From The Rising Of The Sun

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

MOONJUICE🤘🎸⚡ Everett MA 


All Music Written By:

*Scott Burton (Guitar)
*Mike Wiley (Bass)
*Cameron McGowan (Vocals)
*Paulo DeSousa (Drums)


Email: MoonJuiceXCVI@Gmx.Com

WARNING: Unauthorized use of this band's music & imagery without explicit consent from ALL writers and creators  is strictly prohibited. This includes reproduction, distribution, or commercial use. Violators may face legal action. 

All Music Recorded @ XCVI.


Music, for me, is more than mere entertainment; it is an evocative language that enables me to express my deepest thoughts, emotions, and experiences. Whether it's the cathartic release of shedding tears to a poignant melody or the exhilarating thrill of losing myself to a contagious rhythm, music reminds me of my own humanity in the most profound way.

Hello my friends, welcome to my SC music wonderland..Many thanks for Your great support ! I'm very impressed about the great number of followers !
I don't play music, I play with sounds
Best audio experience you get by using headphones

Repost page for Thorazine Coalition @thorazinecoalition main page.

TBR channels the intimate aesthetic of a solo artist, then puts it through a high-gain filter of grunge and metal. Forget polished studios—TBR delivers a raw, home-brewed sound that captures the grit and energy of garage rock. It’s heavy music with a personal conscience, offering a visceral commentary on modern life and political angst into potent, riff-driven anthems.

TBR’s sound is built on a powerhouse foundation, born from a bass player’s driving, ballsy rhythm section. This core energy is an adrenaline-fuelled blend of trad rock, hardcore punk, and thrash metal ferocity, which later exploded into diverse territories of cutting-edge alt rock and raw acoustic folk. No matter the evolution, that inherent metal edge and electrifying power remain the uncompromising heart of their sound.

However, the true TBR journey ignited during the pandemic, born from a burning need for authentic passion. Disillusioned by cover bands and playing others' songs, reflection forged a new path: the undeniable drive to create something truly their own.

Dive into the powerful debut album, Random Acts!
Forged over 10+ years, this album is a compelling collection of songs that masterfully merges a folky foundation with the raw energy of grunge and garage rock. Experience a sound that is both distinct and timeless, a strong and proud debut standing as a powerful statement from TBR.

However, what came next was the sophomore album; On The Surface. This is not easy listening. This is the sound of breaking points and breakthroughs, a sonic exorcism that rips through years of pain and reclaims the wreckage. On The Surface is an unflinching self-reflection, a time capsule of necessary growth and the tough, brutal road required to finally take control.

The music is a visceral assault, a lo-fi powerhouse that bleeds Grunge's grit, Thrash's fury, Sludge Metal's weight, Garage Rock's swagger, and Post Hardcore's intensity. The influences are worn proudly, but the resulting sound is uniquely its own—raw, self-produced, and pulsating with authentic, untamed energy.

This album weaponizes fear, anger, and self-depreciation, forging them into a liberating and transformative experience. It is the best form of therapy available, a testament to enduring the darkness to find the light. Prepare to face the void and emerge, finally, on the other side.

Get ready for an authentic, impactful musical journey that defines the core of TBR's unique artistry.

Panopticum – producer of electronic music, Warsaw, Poland. In his music, he tries to search for new, experimental rhythmic structures and colors. He explores the planes of IDM, techno, ambient, electro and experimental electronic music. In his publications, he cannot stay in one musical genre for too long. He searches for and travels the endless ocean of electronic music.

Released on Otake Records, Section27, Nenormalizm Records

https://www.youtube.com/watch?v=wPx30ba0VXw
https://nenormalizm.bandcamp.com/album/apophenia
https://section27.bandcamp.com/track/inventory-of-memories
https://open.spotify.com/artist/4wOnRSNimgP897GQTT8lyV

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy