Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Autrane | CRAVO | Nørbak | Temudo | VIL

Hayes is an electronic music platform dedicated to Techno and experimental electronics. Based on a ceaseless sonic exploration, it embraces experimentation as a driving force for an artistic output devoid of prejudice. The resulting sound objects have their own imprint, an aesthetic defined by the position it intends to assume.
It presents itself as an artistic collective, record label, and curator, promoting art as a fundamental element of cultural incorporation and critical thought.
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A Hayes é uma plataforma de música electrónica dedicada ao Techno e à electrónica experimental. Alicerçada numa incessante exploração sónica, abraça a experimentação como força motriz à produção artística desprovida de preconceitos. Os objectos sonoros que dela provêm, têm um cunho próprio, uma estética vincada pela posição que pretende assumir.
Desmultiplica-se enquanto colectivo artístico, editora e curadora, promovendo arte enquanto elemento fundamental de enculturação e capacidade crítica.

Demo: hayescollectivedemo@gmail.com

THE ACID QUEEN
Saskia Slegers, better known as Miss Djax, or as many say 'The Acid Queen', is living proof that age doesn't necessarily always brings peace. For more then 35 years now, she has stomped on the face of techno and acid with hard punishing beats and radioactive sounds. The ferocious releases on her Djax-Up-Beats label helped Chicago and Detroit sounds gain foothold in Europe, as Djax Records was one of the first European labels to put out techno in the early nineties.

Miss Djax started her DJ career at the age of sixteen. Her musical roots can be traced back to disco, funk and new wave. At the age of eighteen she formed the band 'B-System', a new wave band in which she played the bass guitar. 
Having worked in record shops for many years, Saskia met a large number of promising artists whose music never got released because, according to the Dutch record-companies, it was "not commercial" enough. That triggered her to start her own label and in 1989 Djax Records was founded. 

Miss Djax had her international breakthrough when she played at the notorious MayDay rave in Berlin 1992. One year later Germany's leading dance magazine Frontpage declared her 'DJ of the year'. In the following years her name was always in the international top 10 rankings. 
In that same year (1992) Saskia went on a 2 week trip to Chicago and Detroit to meet her favourite producers in person and to see with her own eyes were it all had started. 

Four years in a row, from 1995 to 1998 she took part in one of the major techno happenings: The Love Parade in Berlin. In 1998 Djax even had the privilege to start at pole position! Many people will remember the 20-metres long red/silver Djax-Up-Beats rocket with 20.000 watt of acidtechno terror on board! Miss Djax also played two times, in 1996 and 1998, at the Love Parade end manifestation at the Victory Tower in front of millions of people. 

Besides the worldwide respected releases on Djax-Up-Beats, Djax Records is also known for being the first company to release Dutch spoken rap-music, later called Nederhop. In 1991 Saskia discovered The Osdorp Posse that soon became the most popular rap-band of the Netherlands! In 1995 they won the Dutch Popprijs for being the most innovative Dutch band! Also ABN and Spookrijders were two of Djax’s successful nederhop bands. 

Not only the music but also the looks of Djax Records have always been important to Saskia. Since 1991 she is working with Alan Oldham, the famous illustrator from Detroit. Till today Alan made hundreds of beautiful illustrations and five Miss Djax comics for Djax-Up-Beats. Saskia also worked with  Zender and the famous American illustrator Ed Repka, who is well known for his Megadeth album covers.

AWARDS:

1992 – Position 1 best record label (Frontpage Magazine Germany)
1992 – Position 4 best new talent (Frontpage Magazine Germany)
1992 – DJ of the year (Frontpage Magazine Germany)
1993 – Position 3 best international DJ (Frontpage Magazine Germany)
1993 – Position 3 best record label (Frontpage Magazine Germany)
1994 – Position 1 best international record label (Frontpage Magazine Germany)
1994 – Top 10 position best international DJ (Frontpage Magazine Germany)
1995 – Position 13 best DJ (Raveline Magazine Germany)
1995 – Top 10 position best record label (Raveline Magazine Germany)
1997 – Position 6 best international DJ (Tendance Magazine Germany)
1997 – Best record label (Silver Star Award Holland)
1998 – Best record label (Silver Star Award Holland)
1998 – De Veer Award (Holland)
2009 – Gold record for 1.3 million records sold by Djax Records
2009 – Gold record for 40.000 albums sold of Afslag Osdorp

Born in Murcia. DJ/Producer
Contact/Booking: shewwocontacto@gmail.com

He began to be interested in electronic music thanks to a relative, having his first contacts with electro music and drum n bass, which would lead him to discover techno years later. At the age of 15, he had his first contact with a DJ controller.
Exploring some of the key sounds of techno, he nurtured his creativity to create a broad foundation of his style that he now shows in each of his works.
He has been working on the turntables for 5 years, 3 of them producing tracks and tracktools used in his own sets.
He released his first reference on the Casanova Bar Berlin label, "Disonancia Cognitiva". His first steps arise in clubs in his hometown, although not later he would be playing in clubs like Moss Club (RawTechnoFormat), Distrito13, private and collective events like BLabs or Waschbar Collective make him refine his style when it comes to playing the cdjs.
Hypnotic bases, rough textures, and sounds charged with sonic energy make their sets a frenetic bomb from start to finish.

Overwave is following