Melomania

Myrddin Wyllt

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

music diaries of middle-age homo sapiens
and Home of Disco Avant Disco Movement and Supersonic TM, detail soon and  Tłocznia Recordins and Blue Berg Recording


Music from the end of the world



Husycki król

Zaiste,
kto ma uszy, 
niechaj słucha

kto ma oczy, 
niechaj patrzy

chwasty są piękne 
(wystarczy się schylić)

deszcz pada zawsze 
pod jedynym właściwym 
kątem

fala prado-
podobieństwa
załamuje się 
tam, gdzie było
jej sądzone

a dźwięk 
uderza z idealną 
częstotliwością

pomysł z 
harmonią sfer
był oczywiście 
błędny
pod względem 
naukowym

ale to jeden
ze szczytów
ludzkiej
poezji

moment
kiedy przez
stroboskopowe 
światło
frunie
okruch prawdy

The Hussite king

Indeed,
who has ears
let him listen

who has eyes
let him watch

the weeds are beautiful
(just bend down)

rain always fall
under the only right one
angle

wave of probability
breaks down
right where
she should

and the sound
hits with perfect
frequency

idea of 
harmony of the spheres
was of course
wrong
in scientific manner

but it's one
from the heights of
human
poetry

moment
when by
strobe
light
flies
a piece of truth









Gram, co chcę./I play what I want.

AT YOUR SERVICE 24/7 







Always Scuderia!



 Few moments worth Life
Listen to Belton, pllease

New LPS Out Now!




grandgrandnephew
 of Adolf, grandson of Edward son of Jacek



isten belton sutherland genuine american genius





cover time




i like synts also try qibrd


blues time








https://banishedprince.bandcamp.com/


wkrotce 2 czesc wiersza o bs





SEPR - Studio Eksperymentalne Polskiego Radio/Polish Radio Experimental Studio


lakis/andrzej przybielski 


columbia lost archives





sluchaja panstwo utworow z plyty skalom stac i grozic/you are listening to tracks from album stones are made to stay and threaten




ciekawe, co się stało/i wonder what happend
z gitarą/to the guitar
Beltona Sutherlanda/of Belton Sutherland
ten czarny geniusz/this black genius
o migdałowym wykroju oczu/
with eyes in the shape of almonds
starym głosie/old voice
przypominający mi chwilami dziadka Mietka/
reminds me sometimes grandfather Mietek
pojawia się na scenie tylko raz/
appears on the stage once only

wkrotce w tym miejcu wiersz o beltonie /soon the poem about belton sutherland


czy tylko ja nie bylem nigdy na wagarach?
sa boty ktore podszywaja sie pod ludzi i takie ktore sie przedstawiaja
oto ojciec
hello,world?

Pleasy try the DIY(the fish)





I can project you one cover free
JA TU TYLKO WRZUCAM LOL I AM JUSTY POSTING HERE

nikt nie slucha muzyki/nobody listen to the music
wszyscy na działkach/everybody on dachas
albo na spacerze albo w łózku/or walking or laying in the bed
albo w pracy/or at work






puste parkingi /empty parkings
nie mamy lodu/we dont have an ice
to najzimniejsza cola jaką mam/it is the coolest cocke i have
mogę panu wyjąć/i can can give you another one from refrigator






zdrój jana/the spring of john

prosze dmuchnac w alkomat/please blow into breathylezer
nie dmucham/I don`t blow
to jedziemy na badanie krwi/Lets go for blood examination
mogę alkomat?/can I have this breathylezer?

dark side ofthemoon
kid a niemen nalepa
ok computer
fleet foxes
not jimi hendrix u2 dwie pierwsze płyty/two first LPs gloria a day withouth me
a little
kid a kid

„a style of Doom blending from destructive energy to a own creative dominance“

Epic Down is a duo from Leipzig, Germany dedicated to the sluggish grooves and lumbering riffs of sludge & doom, started in 2021 by Mitzschi (guitar(s)/bass) and Fabian (drums/vocals).
Influenced by primal doom, drone and stoner, the sound of Epic Down is mainly characterized by solid downtempo grooves and rolling walls of guitars, complemented by slightly melancholic vocals.

With the release of their first EP "Equinox Pt1" and it’s sequel "Equinox Pt2" in 2023, the band stepped into the light of publicity.
After signing to Argonauta Records the band was able to celebrate the release of „days of oblivion“ as their debut album in fall 2024.

Follow us & stay tuned:

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

Omapots is an electronic music producer from Norway. He merges his science background with a deep interest in sound, and utilizes both passion and scientific principles in exploring new sound textures. Analog synthezisers and Eurorack setups play a large role in the sound design process accompanied by organic recordings, such as birds or laboratory equipments in part of the sculpting process of experimental flavours. 

The creator of Omapots is also a co-founder of Nemø, alongside the artist Dharma Das. Nemø is a cutting-edge psytrance project, blending zenonesque and progressive psytrance with innovative approaches to how the genre can evolve and be expressed.

As a collaborator with RaveLatefest [link: linktr.ee/ravelatefest], Omapots has made his mark at Oslo Bar & Scene, showcasing his dedication to expanding the realms of trance and electronic music.

Contact: omapots@gmail.com

Virgo/Taurus/Taurus
É nóis que faz o ambiente ficar gostosinho.