ksrss3

amel

trening

P1NX

Grzeczne piosenki

vixaaa w aucie jebnie

Bangiery i inne skurwysyny

Bursztynek Bursztynek - Fasolki

Moja Fantazja - Fasolki

A Ja Rosnę - Fasolki

Available now on iTunes: http://smarturl.it/ShallowGravesForToys

Available on Google Play: smarturl.it/GoogleSGFT

Download

Microscopic Dinosaurs

TUMMY TUCK	

TUMMY TUCK (XXX "LICK" VERSE)

Arab 30

Members Only.

@rojasonthebeat
@xxxtentacion
@JimmyDuval

XXXTENTACION - Look At Me! (Prod. ROJAS & Jimmy Duval)

PodrÃ³ - E Pana Kleksa - Z Poradnika M - Odego Zielarza (piosenka Dla Dzieci)

Fasolki - Akademia Pana Kleksa

Fasolki

Phant

Familiada

Pralkobetoniarka

It all started in the fall of 1974... Pierre Gagnon and Jean Barbeau, two young DJs from Quebec, invested in a pair of Sony cassette decks and started experimenting with the pause buttons. Within a year the duo, guided by Pierre's drummer friend Allen Vallières who taught them musical theory, were creating primitive edits. Initially they were simply making one complete song from Parts 1 and 2 found on two sides of a 45. But as their timing improved and their imaginations wandered they began trying more complex chops; extending sections of songs, rearranging and repeating parts  - they had no idea that DJs in New York were doing similar things on reel to reel recorders.   The trio were making edits regularly by 1976, adopting the name PAJ Disco Mix (Pierre, Allen, Jean). They were regulars at Lovers Disco Club in Laval, and when they felt their pause button edits needed to be heard they presented themselves to the DJ there. He was suitably impressed and asked if they'd make some custom edits for him, first on a couple of Andre Gagnon cuts, followed by a special Ritchie Family medley he requested to coincide with a live appearance by the band in Lovers.
  Bolstered by their edits' popularity PAJ set their sights on the biggest and best club in Montreal: The Limelight. The Limelight was packed every weekend with a crowd who lapped up the music played by Robert Ouimet through the club's killer sound system. The first edits they presented to Robert: Deodato's "Peter Gunn" and "Love Bug" by Bumblebee Unlimited (the original cassette edit of which is included here), didn't seem to work due mainly to the fact they were played from cassette. But the group had already invested in Akai reel to reel tape machines, and had been taught the art of splicing by the DJ at Cosmos 2000, a 1500 capacity club in Trois-Rivires, 150km from Montreal. So when they returned some months later with tape edits of Silvetti's "Spring Rain" and Jesse Green's "Flip" the crowd went crazy. 

 They became good friends with Ouimet and created custom edits for him, some specified by him, some they just thought would work. From then things got serious. PAJ taught themselves many techniques for creating edits; wrapping tape around a record player's turntable to vary the speed, covering the erasing head with a piece of cardboard to double up pieces of music without erasing what was already there. Ouimet played their creations not only to his appreciative Limelight crowd but also on Canadian Radio where he had a weekly show. Robert would visit New York once a week to pick up records from the NY Record Pool. While he was there he would often visit Sunshine Sounds and have acetates made up of some of PAJ Disco Mix's edits, distributing them to the best DJs in the Pool.  

 The biggest success came when a chance meeting with Gerry Bribosia, a customer in the record store where Pierre worked as well as someone PAJ regularly met in the audio store they frequented, led to the group creating a remix for him of a song he'd produced called "Dracula Disco". The song didn't do anything sales-wise, but Gerry had another song he wanted the guys to work on: "Music" by Montreal Sound was the theme tune to Canada's biggest television disco show "Et ca Tourne" and, after PAJ Disco Mix created an edit Tom Moulton described as "Too much" the 12 inch single went on to sell ten thousand copies in Canada alone. Two weeks later it was signed to TK Disco, and went on to sell somewhere in the region of half a million copies worldwide (Though this is an estimation by a music lawyer who was called in after no royalties were paid by TK!).

  Between 1976 and 1978 PAJ Disco Mix created more than fifty pioneering re-edits, mixes and medleys. A handful of Sunshine Sounds acetates have survived, but due to the nature of the format, there isn't much life left in them. Thankfully they kept everything. Right down to the early pause button edits.

PAJ 1000

Order CD/LP - https://www.zrecords.ltd.uk/new-releases

RWL Sleeve Notes:

Patrice Rushen – Never Gonna Give You Up (Joey Negro Re-Grooved Mix)
I procured the multi for this killer dance cut from Patrice’s “Posh” album over 5 years ago and completed the remix a while back but we couldn’t clear it for RWL 2 due to the rights to her music being in limbo while it was sold by Warner Brothers to German indie !K7. This is one of the more radical remixes on the album. In all other cases I base the new version around the original music, sometimes adding extra riffs or replaying bass or guitar. I tried that approach on “Never…” but it just wasn’t happening. I went back to it a few times but I didn’t seem to be able to come up with anything particularly interesting so I decided to go a different direction and attempt to change the music next time I had Kaidi Tatham in the studio playing keys. He did a great job with a groove that is a little like her classic “Number One” and though the chords are different we managed to make most of the original strings and brass work with them.

Patrice Rushen – Never Gonna Give You Up (Joey Negro Re - Grooved Mix)

There's no doubt that DJ Koze's "Pick Up", a monster chunk of sweeping disco-house bliss built around elements borrowed from Melba Moore's "Pick Me Up, I'll Dance" has been one of the biggest cuts of 2018. Here, Yam Who delivers his own house-friendly rework of Koze's classic as part of Midnight Riot's "Dubplate Disco" series. We'd argue that it's even better than Koze's cut, primarily because it gets to the point far quicker than the German's stretched-out epic and utilizes more chorus repetitions. Arguably even bigger is flipside "Disco Madness", a thunderous and seriously heavy disco-house re-edit of a driving Teena Marie cut that's almost worth the admission price on its own.

Dubplate Disco - Pick Up (Yam Who? Edit)

Speed - Tu Cię Mam (P1NX Bootleg)

Łodziokopter

Tarcie chrzanu na czas

Takie duże jedwabniki strzelające laserami z oczów jak są złe

Example - All Night (P1NX Bootleg)

Lolita - Joli Garcon (P1NX Bootleg)

Homies - Osiedlowa Noc

I felt like doing some hip hop the other day.... 


FREE DOWNLOAD

The Notorious B.I.G. - Everyday Struggle (Dead Battery Remix)

DRUMKIT // https://sellfy.com/p/XiPp/
BANDCAMP// https://sokos.bandcamp.com/
INSTAGRAM// https://www.instagram.com/s_o_k_o_s/
YOUTUBE// https://www.youtube.com/c/SOKOSwilk
FACEBOOK// https://www.facebook.com/sokosmusic/
TWITTER// https://twitter.com/FilipIsbrandt

Trakmajster - MOC ENERGIA AMFETAMINA [SOKOS REMIX] CLIP