Alpha Classics will be associated. Krzysztof Urbański is also music director of the Indianapolis Symphony Orchestra and principal guest conductor of the Tokyo Symphony Orchestra. A resolutely international career for a young conductor who recently earned praise from the Chicago Tribune for ‘his keen musical instincts and vigorous way of translating his ideas into orchestral sound that has both shape and meaning’.
For this first recording, he was keen to celebrate a great composer, one of the most eminent of the twentieth century and a Pole like himself, who, like Stravinsky, Bartók, Berg, Prokofiev and Shostakovich, gloried in the sound material of the orchestra and displayed boundless imagination. Though less well known than his illustrious colleagues for the moment, Lutosławski amply deserves to meet a wider public, for his music can speak as directly to connoisseurs as to simple music-lovers. We hope that this programme will help to further his reputation.

Tracklist of the album:
CONCERTO FOR ORCHESTRA
1 I. INTRADA
2 II. CAPRICCIO NOTTURNO E ARIOSO
3 III. PASSACAGLIA, TOCCATA E CORALE

LITTLE SUITE (MAŁA SUITA)
4 I. FUJARKA (PICCOLO)
5 II. HURRA POLKA
6 III. PIOSENKA (SONG)
7 IV. TANIEC (DANCE)

8 SYMPHONY NO.4

LUTOSLAWSKI // Concerto for Orchestra - I. Intrada by Krzysztof Urbański & NDR Symphony Orchestra

Available here: http://bit.ly/2bhNurw

ARCHANGELO CORELLI
Sonate a violino e violone o cimbalo. Opera quinta
Enrico Gatti, Gaetano Nasillo, Guido Morini

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CORELLI // Sonata No. 12 in D Minor, Op. 5 "La folia"

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JEAN-BAPTISTE DROUARD DE BOUSSET
Airs sérieux
Le Jardin Secret, Elizabeth Dobbin

In 1724, Sébastien de Brossard hailed Jean-Baptiste Drouard de Bousset as ‘indisputably the best of our composer-authors’. Although, at the beginning of the 18th century, the Master of Music at the Académies des Sciences et des Inscriptions imposed himself as the unquestionable leader of the genre, his 875 airs sérieux are little known nowadays and deserve to be brought back into the light. Such is the desire of Elizabeth Dobbin and the ensemble Le Jardin Secret, who recreate with artistry and intelligence the ‘noble, pleasant and natural’ songs of the composer, described by Titon du Tillet in his Parnasse françois (1732). Reflecting the traditions of the 17th and 18th centuries, the musicians have included improvised passages in their performance of these airs and, in particular, chosen to accompany the voice with two theorbos and viola da gamba, instruments that Bousset owned when he died.

BOUSSET // J’aime à revoir ces bois et ces ruisseaux - Le Jardin Secret, Elizabeth Dobbin

Available here: http://bit.ly/2a3r6SN

JOHANNES OCKEGHEM 
Missa Cuiusvis Toni
Ensemble Musica Nova

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OCKEGHEM // Messe in D: I. Kyrie

Available here: http://bit.ly/2cvNyGX

La famille Forqueray: Portrait(s)
Justin Taylor

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JEAN-BAPTISTE FORQUERAY // Première suite en Ré Mineur: La Portugaise

Album release: August 2016

JOSEPH HAYDN
Haydn 2032, Vol. 3: Solo e pensoso
Il Giardino Armonico, Giovanni Antonini

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Symphony No. 42 in D Major, Hob. I:42: I. Moderato e maestoso

Album release: February 2017

The violinist Chiara Zanisi works with the finest early music ensembles, notably the Amsterdam Baroque Orchestra under Ton Koopman, with whom she has just finished a long tour performing the Six Brandenburg Concertos. She now devotes her first solo recording to Johann Sebastian Bach’s Six Sonatas for Harpsichord and Violin. Alongside her is Giulia Nuti, among the most brilliant harpsichordists and scholars in Italy, whose solo CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) won a Diapason d’Or, among other awards. The kernel from which this project grew is their strongly shared idea that, in addition to great stylistic richness and invention, Bach’s music possesses an aura of magic and an almost divine form. Thus, in this valuable and elegant reading, it is clearly their intention to underline in the simplest way the grandeur of the writing. Even the choice of sound aesthetic, beautifully realised under the supervision of Fabio Framba, opts for the ‘real’ with a ‘pure’, ‘speaking’ sound, warm and full of harmonics. The attractions of this precious version of the Six Sonatas, played on a G. Gagliano violin of 1761 and a harpsichord by K. Hill, are enhanced by a bonus track: the Cantabile, un poco Adagio from the early version of Sonata VI in G major.

