@vert-hex: many thanks vert-hex! I really truggled with the subs. A week before mixing this track I visited a friends studio which has quie some acoustic treatment. And one of my tracks was so bass heavy that it was not pleasant ... therefore I've tried to balance spectrum a lot more. Low freq are now no like 12 db mre then mid to high ... anyways thanks for the great feedback. I will try to make my best to use it

Fine work !   It sounds beautifully clear and spacious, and the stereo imaging is superb.  Well composed too, interesting throughout.

Highly energetic as usual. Pretty well crafted too!

I think the rolling kick and stuttering effects really elevate this. Another great track

Crushing it with the dark and enveloping grooves as usual, I see. As always, well done, Peter.

The voice processing is really creepy... i love that !

I  HATE

【peter:H】【OSC169】I HATE

Der Andachtsjodler mit Neuvertextung "Scheiß Afd"

In besinnlichem Dreiklang schließen wir uns Schulter an Schulter mit euch gegen Hass und Hetze zusammen!

SCHEIß AFD SAMPLE

Asian style downtempo track made 100% only with DS Thorn synthesizer for KVR OSC 193 contest.
I hope you like it. Free download.

Track i made for KVR OSC contest.
100% Synthesizer (DS Thorn by Dmitri Sches)
Made in 10 hours with one synth and free/FL effects.

Picture edited by Irion Da Ronin.
All music rights reserved to Irion Da Ronin.

✪ Sakura No Shojo

Made for The KVR OSC challenge using only the full bucket ragnarök synth and free plugins. No presets where used. All patches created from init. 

Ragnarök

Völuspá
By Seap for One Synth Challenge 195, May 2025

In the Völuspá, one of the most important poems of the Poetic Edda, Ragnarök is described as the apocalyptic end of the world and the gods' fate. The poem presents a prophetic vision delivered by a völva (seeress) to Odin, recounting the world's creation and its inevitable destruction.

Ragnarök begins with a series of omens: the Fimbulwinter (a great, harsh winter), moral collapse, and chaos among humans. Then, cosmic disturbances occur—wolves devour the sun and moon, plunging the world into darkness. The world tree, Yggdrasil, trembles, and the boundaries between realms dissolve.

The gods face their doom in a final battle against the forces of chaos—giants, monsters, and Loki's brood. Odin is killed by the wolf Fenrir, Thor slays the Midgard Serpent (Jörmungandr) but dies from its poison, and other gods fall in combat.

Despite the destruction, Völuspá ends on a hopeful note: the world is reborn from the sea, new gods arise, and a golden age returns, suggesting a cyclical view of time and renewal.


-----------------------------------------
All synth sounds from Full Bucket Ragnarök 2

Instruments:
15x  CLAPi: Ragnarok2 (Full Bucket Music)
1x   VSTi: RandARP (x86) (CodeFN42)

Effects:
1x   VST3: LoudMax (Thomas Mundt)
3x   VST3: MAutopan (MeldaProduction)
2x   VST3: Raum (Native Instruments)
2x   VST3: ValhallaSupermassive (Valhalla DSP, LLC)
2x   VST3: kHs Transient Shaper (Kilohearts)
7x   VST: ReaEQ (Cockos)
2x   VST: ReaLimit (Cockos)
2x   VST: ReaXcomp (Cockos)

Seap - Völuspá [OSC195]

(English description: please scroll down)
Björn aka @Full-Bucket hat es wieder getan: ein neuer Sythesizer. Dieses mal eine Weiterentwicklung des Ragnarok zu Ragnarok2. Ragnarok 2 ist an vielen Stellen "aufgepppt" worden und ist immer noch so interessant wie der "alte" Ragnarok:

- simuliert einen einmaligen, selbst gebauten Synthesizer aus dem Jahr 1980,
- die Bedienung ist einfach, schnell sind interessante Klänge gemacht,
- soundmässig ist der Synth grossartig, von einfachen bis auch zu (sehr) dreckig klingenden sounds,
- der CPU-Hunger ist gering.

Nach langer Zeit habe ich mir diesen Monat mal wieder etwas Zeit genommen um mit dem Synthesizer ein Stück für den KVR One Synth Challenge zu erstellen (ja, genau: nur dieser Synthesizer ist für alle Klänge erlaubt)
10 Jahre sind seit dem letzten Track mit dem Ragnarok vergangen der ich der ESA-Misson Rosetta, insbesondere Philae, gewidmet habe (Rotation 23, verdammt lang her).

Also fragte ich mich: was hat der kleine Lander auf dem Kometen erlebt, im Vorbeiflug um die Sonne und wieder zurück in das All. Was alleine schon total verrückt ist ... und so entstand der der Kometentanz mit Philae :)

Alle in diesem Stück verwendeten Klänge sind von mir von Grund auf erstellt worden oder "Tweaks" der Klänge von der Rotation 23.

