Long Time, No Sea

Dear Wendy

A 26-track odyssey through sin, collapse, rebirth, empire, and war.

After a month-long hiatus, AxAxC returns with the most ambitious project in our history — a violent, emotional, and mythic exploration of the human condition.
This album is built on deathcore, nu-metal, liturgy-core, and Christian rock, fused with orchestral suites, Norse epics, spoken-word interludes, and cinematic war narration.

This is an album about burning down the version of yourself that’s killing you.
It opens in the trenches of addiction and internal collapse (“By Sin and Self-Destruction,” “My Demons,” “On My Own”), descends into despair and self-destruction (“I Tried to Be Free,” “Lose It All Again”), and hits its emotional breaking point in the ritualistic centerpiece Self-Immolation Ceremony.

From there, the album rises into myth — with Norse war-cries, celestial hauntings, phoenix-like rebirth, and dirges for doubt and fear.
Then, suddenly, the horizon shifts.
The personal becomes political.
And the final arc transforms into a historical epic — a prelude to AxAxC’s upcoming projects:
The Path of War and Democracy.

“The Rise of Evil” retells the beginning of WW2 as a warning.
“Support • Defend • Democracy” declares the album’s stance.
“Dulce et Decorum” channels war poetry into a modern metal requiem.

The final track, “Lento Bliss,” returns the listener to fragile humanity —
a reminder that after war, both inner and outer…
we still have to live.

This album is a journey.
A confession.
A requiem.
A resurrection.

This is Abolition with Self-Immolation.
Burn the old self.
Rise from the ash.

© AxAxCStudios™ — All rights reserved.
DISTORT • DISTRUST • DESTROY.

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The Good In Me

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