1 Grand River - Pineapple - The Question Is
2 Kangding Ray - OR - Mojave
3 Chevel - Chevel - Loop #42 (Minor Science Remix)
4 DJ Tennis - Chirality (Plaid Remix)
5 Murcof - Martes - Mapa
6 Primal Code - Kalila's Tale - Akhet
7 Telefon Tel Aviv Remix - Glasir
8 Martin_Gore-Mandrill (Barker Remix)
9 Klātu - Alchemy EP - Clockwork
10 Klātu - Mutual - Witchdoctor
11 Frank Riggio - Empreinte Musicale 2 - Empreinte Instrumentale
12 Aqka Torr - Bassaigu - All The Same
13 Black Gauge - Test Drive - Wise Old Owl
14 Optionica - Biomechanics.EP - Biomechanics - Csum Remix
15 Room of Wires - Hallucino Attics - Project 2005 (RoW Remix)
16 Jan Amit - Emerging Organisms vol. 5 - Ghostly Blossom
17 Frank Riggio - Empreinte Musicale 3 - Empreinte Infinitésimale
18 Murcof - Martes - Unison 
19 Unjin and Sunji - Pigs and Dogs (IORI Remix)

Pærer Podcast Series 1 - DCIDE

End Of Dub EP
You can purchase directly from the artist page:
https://moksaofficial.bandcamp.com/album/moksa-end-of-dub-ep

https://soundcloud.com/moksamusik

MOKSA - RADIAL PULSE

X_NR - Dub Restraint 10

@invernonrevni
instagram.com/invernonrevni/
facebook.com/invernonrevni/

What are moments you can think of that make you want to listen to slow, stripped down music like in your paradisco set? 

In terms of seasons, we are totally in the middle of it at the moment. Fall-Winter. We have this constant vibe of “last rays of light", the day declining and before the street lights will pop. 
This moment when you don’t see super clearly but you can still notice poetry in details.
Just before the darkness.

If there were an event where you could play the genres of music from your paradisco set, what would the setting be like?

A big building with a spacious room and huge windows, from which you can see the day light declining slowly, with some trees around and why not a wind storm. A bit dramatic, a bit cinematographic.
An endless and ephemeral landscape that can disappear if you blink your eyes.
That’s what I picture when I listen to one of the tracks in the set: Monolake (Robert Henke & Gerhard Behles) - Infinite Snow [2009]

Are there any artists in particular that inspire you when it comes to music outside of typical electronic music genres?

I have some names from the Portuguese Fado, like Amália Rodrigues, Carlos do Carmo. Or the biggest Portuguese queer icon António Variações. Luz Casal in Spain.
Also Hamlet Gonashvili called “the Voice of Georgia”, was a soloist singer in choir ensembles and and performer of traditional Georgian music. I love choirs.
Yugoslav dark wave music bands… So many to mention. Impossible to list all of them.

Towards the end of your mix you played the amazing eurodancey track by Sonique - do you often like to incorporate nostalgic tracks in your mixes? What is your relationship with eurodance and trance?

I am a nostalgic person, regarding music. I love the new stuff, because it’s important to re-invent the genres and evolve, but I witnessed the Eurodance, Trance and other movements of the 90’s, first hand. I was a teenager when all of this invaded radios, tv shows… 
Sonique and Massive Attack are both from 1998, the oldest tracks in the set.
That’s kind of a love letter to my younger self.

Paradisco 009 // INVERИO

Ina Valeska | 5YRS RBW - Club Selectors Couleur3 - 06.11.2021

TASCAM DR-05X

Music is the answer.

Comparto una nueva entrega de Cafe y Tostadas, un espacio de relax musical para estas mañanas mas frias que el hombre de hojalata.
____________
I share a new installment of coffee and toast, a space of musical relaxation for these colder mornings than Tin Man.

Tracklist:

01. MOY - Polykarp [Ryoko]
02. MOY - Deep Thunder [Ryoko]
03. MOY - Chronoslip [Ryoko]
04. MOY - Parrots in a Graveyard [Ryoko]
05. BOBO - Do1712 [Furthur Electronix]
06. BOBO - 1 (Pt1) [Gestalt Records]
07. SERGE GEYZEL - On The Edge [mindcolormusic]
08. KESSLER - Old Wives Tale [Shall Not Fade]
09. FELIX LEIFUR - Brot 6 [Lagaffe Tales]
10. MORPHOLOGY - Past Tense [Exalt Records]
11. Uf0 - Teach Me How To Dance [Altered Sense]
12. PLANT43 - Transient cities [Plant43 Recordings]
13. NULLPTR - Reunion [Klakson]

Coffee and Toast Vol. 5 Featuring Bubbles.

An exciting horizon of textures, landscapes and evanescent worlds, close to a dreamlike experience, are synthesized in Espai, Temps i Materia, the title of the new HC Records reference signed by the Valencian duo Spammerheads, formed by Ana Escudero and David Garrido. An audio-visual project forged in 2019 under the punk concept "do it yourself" in which both sound and graphic creation (videos and covers) have been developed by the duo.

A warm reference formed by seven tracks leaded by the one giving title to the album. Espai, Temps i Materia introduces us to a silky and melodic set of gliding arpeggios intelligently backed by padding and shiny pads, a composition formed in two tempos over ten exciting minutes.