Sortie en février 2017

La violoniste Chiara Zanisi travaille avec les principaux ensemble de musique de chambre, et notamment l’Amsterdam Baroque Orchestra de Ton Koopman, avec lequel elle vient d’achever une longue tournée avec les six Concertos brandebourgeois. Elle consacre aujourd’hui son premier enregistrement solo aux six sonates pour clavecin et violon de Johann Sebastian Bach. À ses côtés, Giulia Nuti, l’une des clavecinistes et chercheuses italiennes les plus brillantes, dont le CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) a notamment remporté un Diapason d’or. Leur projet s’est développé à partir de l’idée largement admise que, outre une richesse stylistique et une invention importantes, la musique de Bach possède une aura magique et une forme presque divine. Leur intention est de souligner de la manière la plus simple, par leur lecture précise et élégante, la grandeur de l’écriture. Même le choix de l’esthétique sonore, magnifiquement réalisée sous la supervision de Fabio Framba, opte pour le « réel », avec un son « pur », « parlant », chaud et plein d’harmoniques. Les attraits de cette précieuse version des Six Sonates, jouées sur un violon de G. Gagliano (1761) et un clavecin de K. Hill, sont encore renforcés par la présence d’une plage supplémentaire : le Cantabile, un poco Adagio de la première version de la Sonate VI en sol majeur.

BACH // Violin Sonata No. 3 in E Major, BWV 1016: IV. Allegro

After two earlier Dvořák releases, the Trios nos.3 and 4 (Dumky) and the two Piano Quartets, Omri Epstein, Mathieu van Bellen and Ori Epstein are joined by one of their teachers at the Queen Elisabeth Music Chapel, the violist Miguel da Silva (founder member of the famous Quatuor Ysaÿe) and the violinist Maria Milstein, who was also an artist in residence at the Music Chapel from 2011 to 2014. Together they continue this recording of the Czech composer’s complete chamber music with keyboard, this time in the two Piano Quintets and the Bagatelles. There is an obvious close rapport between these musicians, who share with us their passion for this repertory and their enjoyment of playing together. A gap of fifteen years separates Dvořák’s two Piano Quintets, which have few features in common except a shared home key: the First marks the debut of a youthful composer, while the Second shows him at the peak of his art. The Bagatelles, originally scored for two violins, cello and harmonium, are among his bestknown short pieces. A recording scheduled for release in autumn 2018 will complete this quadriptych of Dvořák’s piano trios, quartets and quintets.

DVORAK // Bagatelles, Op. 47 : I. Allegretto scherzando

The year 2017 was a vintage one for Giovanni Antonini: he was awarded an Echo Klassik, two Gramophone Awards and a Diapason d’Or of the Year for his recent releases. Two of these prizes distinguished Il Distratto, volume 4 of the complete recording of the Haydn symphonies on which he embarked for Alpha in 2014. For the sixth volume, released in 2018, the Milanese conductor is again joined by the Kammerorchester Basel, which shares the project with Il Giardino Armonico and which he knows very well, since he conducts it regularly and they have made many recordings together, including volume 5 of the Haydn series. This volume focuses on symphonies with a ‘sacred’ inspiration: the Symphony No.26, ‘Lamentatione’, was composed in 1768 for Holy Week, and no.30 was nicknamed ‘Alleluja’ after the plainchant melody Haydn uses in it. Symphony No.41 was written in 1769.

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ALPHA 678

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HAYDN 2032 // Symphony No. 3 In G Major III : Minuet - Trio

The German soprano Juliane Banse has sung the Lieder of Brahms, Schubert, Wolf, Ullmann, Strauss, Schumann, Loewe and Berg, earning a reputation for both the quality of her interpretations and the warmth of her timbre. She and her regular partner Martin Helmchen, who has just joined Alpha, have chosen to record Paul Hindemith’s song cycle Das Marienleben, composed in 1923 and revised by the composer in 1948. A bewitching, sometimes disturbing cycle whose texts, taken from the great poet Rainer Maria Rilke, retrace the life of the Virgin Mary. Fifteen poems, fifteen episodes tinged with mysticism and lyricism. They proved to be the ideal inspiration for Hindemith, whose compositional style here draws on both the power of Wagner’s operas and the subtle nuances of Debussy.

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Alpha 398

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HINDEMITH // Das Marienleben, Op. 27 : Mariä Heimsuchung

Thomas Dunford continues to expand his discography on Alpha with a programme of solo lute works by J.S. Bach, recorded in the ideal surroundings of the Salle de Musique of La Chaux-de-Fonds in Switzerland. He performs an original composition by Bach for lute, the Suite in G minor BWV 995, as well as his own arrangements of the (Cello) Suite BWV 1007 and the famous Chaconne from the Partita BWV 1004 – the latter piece has a notorious reputation for being (virtually) unplayable, at least on the violin!

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Alpha 361

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BACH // Violin Sonata No. 3 in E Major, BWV 1016: IV. Allegro

Outhere Music

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