I've finally returned to this piece after going on a hunt to explore more music of any kind, and not once have I come across anything like this. I'm absolutely intrigued by just how much this stands out.

6 years ago???!!!!! this!?!!! aint no way man aint no way

this bit just speaks to my heart on so many levels ;v;

@n2-music
Renraku presents the 10th volume in the Communication Themes series, featuring five previously unreleased works from Vhsceral, N², Catawake, Boingo Hotspot, and Nu Partial.

Communication Themes Volume 10 releases worldwide July 30th across digital formats. Initiated in 2016, Renraku's Communication Themes series has been the longest running compilation series from the imprint and features artwork from Matt Iwicki.

Like its predecessors, Communication Themes Volume 10 is abundant in style and form,
percolating with intensity as new electronic forms emerge through the fusion of
experimental bass, halftime, glitch, IDM, leftfield, and so much more. Sounds
beyond singularity.

Renraku has continued to carve out their own lane in modern electronic music and the Communication Themes Volume 10 EP is another important marker point on this path.

Full release: 07.30.2021

Stream/Buy

N² - OBLIVION ARCHIVE

listen on spotify:
https://open.spotify.com/album/4cyjC6h2YeKP4fzo2Eeq5L?si=jAAdcKHBQpGcnxkcV9DqEg&dl_branch=1

"Listening to Diamond Eater EP by Soup feels like waking up in a simulation of a simulation of a dystopian future which has been infected by malware. Each feeling carves its way into you like transistors laser etched into silicon wafer, trapping microsounds in some overarching calculation, too large to grasp. It's a deeply moody album drenched in technical mastery. To me, part of the goal of this series and putting forward the idea of hyperglitch in general, is to set forth a challenge: How far can we go? How far can we push the idea of glitch? What is beyond the boundaries set out by the "glitch" music of the past? Soup rises to the occasion and sets a new bar with this album.

Part of what makes this album feel distinctly "hyperglitch" to me is the way glitch is used as a structural, base element instead of as an embellishment or flourish. Soup plays the glitch as if it were an instrument, and stretches and compresses it into wonderfully expressive rhythmic and melodic phrases."
~Woulg

Diamond Eater

Cover of Oneohtrix Point Never's 'I Don't Love Me Anymore' 
Original: https://youtu.be/s2zqGnV5GTo 



Also this is a reminder that I recently released my Debut EP 'Tales of The Canary Cage'!

I Don't Love Me Anymore

https://theentrepreneurs.bandcamp.com/album/tourism

Another Light (Feat. The Entrepreneurs)

@e-veryday

e-verynight is a track created through a long game of musical telephone. The intention of the game is to compose a piece of music out of a series of short audio clips from a group of people. We formed a long chain of people, and created musical gestures based on the sound from the previous person in the chain, without having heard any of the other sounds. It is similar to exquisite corpse, but with sound.

Started and completed in one day for the 1 year anniversary of e-veryday, October 2022. 

Participants include:

Alexander Panos
Canopy
Echo Map
False Noise
Frequent
Hudson Lee
Jesse Hamel
Luka Beatovic
Meech
Izzy Kramer
O-Prime Delta
Oakscreen
Otrapic
Plusol
Rissan
Sam Guild
Samuel Marquis
Sebastian Vydra
Thorjn
Voljum
Zach Schwadel

Cover art & video by Zach Schwadel

Get it!

e-veryday - e-verynight

https://www.youtube.com/watch?v=-oUm-I0Iyes

Brittle

@samuelmarquis

Refractional anisotropy is a scalar value between zero and one that describes the degree of anisotropy of a diffusion process. A value of zero means that diffusion is isotropic, i.e. it is unrestricted (or equally restricted) in all directions. A value of one means that diffusion occurs only along one axis and is fully restricted along all other directions.