Viel Spass beim reinhören und Kommentare: wie immer, herzlich willkommen:)

Artwork: von mir (2025 Kraftraum :)
-------------------------------------------------------------------------------------------
Björn aka @Full-Bucket has done it again: a new synthesizer. This time, a further development of Ragnarok into Ragnarok2. Ragnarok 2 has been "upgraded" in many ways and is still as interesting as the "old" Ragnarok:

- simulates a unique, self-built synthesizer from 1980,
- easy to use, interesting sounds are created quickly,
- the synth's sound is great, from simple to (very) dirty sounds,
- it's low on CPU power.

After a long time, I finally took some time this month to create a track with the synthesizer for the KVR One Synth Challenge (yes, that's right: only this synthesizer is allowed for all sounds).
10 years have passed since the last track with the Ragnarok that i dedicated to the ESA Rosetta mission, specifically Philae (Rotation 23, a long time ago).

So I asked myself: what did the little lander experience on the comet, flying past the sun and back into space? Which is totally crazy in itself... and that's how the "Kometentanz mit Philae" (comet dance with Philae) came about :)

All the sounds used in this track were created by me from scratch or are tweaks of the sounds from Rotation 23.

Enjoy listening, and comments: as always, welcome :)

Artwork: by me (2025 Kraftraum :)

Rotation 36 (Kometentanz mit Philae)

Kraftraum - Rotation 36 (Kometentanz mit Philae)

My entry for OneSynthChallenge195

All synth patches made from scratch with the Ragnarök VST Instrument by Full Bucket Music

Session Details

REAPER

Ragnarök x11

Master

JS Soft Clipper/Limiter
FirComp2
LoudMax

Analysis

SPAN
JS Goniometer
Gtune
JS Loudness Meter Peak/RMS/LUFS

Channels

bx_cleansweep x3
ValhallaSupermassive x3
FRANK x3
RandARP x2
Saike SEQS
IVGI2
NastyDLAmkIII x2
HY-Delay4_free x2
ReaEQ x3
epicCLOUDS x2
TDR Nova
ChowMultiTool - Analog EQ
JS J Clip
Flux Mini 2
DReverbLite x2
OTT
Airwindows Consolidated  ClipSoftly

My Right Hand (by phankiejankie303)

Composed for KVR One Synth Challenge 195 using only sounds from Ragnarök 2 by Full Bucket Music.

DAW: Reaper 7.39

29 x Ragnarök

ChowMatrix (chowdsp)
Doppler Dome (Aegean Music)
epicVerb (Variety Of Sound)
filtrrr (blepfx)
GATE-12 (Tilr)
GraphHack (Analog Obsession)
HZ Multiplier (HigherHz)
ISOL8 (TBProAudio)
kHs Filter (Kilohearts)
Lens (Auburn Sounds)
NastyDLAmkIII (Variety Of Sound)
MIDI Note Repeater (Cockos Reaper)
Raum (Native Instruments)
ReaComp (Cockos)
ReaEQ (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
TAL-DUB-II (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)

The Orbit Space Conundrum [OSC 195]

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

Syringe
By Seap for One Synth Challenge 196, June 2025


Instruments:
12x  VST3i: Primer 2 (Audible Genius)
2x   VSTi: RandARP (x86) (CodeFN42)

Effects:
1x   VST3: LoudMax (Thomas Mundt)
3x   VST3: MAutopan (MeldaProduction)
3x   VST3: TAL-Filter-2 (TAL-Togu Audio Line)
2x   VST3: ValhallaSupermassive (Valhalla DSP, LLC)

Syringe [OSC196]

This is my submission to the #kvraudio #OneSynthChallenge #196 featuring the VST Synth Primer 2 by Audible Genius

All sounds are coming from the Synth acompanied by a number of moderate tone shaping, mixing and mastering fx. I Mix/Master with MeldaProduction EQ/Compressor, Auburn Lense, Loudmax Limiter. All fx free or built into the DAW. DAW is Bitwig 5.3.x. No Samples. No Postprocessing after the audio export.

Primer 2 is a simple synth VST plugin built for learning. Designed for Syntorial (the award-winning synthesizer training app), it contains the most common controls found on most subtractive/analogue synths, allowing for a wide variety of patches and sounds, while presenting a simple and easy-to-understand interface and layout.

Marching Band ] OSC 196 [

] Peter:H [ is sound and music. the fabric is curiosity, challenges and love for exploration.
] Peter:H [ combines colorful frequencies, fragrant textures and tasteful rhythms always seeking for new sonic experience.
] Peter:H [ is on a journey and want's to invite the listener to join for a little while to travel together.

【peter:H】【OSC169】I HATE

] Peter H [

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