Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Techno duo from outer space.

DEMO/PROMOS submit here in DM.

WORLDWIDE BOOKING CONTACT: 
nina@apelago.com
marco@deviation.agency (ONLY NORTH AMERICA)

The L stands for Lofi

https://www.lofidre.com

Every event, statement or idea has its own circumstances that define the setting in terms of which it can be fully understood. And to fully understand KNTXT, the techno concept guided and hosted by Charlotte de Witte, you must experience it.

KNTXT has already profiled itself as a force to be reckoned with in the Techno landscape. Its objective is a clear one: to serve a quality techno experience driven by both national as international acts, while staying true to a genuine underground spirit.

All of this has resulted in some mind-boggling editions showcasing an impressive all star wall of fame and also receiving praise from several media such as Mixmag, DJ Mag and Red Bull Elektropedia (Best Really Big Party).

Manifest:
KNTXT /ˈkɒntɛkst/ noun
“The circumstances that form the setting for an event, statement, or idea, and in terms of which it can be fully understood.”

POSSESSION, rendez-vous libertaire et libéré, bien décidé à contenter ceux qui aiment fêter la nuit, sans stigmates, sans limites, sans barrière de genres.

Techno queer parties in Paris

Club Space + LinkMiamiRebels resident. Based in Miami. 

U.S./International bookings/
daniella@phasenine.net

Hailing from Phoenix, Arizona, Decade! (real name Bryce Holt) has always identified strongly with the underdog nature of the city he’s from and the hip-hop culture that has pushed the music industry into the internet age. A product of myriad influences that have built him into a fearless producer who combines elements from all realms of music to create a brand of hype bass sound that is signature to himself alone.

Growing up a hip-hop head in Phoenix, Decade identified with the city’s status as an underdog amongst other cities - both in sports and music. “I moved with the fads from wearing G-Unit to bright skinny jeans,” he jokes. “I loved hip-hop in all aspects. One of my biggest influences as a kid was Missy Elliot - she was so ahead of her time and the music was so left-field.”

Drawing on this affinity for the left-field, Decade began making hip-hop beats at 14, before finding electronic music at a rave when he was 16. “I remember asking people what kind of music this was and they told me it was ‘dutch house,’ so from that point on, I did so much research and fell in love with artists like Afrojack, Crookers, Major Lazer, Sidney Samson, and Chuckie.” Since then, he’s never looked back. “I’ve never had a plan B… Music is all I know.”

-----

Supported by - 
Diplo
Laidback Luke
Borgore
Carnage
Flosstradamus
and many more!

booking / collabs
bookingdecade@gmail.com



Worldwide Bookings: marsh@caa.com
Management: kelly@littleempiremusic.com

My new remix of Above & Beyond's 'Sun In Your Eyes' is out now 💫✨
https://anjunadeep.co/stmr.gcn

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Some artists exude total and unapologetic passion for their craft. Full immersion, absolute dedication and complete commitment; a calling much more than a career, a love much more than a labour, the realisation of a lifelong ambition.

An ambition like Tom Marshall’s. A fan favourite on the roster of renowned UK label Anjunadeep and one of the breakout stars of the melodic house scene, Marsh has sculpted a distinctly warm, emotional sound since he first emerged in the mid-2010s. Inspired by his teenage love of the emotionally rich, early 2000s trance sound and the musicality of crossover drum & bass acts like Pendulum, he’s distilled these disparate influences into a captivating and soulful signature style.

Pacmanaz is following