vocals in fine form here, love those stabby guitar notes

I like this song. Really nice sounds and voice!

“The entire empire has sunk into a quagmire of extravagance from which they cannot extricate themselves.”
― Liu Cixin
Sadly I fear that one day soon, Democratic Societies will be the next battlground for all Future-Wars... spurred-on by the birth pangs of Hyperinflation....
Please listen and follow "TheAceOverlord" as well!
You can follow him here: @TheAceOverlord

Perpetual Collapse ft. TheAceOverlord

Overdubbed piano and synth improvisation-meditation

Simpler Motion

The Moonlight Sessions

The Doors We Closed

Call all the provinces in South Africa to enjoy the music 

Sibizeni

O-Slider

xian3 introduced me to Antonin Artaud (1896-1948) a French writer, poet, draughtsman, actor, dramaturge and theatre theorist.
On completion of his track he shared some of the stems so I could create this.
Let's call this an answer-song.
The wonderful flugelhorn is by joerxworx. Check him and xian3 out here.
@xian3 @joerxworx

So a big thank you to xian3. Always a  pleasure!

The following text is the last entry in his final notebook:

so, the same figure
returns every
morning (he is an other)
in order to accomplish his
revolting, criminal
and murderous, sinister
mission which is to
maintain
the state of bewitchment cast upon
me (2)

and continue to
make of me
this eternally
bewitched man
etc etc (2)

"A Sinister Assassin" was published recently. It provides translations of Antonin Artaud's last writings (September 1947 - March 1948) from which these lyrics are taken.

The Last Note Of Antonin Artaud (Collab with xian3 & joerxworx)

Celtic Bop  -  Remastered

1. Loose Bruce
2. It's Your Fuckin' Birthday

2023-04-26: Middle Ages Brewing

low quality bass track that i completely forgot about.  lost in the archives 

Sleeping on the job

a flag on my libra scale - 9_1_25, 4.51 PM

Despot 2 Mix 1 Master 1 (Mastered with Thunder at 50pct)(2)

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

The Doors We Closed

Prophet of End Times

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