HYBRYDA

FREE

NIGHT RIDER

Written by Dylane Dav
Produced by Cardozo
Mixed by Cardozo
Artwork by Queenparamount

Download

Drama

Following up on a cracker split single last year, Overload Liverpool jumps into 2024 firing on all cylinders with a 5 shooter of freaked-out electro, warm house, deep dub cuts, and gorgeous ambient.

Firstly, Liverpool-based label boss Morrison highlights two of his distinct and dissociative styles. On the front end of the A-side, his The Motorist alias provides us with a freaked-out formant-filtered electro that’s bursting at the lips. On the back end, a deep yet bright house cut from his The Cyclist alias, with warm warbling synths layered over his Wurlitzer electric piano and suitably grooved and jaunty beats.

To kick off the deeper B-side of the 12”, Wax Tek, a founder of the Liverpool Soundsystem crew Polyone Audio, hits us right in the chest with his dubbed-out breakbeat wonder, Get Set, which diverges through Balearic, bass music, a delirious breakdown, and hard-hitting breakbeats.

Deeper still, the second B-side from Puncta, another Liverpool-based artist, who last year came to light with their release on Sputnik One’s N-Face, dives into the deep Arctic seas with Snow Crab, an exercise in dubbed-out electro-style bass music.

Finally, Belfast-based Aaron Thomas brings the 12” EP to a fitting closure with Concert², which, washing over the listener, dances like opulent drapes with its ethereal synths that crash to and fro.

B1 - Waxtek - Get Set

Your Planet Is Next - URBAN MAN XL
⚪️ Available now on Bandcamp: https://yourplanetisnext.bandcamp.com/album/urban-man-xl

We're proud to present URBAN MAN XL, the new alias from @yourplanetisnext , on Terminal. This project captures the essence of genres like happy hardcore, breakbeat, and early grime. URBAN MAN XL takes us to a distorted reality where early 2000s London and 90s Rotterdam converge in a high-energy, technically explorative sonic narrative, throwing us back to those dark, sweaty clubs where euphoria and chaos were the common tongue.

With production marked by wild downsampling and time-stretching, this EP channels the raw, visceral energy of hardcore and breakbeat into an unfiltered sound. Each track is an explosive piece, full of broken rhythms and saturated basslines, reminiscent of early rave experiences, but with a contemporary edge that makes it unmistakably his own. The narrative is further enhanced by an intergalactic war story between the "Frogtronic" resistance and "the free world" — a nod to DIY aesthetics and the sharp, acidic humor that defines the project.

The visual art for URBAN MAN XL, developed by Triss, draws from 90s graffiti, connecting with the jungle, hardcore, and rave culture. This retro aesthetic is combined with Dennis Vera's low-res DIY animations, evoking the spirit of those early colorful and minimalist raves. This EP is more than just music: it's a sonic manifesto exploring the limits between analog and digital, nostalgia and futurism.

Terminal once again proves to be the natural home for projects that refuse to conform, seeking to challenge the codes of clubbing. URBAN MAN XL embodies that attitude: frenetic rhythms, low frequencies, and a twisted nostalgia that just wants to tear up the dancefloor.

Track list:
01. 6666
02. Frogtronic Malware
03. Buff
04. Artic Mega Server
05. Hits From The...

Video by Dennis Vera @umbermindset
Character design by YPIN
Cover art by Triss, BST
Mastering by Matthew Styles

Your Planet Is Next - Arctic Mega Server

Gimme ur tears 💧

1K Soundcloud followers gift.

Thank you for the support! :)

MS BANKS X DIGGA D (SLACK 1NE EDIT) 1K FOLLOWERS GIFT

Buy on Bandcamp

Ceeryl Chardonnay & Groove Stage - Hands Up (Short Play)

Hi NRG

This is a Halloween trap music, spooky music, cinematic track produced by Elina Westwood Music Productions (EWM). Thank you for listening!

Creatures 2 (Active In Halloween) by Elina Westwood Music

Deja (Recodo's Bootleg)

Artist: Xiao Quan
Title: Connection
Mix & Master: Xiao Quan
Artwork: Gabriel Massan

The name Xiao Quan sparks a question mark and confuses tons of listeners. His nationality, cultural background and behaviour are topics that everyone who knows him for the first time want to talk about. Those are also the themes he is more than happy to play with in his music. In fact, he has lived in Shenzhen, China for two years, when Oil Club wasn‘t even open.

Cultural symbols from Asia and Africa have appeared more and more frequently in world’s art scenes in recent years, although the status of self-consumption in content and consumption by the Western world is still unchangeable in a short time. As a producer from São Paulo, Xiao Quan’s "Connection" EP uses a generalized and concrete way to create cultural symbols as he operates them and make them sound normal and casual, which is impossible for many original creators of culture, especially in mainland China, which is almost derailed from its tradition now. Xiao Quan is just like us (Chinese people and producers), absorbing and using a large amount of information from around the world.

"Connection" EP is undoubtedly based on the Xiao Quan-style black humor, and the connection with the Asian and African culture he deeply loves. Unlike in the past, he really participated as a member of Asian culture through FunctionLab this time. From the first sound of "Rolling Barrel”, like the sound of a dragon coming out of the fog, drums from Asia and Africa came through and wore it to the end, warm and obscure. Does the rough Chinese vocal sample appearing in the track puzzle you? This is the voice that Xiao Quan doesn't understand very much but crazy in love with. The fun is self-evident. As for elaborate arrangements and superb production techniques, these have never been the case for Xiao Quan.

Welcome to the wild and lovely dancing world of Xiao Quan.

Written by GG Lobster
Translated by Yang Tiantian

Pre-order

Premiere: [FL016]Xiao Quan - Connection EP

HOME TAPING IS MAKING MUSIC
-----------------------------------------
Tape Throb Records has been reborn as Overload Liverpool and will look to continue to release music which stems from the same nonconformity and desire to distort, blend, warp and innovate in the world of dance music from a new locale.
Watch this space.