Beautiful Peter, utterly superb! Where can I find a copy please? I need to play this on the beach!

always, you have been an incredible inspiration (since 2015) for my chill sessions

AMPLITUDES - Dimanche Café N°010

Recorded live at Lovers Lane, Byron Bay on 18th June 2022. Enjoy!

Mister Bennetts [LIVE] VOL. 49 @ Lovers Lane 18.06.22 (10-12am)

"See Line Woman S&B Jazz Not Dead Remix" of Nina Simone's classic song "See Line Woman" is a modern reinterpretation of her iconic track. Nina Simone, known for her deep, soulful voice and powerful delivery, originally released "See Line Woman" in 1964. The song is renowned for its minimalistic yet captivating rhythm, built around a traditional folk structure.

The remix by S&B infuses contemporary jazz and electronic elements into the original, creating a unique blend that respects the spirit of Simone's work while introducing a fresh, modern sound. This remix likely emphasizes improvisational jazz components, electronic beats, and innovative production techniques, enhancing the hypnotic quality of the song.

« See Line Woman S&B Jazz Not Dead Remix » de la chanson classique « See Line Woman » de Nina Simone est une réinterprétation moderne de son morceau emblématique. Nina Simone, connue pour sa voix profonde et émouvante et son interprétation puissante, a initialement sorti "See Line Woman" en 1964. 
La chanson est réputée pour son rythme minimaliste mais captivant, construit autour d'une structure folk traditionnelle.
Le remix de S&B  insuffle du jazz contemporain et des éléments électroniques dans l'original, créant un mélange unique qui respecte l'esprit du travail de Nina Simone tout en introduisant un son frais et moderne. 
Ce remix met probablement l'accent sur les composants de jazz d'improvisation, les rythmes électroniques et les techniques de production innovantes, améliorant ainsi la qualité hypnotique de la chanson.

"See Line Woman S&B Jazz Not Dead Remix" da canção clássica "See Line Woman" de Nina Simone é uma reinterpretação moderna de sua faixa icônica. Nina Simone, conhecida por sua voz profunda e comovente e entrega poderosa, lançou originalmente "See Line Woman" em 1964. A música é conhecida por seu ritmo minimalista, mas cativante, construído em torno de uma estrutura folclórica tradicional.

O remix de S&B infunde jazz contemporâneo e elementos eletrônicos no original, criando uma mistura única que respeita o espírito do trabalho de Simone ao mesmo tempo em que introduz um som fresco e moderno. Este remix provavelmente enfatiza componentes improvisados ​​de jazz, batidas eletrônicas e técnicas de produção inovadoras, melhorando a qualidade hipnótica da música.

Free Download

Nina Simone - See Line Woman S&B Jazz Not Dead Remix

Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

Finn Rees - Crossing

Liquid Dreams

Trip To Heaven (vocal Version)(feat.Loretta Perry)

Bill performs This Land, Woodie Guthrie's Better World. 



For What It's Worth

ARBOU-Drifting Letters [DARK NATURE CONCEPT]

ARBOU-Misty Sidewalks [DARK NATURE CONCEPT]

Colman Brothers

Momo

Bastard Jazz is proud to present The Love EP from Cork, Ireland based DJ and producer Colm K. Colm, a 2004 graduate of the Red Bull Music Academy, has been making waves for a few years now with his debut, Basics 12” for Bastard Jazz, a 7” and a 10” released on sublabel BSTRD Boots  (the latter of which is sold out and regularly changes hands for upwards of $50 on eBay), and recently shared billing with Mr. Scruff on a Hypnotic Brass Ensemble remix 12” on Choice Cuts.

Here on The Love EP, Colm’s musical vision has truly matured on a fully realized 12” that draws on such disparate influences as Herbie Hancock, 80’s boogie, J-Dilla, vintage House music, Floating Points and Q-Tip productions. Things kick off with “The Attic”, paying homage to the classic “Do You Want Me“ by “Cloud 9“ . Its immediate synths coupled with hard hitting boom-bap drums, rhythmic percussion, deep bass, and twinkling keys transform into a seriously bouncy boogie bounce midway through. Next up, “Nothing”  works in a “Love Hangover” inspired vocal line with booming kicks, astrologically inspired synth leads and acoustic guitar stretches. On the flip, “Good Fridays” bumps nice and tough with its neck-snapping drums, synth chords and plunging sub-bass before a midway changeup into a seriously deep piano driven monster – a perfect late night surprise. The EP rounds off with the 63 BPM cosmic jam that is “Spaced”  with its slap bass and delayed synths sitting perfectly in the pocket.  Art for the EP comes from graphic artist Donal Thorton, notable for Onra’s Long Distance cover, and many of the Hypnotic Brass Ensemble covers on Choice Cuts.


Liquid Dreams

P Pearson

Recent comments

djpimplord_d-constructed

JAZZCRUSADER

musquito1

steveoptix

Related tracks