Name: Dynamo by TheOxfordAmbientCollective
Duration: 2 min 9 s
Description: Played in the Aufsturzbar in Orangienburg Str. Berlin using Wavemapper.

Nice work Dave, some interesting timbres in there for sure =]

Well that beat is ticking over very well and a very cool track this one my friend...

Excellent work and a cracking little track Dave and very well enjoyed chap.

Played in the Aufsturzbar in Orangienburg Str. Berlin using Wavemapper.

Dynamo

My friend https://soundcloud.com/rhinojooos22 gave me a great comment and motivated me to do a extended version.Here it is, Maybe this was not the last ....

noxpox - Greensleeves extended

Old City Sound

Marco Lucchi : synthesizer

*

il mio obbiettivo sarebbe produrre una lunga traccia di “musique d’ameublement”, quindi se qualcuno volesse aggiungere i propri suoni - pochi, sparsi e quieti - la cosa sarebbe molto gradita. Nel caso, fatemi sapere.

wallpaper music n*1

Babacane (https://soundcloud.com/babacane): composition, production, concept
FaceOnFigure: original guitar and drum samples
------
The Loth society is built on the governance and uniting power of divine beauty, embodied by their Empress herself.
Traditionally she offers her beauty to the people during the equinoxes, or occasionally in times of social tension, in a ceremony called "The Empress's Bath", during which she appears in front of them naked.
It is her radiating, extraordinary beauty that maintains and restores social cohesion, with every witness recognizing themselves in it and loving each other as a reflection of it.
It is not simply a matter of aesthetics or eroticism. No Loth could survive without this intimate contact with the Empress.

The Empress's Bath

champackner

Untrued

for piano

Hey guys, I'm not leaving the year without presenting you with a new suite. It's never good to make music against something, so this is not a cantata against AI, but rather in praise of human imagination, human error and the still existing possibility of acquiring skills to bring ideas to life. To prove and support this, I even played the cello myself, believe it or not.

Think about what it means when you bring ‘art’ into the world that was actually constructed by a machine! What does it do to you, what is it supposed to do to the people who have to listen to it? AI is promoting itself and you are just the dealers.

My humble opinion.


Apart from that, for the first time, I think this song really sounds a bit like the music of that other guy with a Z.




A remix of a vintage recording of “Nina” by Hans Kindler (1892 – 1949). The recording credits G. B. Pergolesi (1710 – 1736) as the work’s composer, but more recently it has become attributed to Vincenzo Legrenzo Ciampi (1719 – 1762). Listen to the original: https://archive.org/details/78_nina_hans-kindler-g-b-pergolesi_gbia0055100a

More on the 729th weekly Disquiet Junto project, Community Remix (Nina) — The Assignment: Rework a shared recording from over 100 years ago — at https://disquiet.com/0729/.

more halF unusuaL

halF kindleD [disquiet0729]

KNOWLEDGE RELEVANT

The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a  focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally routed through the AUM mixer and hosting application. This innovative approach powered his self-proclaimed "proudest achievement"—a 90-minute live performance at Oxford's prestigious Ashmolean Museum, an opportunity secured through his affiliation with Oxford Brookes University as part of its 150th Anniversary celebrations. To solve the inherent challenge of engaging an audience with long-form ambient music, Smith transformed the event into an immersive audio-visual installation, pairing his soundscapes with curated visuals from sources like The Internet Archive to command "active listening." The project's visibility expanded significantly beyond this institutional context through a pivotal relationship with the independent Focussed Silence label, which was instrumental in securing national airplay on BBC 6 Music. This success highlights a versatile appeal, with OAC's work finding a home on highly experimental programs like A Duck in a Tree on Resonance FM—hosted by the influential group :zoviet * france:—as well as on sophisticated global platforms where his work was programmed alongside compositions by genre progenitors like Brian Eno and Vangelis. While OAC remains a solo endeavor at its core, Smith actively engages in digital collaboration with a network of sound artists like Encym via platforms such as SoundCloud, effectively transforming the solo project into a decentralized creative hub, thereby giving true meaning to the "Collective" in his moniker.

Dynamo

TheOxfordAmbientCollective

Recent comments

aliendude

Lee >>> Lucas

Lee >>> Lucas

Audraulic

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