Call, Don’t Fall

Close your eyes. Inhale for 4. Hold for a moment. Exhale for 6, gently. Stay. Let the notes move through you like a wave. When the last vibration fades, how is your breath?

Ananda Prana

This is a collaboration between 
Port Carling 
Caught in a Moment 
and
NoRinTon 

The original instrumental track, which this version is based on, was written, produced and performed by Port Carling
Lycrics and vocals are written and performed by Caught in a Moment 
The mixing and mastering was done by NoRinTon. NoRinTon also transformed the original version into a Chill Pop style. 

Im very happy to share this beautiful song and thankful again for the chance to work with two incredible musicians ✨🙏🏻

Stranded (Pop Version)

Alcune note:
(English version below)

Come è noto, acciocché i fondi statali illiberalmente destinati a istituzioni pubbliche possano essere opportunamente stornati verso più meritevoli organizzazioni private -quali il nostro Salvifico Istituto-, è opportuno, oltre a impegnarsi in manovre di alto profilo etico e morale, mostrare una sana aderenza ai canoni più tradizionali delle varie discipline. 
Dunque, al Pio Istituto, oltre all'attenta selezione del personale tra gli esponenti delle più meritorie e tradizionaliste associazioni del paese —come la “Fijji de Vòtan ONLUS” e la più moderata ed insinuante associazione di promozione sociale “Rompiamogli il Culto APS”, per citare le più prestigiose— si persegue anche il recupero e l'esecuzione delle forme musicali più classiche e consolidate.
Disgraziatamente, in attesa che si deliberi sul superamento degli oppressivi cavilli legali che limitano la libertà di espressione, le esecuzioni dei più maschi e incisivi inni in repertorio sono al momento riservate unicamente ad esecuzioni private; dunque, in attesa che si legiferi in merito, tratto dalla raccolta 'De Musicae Pallosae' di Gion Chevin Sbarnazzone, si propone un grazioso minuetto che conserva tutti i crismi più tradizionali della forma classica.

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As is well known, in order for state funds, which are immoderately allocated to public institutions, to be appropriately redirected towards more deserving private organizations—such as our Salvific Institute—it is essential, in addition to engaging in high-profile ethical and moral maneuvers, to demonstrate a careful adherence to the more traditional standards of various disciplines. 
Therefore, at the Pious Institute, alongside the meticulous selection of staff from the most meritorious and traditionalist associations in the country—like the “Sons of Wotan NPO,” and the more moderate social promotion association 'Let's kick their Asses SPO,' to name just the most prestigious—we also pursue the recovery and performance of the most solidly established musical forms.
Unfortunately, while we await a decision on overcoming the outdated and illiberal legal technicalities that limit freedom of expression, the performances of the most masculine and incisive anthems in our repertoire are currently reserved solely for private executions; thus, while we await legislation on this matter, we hereby propose a lovely minuet that retains all the most traditional hallmarks of the classical form.

Minuetto semiserio

"three steps to the moon"
Francesco Cartocci- classic guitar, double bass.
our other pieces together:
@soundcloud.com/rosindust/sets/grazie-francesco
I'm so happy to have the opportunity to play with such a musician (and dear friend).

a tre passi dalla luna with Francesco Cartocci

Hoping you are having a lovely weekend....Just a little French inspired number !
Thank you for your very kind plays reposts and playlists.

Une Histoire

Life is often described as a dance…A beautiful waltz, meant to be joyful and lived in the moment. Too often, we step away from the dance, caught in the past or so anxious about the future that we forget the fundamental rhythm. Perhaps the secret to truly living is to step back into the moment, feel the music, and embrace the beautiful and sometimes challenging waltz of life.

The Forgotten Waltz

une libre interprétation d'un magnifique poème de Pierre Reverdy intitulé : Matin
PAROLES
Sur l’oreiller
Front rougissant
Tête penchée
Demain passe derrière
Et je suis en chemin
 Déjà
Quelqu’un s’en va
Pour survivre à la nuit
L’oiseau vibre comme un réveil.

Dans le rideau
Rayon emprisonné
La guêpe a quitté son corset
La dame a mis ses bracelets
La baignoire est pleine
 De la mer

Auréolée
 La tête aux cheveux de satin
 Un doigt levé
 Une pensée
Comment ne pouvez-vous l’entendre ?
__________________________________________________________________
LYRICS
MORNING

On the pillow
Blushing forehead
Head Tilted
Tomorrow passes behind
And I'm on my way
 Already
Someone is leaving
To survive the night
The bird vibrates like an alarm clock.

In the curtain
Imprisoned Ray
The wasp has left its corset
The lady has put on her bracelets
The bathtub is full
 From the sea

Haloed
 The head with satin hair
 A finger raised
 A thought
How can you not hear it?

Free adaptation of Pierre Reverdy's poem


Matin

Made this piece with the winter in mind and a feeling like the movie "The Revenant".

The Frozen Wild

"Time will tell if a heart is true by how it loves in moments big and small."          
- Unknown

Another composition for Mr. Harris.  ♥️😊 See below for chorus lyrics:

"Time will tell that we were meant to be together,
Time will tell my life began when I met you.
And from the start, I looked into your eyes and knew full well.
What only time would tell."

Music and Chorus Lyrics by Francess Harris. Copyright 2025. All Rights Reserved.

Time Will Tell

Daniel is a pianist, composer, and electronic musician based in North Andover, MA. He has recorded music spanning several genres.

Call, Don’t Fall

padge55

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