"We have tried to define in the case of Western music (although the other musical traditions confront an analogous problem, under different conditions, to which they find different solutions) a block of becoming at the level of expression, or a block of expression: this block of becoming rests on transversals that continually escape from the coordinates or punctual systems functioning as musical codes at a given moment. It is obvious that there is a block of content corresponding to this block of expression. It is not really a correspondence; there would be no mobile "block" if a content, itself musical (and not a subject or a theme), were not always interfering with the expression. What does music deal with, what is the content indissociable from sound expression? It is hard to say, but it is something: a child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off. We wish to say that these are not accidental themes in music (even if it is possible to multiply examples), much less imitative exercises; they are something essential. Why a child, a woman, a bird? It is because musical expression is inseparable from a becoming-woman, a becoming-child, a becoming-animal that constitute its content. Why does the child die, or the bird fall as though pierced by an arrow? Because of the "danger" inherent in any line that escapes, in any line of flight or creative deterritorialization: the danger of veering toward destruction, toward abolition."

- Deleuze & Guattari, A Thousand Plateaus

Art by Samuel Marquis and Zach Schwadel: www.instagram.com/zschwadel/

Samuel Marquis - Social Suicide Machine

@outtallectuals
Artwork by https://erikartoon.tumblr.com
0:00 Jubjub's Sunset Resort
3:30 Squid Kid's Ragtime Caboose
7:51 Yooka Laylee's Vorpal Sword
12:56 Fluorescent Bartleby’s Doily Vest
18:00 Opaque Ogilvie's Whirligig Chute

Free Download

Frabjous Day (Full Extended Play)

Hyper-experimental artist @BellsWorth is back with his second EP for Outtallectuals in the form of 'Sophomore Storytime', a truly avant-garde conceptual journey which oozes out of any genre confines with joy and ease. The musical odyssey can be served continuously or in the three chapter format of 'Engrain In Your Brain', 'Yule Log Youth Squad' & 'Into The Æther'.

0:00 - Engrain In Your Brain
6:01 - Yule Log Youth Squad
9:38 - Into The Æther

Music composed, mixed and mastered by @BellsWorth

Artwork masterfully crafted by Philip Lück:
www.philiplueck.com
www.instagram.com/philiplueck
www.facebook.com/philiplueck

[OUTTA027] 

Released July 30, 2016  

Sophomore Storytime

[OUTTA027]

Bell's Worth - Sophomore Storytime (Full EP)

Original description 2019.05.10:

The release of this piece is also an announcement that I am in the process of creating my debut album, which includes and is represented by Cycles. It’s a long road ahead, but I want to thank everyone who has shown their support thus far. I can promise you the end result will be honest, captivating, and sincerely unlike anything you’ve heard before — this is just the beginning.

Cycles

Fetching Water

est. 2011 - record label focusing on the global nexus of avant-garde art

Direction: Baxtak (@baxtak)
Curating @shivelightofficial w/ @samayamusic

----------
Alumni
----------

------------------------------------
Wordsmiths' Lair - Eyewise: 
------------------------------------
Cultivation (@officialcultivation)
Sir Bishop (@iamsirbishop)
Slum (@2slum)

------------------------------------
Globetrotters - World Fusion:
------------------------------------

Anchor Hill (@anchor-hill)
Andi.Andean (@andiandean)
Atimos (@atimos)
Bassline Drift (@basslinedrift)
Biomigrant (@biomigrant)
Bwoy De Bhajan (@bwoydebhajan)
Byzantine Time Machine (@byzantine-time-machine)
Carthnage (@carthnage)
Gisaza (@gisaza)
Glott (@glott-18)
Intr3pico (@intr3pico2)
Ivan Shopov (@cooh)
IYAKUH (@iyakuh)
Janax Pacha (@janaxpachax)
Jason Hou (@jasonhou)
Khromi (@khromi)
Kusht (@kusht-music)
Kyl Sakha 
El-m3allem (@lm3allem)
EddiBell (@eddibellmusic)
Le Comte Champêtre (@le-comte-champetre)
Lo.Renzo (@lo-renzo-project)
Lofimaker (@lofimaker)
Manohara (@manohara-music)
Martins Garden (@martinsgarden)
Mettakin (@mettakin)
MORiLLO (@morillomusic)
Mr. Moo (@mrmoomusic)
Mudra (@muaddaraan)
Pathwey (@pathwey)
POAN (@poansoundscape)
Sakchyam
Shenti (@shentilife)
Sikada (@sikadaofficial)
SOOHAN (@soohan)
Subleeminal (@subleeminal)
The Himalions
Wu Wei (@djwuwei)
Yestegan Chay (@yestegan-chay)
Uraan (@uraanofficial)

