SIL на ВРАГ! Трек "СVC"
Парень фром Sakskøbing рекордс и Deficit
more go - https://soundcloud.com/silskkbrec

ПЭ№54 - SIL

For Oleg Azelitskiy, known as DJ Slon, the nineties and the first half of the aughts were an era of “firsts”. First squat parties on the banks of the Obvodny Canal and more legitimate ones at Tunnel, first proper techno club in Russia. First DJ sets, first vinyl records in his collection, first radio shows at Port FM. He is a true veteran of the Russian techno movement, who carried his love for the genre through three decades and inspired more than one generation of musicians. Album №1 is the first edition of his music on vinyl. It comprises the music that Azelitskiy made during 1995 – 2005, except for the track My 40th Vesna, produced in 2010.

Azelitskiy’s love for techno was born out of contradictions. Thanks to the Soviet synth band Zodiac and the French pioneer Jean-Michel Jarre, he had loved electronic music since his childhood. When he grew up, he got into the dark, introspective pieces by Einstürzende Neubauten and Bauhaus. Not only does the wide-ranging palette on Album №1 reflect its creator’s taste, it echoes the changing times of the Russian nineties. It was the time when confrontations with criminals were inseparable from the parties and get-togethers bustling with local artists.

His affection for various genres led to many monikers and projects, all represented here on Album №1. He recorded most of his music as DJ Slon. Then there was a project Zhutkiy Lazer (Scary Laser), where Azelitskiy made music that was more experimental but still techno-oriented, with the occasional help of his friend Aleksey Gaponenko (Lazer became a proper solo project of DJ Slon in 1999). There are also tracks under the aliases Mass Fatality, which combined techno and synth-pop, and Razrushiteli Mozgovych Uliev (Brain Hive’ Destroyers), with its more direct tight techno tracks.

The music of DJ Slon sounds fresher and more alive on Album №1 than ever before. Noticeably, this record, first and foremost, is dance music. As a voice on one of the album tracks boldly states, we came to dance.

GAR004: DJ Slon и Жуткий Лазер "Album №1"


Side 1
A1: Jenny (6:27)
A2: Dance In The Shadow (6:15)
A3: Bassline On Rimsky-Korsakov (4:03)

Side 2
B1: We Came To Dance (3:42)
B2: Vesna (3:24)
B3: Disturbance (4:28)
B4: Palahuni (5:17)

Side 3
C1: Pop (5:29)
C2: My 40th Vesna (5:36)
C3: Lunatic (5:09)

Side 4
D1: RMU 02 (7:49)
D2: Z80 (4:12)

Music – O. Azelitskiy
Tracks "Jenny" and "Z80" were recorded together with A. Gaponenko
Mastering – Flaty
Text – A. Makarskiy
Executive Producer – I. Zaynetdinov
Photo from the personal archive of O. Azelitskiy

© «ГОСТ АРХИВ», Moscow, Russia, 2022

GAR004: DJ Slon и Жуткий Лазер "Album №1"

https://buttechno.bandcamp.com/album/yalta-ukraine
all proceeds go to Ukraine charities and defence needs

Dungeon

Track from "Spade" LP
Released Jan 2016
https://oblastrec.bandcamp.com/album/spade

Spade. 93

A6 — East

МОСКВА

TTT063 @buttechno

From a 6 track EP, out soon!

Buttechno – Poleva

we found a strange place with https://soundcloud.com/alina-anufrienko
cello

Strange  Place (+ Alina Anufrienko)

Basement - Car Crash

With our 22nd release, we are coming back to Moscow/Russia.
@dx2ov has appeared on Neo Violence a couple of times already with single tracks 'Popines' (NV020 VA), 'Planka' (NV017 VA) and 'Teacher' (NV012 VA & NVS04 12" VA).
Now the time has come to finally release a full EP compiled of his old & new creations. Expect abstract rhythms, raw lo-fi sound and both deep & banger vibes on this one.
DX2OV has previously appeared on labels such as @micronesia-label, @gost-zvuk-records, @dirtytapes or @fuselab.
Lo-Fi lives on!

Mastered at Krmelec Studio.
Design by Displaay.

PREMIERE: DX2OV - Перпендикулярный Силуэт (Perpendicular Shape) [Neo Violence]

The tenth, jubilee release of ‘Instrument’ series is a sudden turning point and immediately changes the rules of the game, anticipating emerging trends. Oleg Buyanov – one of the main GOST contributors responsible for prominent records ‘True White’ and ‘Height Difference’ makes his debut in ‘Instrument’ framework. OL’s new release creates a path of complete diverseness - a unique mix of ambient, dub and mutational electronica, though the author’s hip-hop DNA is still recognizable.

The release title as well as its symbol flirts with the privacy of communication in the context of its facilities and tools of the present world. Music acts as the info-channel, which provides unseen and coded data to a person from aside. The vagueness of mood, recurrent rhythm changes, and order of arrangement seem to rhyme with the feeling of being wiretapped. OL (along with another ГОСТ ЗВУК resident Flaty) recently had a similar experience of sound synthesis with their Serwed project whose recent LP was released via West Mineral Ltd. The groove of ‘SORM’ is swirling, distorted and sometimes ‘disengaged’; sound guided by its waves exists in a constant process of decomposition, dissolution and then reassembles in new configurations.
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Юбилейный 10-й релиз серии Инструмент неожиданно становится поворотным и сходу меняет правила игры, предвосхищая рождающийся дух времени. В формате серии дебютирует один из основных деятелей лейбла – Олег Буянов, ответственный за знаковые альбомы «Настоящий Белый» и «Перепад Высот». Впрочем, новый OL идет путем совершенно другим – здесь перемешаны эмбиент, даб, их собственные скрещения и остальная «мутационная» электроника. Неизменным остается хипхоп-ДНК автора. 

Название релиза “СОРМ” (как и его символ) затрагивает тему приватности коммуникаций в контексте современных средств связи. Музыка здесь действительно напоминает выделенный анонимный канал информации, подключение к которому обеспечивает прикосновение к не предназначенным для «чужих» ушей сведениям. Перепады настроения, сбивчивый и сумбурный ритм, искаженный и местами “выключенный” грув как бы навеяны периодически возникающими параноидальными мыслями о возможном преследовании и доступу третьих лиц к личным данным. Похожим, но не столь эфемерным преображением ритма OL (вместе с другим резидентом лейбла, Flaty) уже занимался в рамках проекта Serwed, последнюю пластинку которого выпустил Брайан Лидс.
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GOST INSTRUMENT – GIN010
OL – "SORM"
@moneyisagas 

A1: Block24 (3:59)
A2: Skepsys (4:35)
A3: morph_16+ (1:53)
A4: Cicadaskit (2:00)
B1: Blacksiris (3:54)
B2: Trial Dub (3:55)
B3: Sideline (3:41)

10" EP, solid gold & solid purple vinyl, hand stamped
mastered by Flaty @producedbyflaty
8 May 2020
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pre-order here: https://gostzvuk.bandcamp.com/album/sorm

Strange Place (+ Alina Anufrienko)

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