Recorded on 25 July 2022 > 15h00-18h00
@filteria @anoebis

Filteria & Anoebis - Dance Temple 12 - Boom Festival 2022

DJ Solitare @ Ozora 2024 | Pumpui

https://soundcloud.com/djsolitare

https://2023.ozorafestival.eu/

DJ Solitare @ Ozora 2024 | Pumpui

Anoebis @ Ozora 2024 | Ozora Stage

https://soundcloud.com/anoebis

https://2025.ozorafestival.eu/

Anoebis @ Ozora 2024 | Ozora Stage

Here is the third set I played at the amazing Wild Horses Festival 2024 edition in Australia. A retro DJ set of Goa Trance classics. Things really connected in the festival in this one and we experienced a real magical time together. Thanks to all who took part and enabled this great adventure!

Skizologic Retro DJ Set @ Wild Horses Festival 2024

Power Source @ Ozora 2024 | Goa Zero

https://soundcloud.com/power-source

https://2025.ozorafestival.eu/

Power Source @ Ozora 2024 | Goa Zero

★ ★ Retro-futuristic set by Gus Till as Gus Till vs BUS - recorded live on the ZambuTemple between 01:00pm and 03:30pm on the 20th of August 2022.★ ★

No tracklist avalable yet.

Don't ever forget to support our artists, they are the ones that bring the colors to the dancefloor:
Gus Till social media channels:
FB - https://www.facebook.com/gustillmusic
SoundCloud - https://soundcloud.com/gus-till


Gus Till vs BUS ZNA Gathering 2022

Recorded the 7th August 2014
Follow Boom Festival Radio Podcast on feeds.feedburner.com/boomfestival/radio
http://www.boomfestival.org

Man With No Name - Dance Temple 23 - Boom Festival 2014

Exceed - Beyond This [PRTYTRAX10]

DKTech returns to the frontlines with his latest offering, Nine Seals of Namtar. A relentless, myth-infused journey into the heart of sonic darkness featuring seismic low-ends, razor-sharp percussions and an unflinching tempo.

Drawing inspiration from ancient Mesopotamian lore, Nine Seals of Namtar evokes the chaos and inevitability of fate, a fitting theme for a release that doesn't let up. Each track is a ritualistic stampede through distorted reality, summoning raw emotion through punishing grooves and relentless rhythm.

The release also features a collaboration with labelhead and techno architect MarAxe, in a track that fuses their styles into a single, devastating weapon of sound.

The seals are broken. Namtar walks. Enjoy!

DKTech - Nine Seals of Namtar (MarAxe re-edit)

The seventh transmission in the PSYCHΞTRΛL ASCΞNSION series—RITUAL VII—summons the listener into a monolithic temple of infinite geometry, where luminous plasma coils, shadow spirals, and crystalline prisms pulse in sync with the beat. A seamless fusion of psytrance, forest psy, acid trance, and experimental techno, engineered for deep, uninterrupted immersion.

All music written, produced & engineered by ApØtheØsis.
No samples. No edits. Pure machine-guided ritual.

🜄 Genres: Psytrance · Forest Psy · Dark Psy · Acid Trance · Hypnotic Techno · Experimental Techno · Minimal Techno
🜃 Label: ÆTHERFLUX RΞCORDS
🎧 Recommended: Alone, in darkness, with headphones at full volume.

#PsychETralAscension #RitualVII #Psytrance #DarkPsy #AcidTrance #HypnoticTechno #ExperimentalTechno #MinimalTechno #AetherfluxRecords #UndergroundTechno #RitualTransmission


PRISMΔL JOURNEY

This was my first set in Tokyo upon moving back in early 1998. I was playing off DATs (digital audio tapes) and hadn't played for a couple of months (the previous set was the Vancouver Art Gallery performance, some film footage of which is on my YouTube channel). I'd received a lot of new music and had only one practice session at a friend's house before the gig. I was really nervous but soon got into the flow and the atmosphere in the room was fantastic. I opted for longer mixes with a focus on the long melodic line, as was often the case with Goa music of the time - and in fact that's how it was composed and meant to be played, according to a number of producers who told me as much.

The set started at around 3am and went until about 5:30. I had intended to start with Beast's 'Spawn', which was still unreleased but a promo of which I'd been sent by Twisted, but the CD player hadn't been hooked up to the mixer, so my ambient intro (the Astralasia track with which I started the 'Future Was Now' mix which is also on my Soundcloud) went on a little longer than expected while I looked for a DAT to mix into it - and that ended up being 'Maia' by the Pleiadians. I only remembered that I'd intended to record my set part-way through the second track, Eco's 'UFOlk', which is where this recording picks up. The set then took a very different direction than expected ... but went exactly where it needed to go.

One of the reasons I love this set so much is that the process I was going through as a DJ - the in-the-moment spontaneity, the emotion, the exploration - really comes through in the performance. This was a time when 'preparing' a set was not done - it was more or less assumed that you would be playing off-the-cuff, perhaps with a sense of where you'd go but not fully, and that in-the-now-ness creativity is some of what 'primed' the music to electrify the dancefloor. As much as I actually had a hard time while I was playing this set and wasn't sure how successful it was, when I listened to the recording I liked what was there... How much of life is like that, where we appreciate things more afterwards instead of in the moment - despite the moments being filled with what we actually wanted? Interestingly, I found that the same synchronicity that characterized my experience behind the decks will start to show up in the room when I play this recording now ... so if I'm ever looking to break through a creative block or experience some cosmic synchronicity, this is a recording that I line up to help me move through it, just as I did back then.

I hope you'll enjoy this, if you haven't heard it before, or enjoy it again if you have...

Track list:

Eco: UFOlk
*X-Dream: Radiohead (remix)
Juno Reactor: Feel The Universe (Otto edit)
Rhythmystec: Stellium
*Infernal Machine: Chainsaw Kerfuffle
*Delta: Traveling at the Speed of Thought
Space Tribe: Machine Elf
Semsis: Planet
Psychopod: Dreampod
*Metal Spark: Sonic Feet
*Cydonia: Mindhunter
*Transwave: Code S9
*Beast: Spawn
X-Dream: Brain Forest
Mandala: Utopia
Spoken sample: an excerpt from a translation of the Japanese poem 'Preface to "Spring and Carnage"' by Kenji Miyazawa that I had recorded for a Japanese electronica band - I never got a copy of the CD but apparently the artist was pretty well-known...

encore - not on this tape: *Space Tribe: The Great Spirit (unreleased original mix)

*unreleased at the time of performance

Spectrum 5-23 Mix

https://ozorafestival.eu - Reaching out into the deepest realms of your imagination and displaying, sharing that glorious, that grotesque, that unparalleled treasure you find within is one of the pillars of the Ozora experience.
The experience of a parallel existence created by our diversely colored dreams and visions of the same pure unblemished space, paradise on earth, our fairy tale. 
A reality where caring for each other, for our world is as important as our love and respect of all Mother Earth’s creatures.
A universe of openness, togetherness, where we can evolve towards becoming one with cosmic energies, with nature, with consciousness, with wholeness through dance, trance, creation, invention, transformation and peace.
A playground where we learn to share and care, to express and connect, to create and heal, to unify and beautify the world around us and in us.
With unfaltering belief we set sail yet again, under the flag of love and light, together on our journey towards the newest experiences and treasures yet to be discovered in summer 2014.

Power Source @ Ozora 2024 | Goa Zero

OZORA Festival