---------------------------
Glitch In The Matrix:
---------------------------

Aio (@aio-sound)
Algorythmik (@algorythmiklive)
Arkaean (@arkaean)
Artificial Behaviour (@artificialbehavior)
Aversive (@aversive)
Barren Noise (@barren-noise)
Bell's Worth (@bellsworth)
Boketto (@boketto-3)
Chimera / Yuhri (@yuhri_nl)
Detox Unit (@detoxunit)
Dirty Zen
Drumspyder (@drumspyder)
Duffrey (@duffrey)
EnnoaeON (@ennoaeon_audio)
Envelope (@envelope-turin)
Erik Kolderup (@elise-kolderup-2)
EurythmY (@eurythmy)
EuE (@eue_music)
Glyph (@glyphdnb)
Gnostik (@gnostikmusic)
Halfred (@halfr3d)
Hullabalo0 (@hullabalo0)
Kermode (@kermodemusic)
Kuda
Kursa (@kursauk)
Lck (@lckbdx)
Losion (@losion)
Malvo (@malvoo)
Maynix (@maynixmusic)
Mindblast (@mindblastsound)
Mosillator (@mosillator)
Mr. Bill (@mrbillstunes)
Nibana (@nibana)
Ovoid (@ovoid)
Plastic Light (@plastic-light)
Poztman (@poztman)
Refraq (@refraq)
ReSet (@reset_music)
Rhino Betatron (@rhinobetatron)
Rik Ronner (@rikronner)
Russ Brooker (@russ-brooker)
Sawtooth (@savvtooth)
Sleepwreck (@sleepwreck)
The Creature (@thisisthecreature)
Three Oscillators (@threeoscillators)
Tribone (@tribone29)
Voicheck (@voicheck)
Zenji (@zenjimusic)

----------------------------------------
Rainbow Pitstop - Dream Division: 
----------------------------------------

5AM (@5am-beats)
Ac-Tone (@ac-tone)
Amin Payne (@amin-payne)
Dub Bred (@dub-bred)
Haquin (@nicolas-haquin)
High Dude (@highdudes)
IOM (@iombeats)
Jai Tee (@jaiteemusic)
Koyo (@koyomojo)
Kurt Funk (@kurtfunk)
Kromatic (@kromaticsounds)
Mitrxxx (@mitrxxx)
Nyanara (@nyanara)
Phibber (@phibber)
Posterkidd (@posterkidd)
Shanti (@youniversalshanti)
Sub Roots (@sub-roots)
Wilas Rod (@einarstabenfeldt)
Withoutside (@withoutside)
Yuvash (@yuvash-vaidya)
Unsung I (@unsung-i)

------------------
Instruments
------------------

Cello / Handpan:
Adam Maalouf (@adam-maalouf)

Violin:
Alicia Kiah (@aliciakiah)
Piksel (@pikselsound)
Lissa Robertson (@lissappear)

Vocals:
Arina Lernik
Asha Sapera (@ashasapera)
Bellatrix (@bellatrix-music)
Dat Garcia (@datgarcia-1)
Ellie McCracken
Eyera (@sound-eyera)
Kinkini Deb
Raj Mohan (@rajmohanmusic)
Sam Gillespie 
Siria (@siria-rutstein-1)
Tine MK (@tine-mk)
LARA (@lara-853142742)
Yider (@yider)

Clarinet:
Asthmatic Harp (@asthmaticharp)

Guitars:
Chalky (@chalkywhitemusic)
Eviali (@eviali)
Maosia (@maosia)
Zaid Al-Nayazi (@zaidalnayazi)

Bansuri:
Nico Melocchi (@nicobansuri)

Saxophone & Mastering:
Hannah-Mae Birtwell (@birtysax)
Sandy Finlayson (@sf-audio-mastering)

Didgeridoo:
Telaranrhi0d (@Telaranrhi0d)

Kaval:
Theodosii Spassov (@theodosii)

Bell's Worth - Sophomore Storytime (Full EP)

Outtallectuals

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