The overwhelming power of Cosmic Lunch hits us in a melodic spiral, where a composition in a continuous in crescendo in which sound layers are added and pushed by a thick and warm bass culminates in a satisfactory interruptus in the final stretch of the song, where that emotionality gives way to an epilogue full of mystery and dark atmospheres.

Singularidad Relativa fits perfectly with the previous track, immersing us in a bubbling oppressive atmosphere, where a pulsating and pungent synth goes by through a forest of smoked crystals and facing mirrors that confuse our senses and infuse us with a certain train atmosphere.

A Small Plot of Nothing is a blinding glow in the dark, where once again Spammerheads bring us closer to a futuristic dance floor in which dominant cadences are allied with an effective rhythmic structure in the key of a broken rhythm that serves as the basis for an immense dance of harmonic chains.

As if we found ourselves under a rain of unknown chemical compounds, Swinging Particles appears to us as a disturbing tubular composition where vibrant hi hats converse with acidic and tumultuous sequences that denote a comforting spiritual sense of unease.

The comeback to the stars converges in Chaos Routine, an oscillating space where sliding musical notes play with jumping and complementary harmonies, keeping total consistency with the general discourse of the sound narration.

The counter-rhythms appear in Beware Out There, closing the album and finishing it off in an exciting and ascending journey in search of a melancholic epic that takes us back to the atmospheres created in the mystery and science fiction series of past decades.

An edition composed of twenty-five cassettes in which we differentiate between the standard edition, where the graphic art is conducted by the neat and advanced design of Dani Requeni performing a creative tandem with Spammerheads and their special edition (five units), created by the musicians themselves, with a spectacular cover that simulates a mineral formation using clay and paint.

Finally, the mastering duties have been carried out in Berlin by Daniel Kyo giving it an unbeatable sound finish.

released November 11, 2021

All tracks composed, recorded, mixed and produced by Spammerheads.
Recorded between January and April 2021.
Mastering by Daniel Kyo, Berlin.
Artwork by Spammerheads and Dani Requeni.
Spammerheads are Ana Escudero & David Garrido.
València, 2021.
www.hypnoticacolectiva.es

Beware Out There

Plinky and soft pop 2 processed through MTM Workshop system running the “Sheep” computer card

Schizophrenia

Album Cover by me

Track 2 w/ @findxophy on INSTA
Track 19 w/ @trill_virtual_boi on INSTA

I'm not enough, I wish I was. body, mind, and soul.
I will be enough. 
True Human, True Sorrow.
Love Is Art, Art Is Love (True Human) 
This album is about many things. The concept of love. 
The idea that everything is beautiful, 
but it's mainly about what it means to be human. 
Accepting your flaws, accepting who you are. 
Being yourself and loving yourself. 
I understand that is a very difficult task, but i believe that makes it even more beautiful. Remember your past and accept yourself you've done well. 
true human, true sorrow, true peace.

The Sound of a Dying Star (Kintsugi) (@prodzelkova)

Sunday Ambient - 33

https://paerer.bandcamp.com/
Pærer, independant label, based in Lille, France.
That's the fruit of four guys' collaboration : Jiman, Voice of Sylenth and Untitled Signal, who have the same state of mind, each have their own vision of music.
Influenced by the pioneers of Detroit, Berlin vibes and UK experiment, they aim to promote the experimental and powerful sides of techno music.
**** INPUT SELECTOR****
Sur les trente rêves qu’a du faire le jeune producteur techno lillois Jiman à l’orée de sa discographie, l’un sans doute était de monter un label de l’ambition et de l’envergure de Paerer. Une ambition qui, sur le papier, n’avait pourtant rien d’insurmontable : faire se joindre sous une même bannière les fractions d’une techno désormais affranchie de ses carcans passés, qu’ils soient dub, indus ou électronica. Autrement dit l’alchimie recherchée par tout label électronique, et à fortiori techno, qui se respecte peu avant les années 2020. Lancé en 2018, grâce à la passion partagée pour la production de Jiman et quelques un de ses amis, le jeune Paerer est l’enfant terrible de la scène techno française qui explosa au début de la dernière décennie. Un pied du coté de l’école de Birmingham (Regis, Surgeon) ou de l’EBM de Meat Beat Manifesto, l’autre dans les profondeurs dub de Basic Channel ou d’Echospace, le tout avec la folle envie d’expérimenter, le label présente un profil aux antipodes de ses contemporains et un esprit revêche qui le rend particulièrement sympathique. Sur la foie de quelques various bien sentis, aidés par des mentors et frères de sons comme Birth Of Frequency ou Pulse Code Modulation, la toute jeune structure, dont le logo rappelle méchamment celui d’une autre figure tutélaire de la scène électronique, commence à faire sérieusement parler d’elle. Mais cela était sans compter sur un contexte et une pandémie qui allaient rebattre radicalement les cartes, notamment pour les indépendants, balayer des labels aussi importants que le Stroboscopic Artefacts de Lucy et faire vriller toute la scène vers les sonorités pourtant décriées par le passé de la trance et du breakbeat 90’s. Aspiré malgré lui dans ce vortex dystopique, Paerer passe en peu de temps de rejeton prometteur à bastion des valeurs cardinales technoïdes.