SOUNDSYSTEM LP
http://www.beatport.com/release/soundsystem-lp/1288189

Buddha Puff EP
http://www.beatport.com/release/buddha-puff/1329042

Bust'em EP
http://ganjaology.bandcamp.com/album/bust-em-ep

California creator-selector Lucas Heinel, better known as Dubamine, has been pushing positive vibes since he hit the bass scene in 2009. Building his sound on a solid dub foundation, Dubamine has amassed a dynamic collection of tunes that contain a sound and energy found in very few areas of the world today.
 	His recent release with Yuk Records has been received well by the cosmic community of bass music enthusiasts. Boasting six beautifully crafted tracks of reggae influenced dubstep selections, the Dubamine self-titled EP is a testament to the awesome energy exhibited by this Bay Area Sound Boy. 
 	 Originally from Santa Cruz, CA, Dubamine has been passionate about music since his days as a youth. He got his start playing piano in grade school and later began studying guitar, drums and percussion, which he still plays to this day.
            While in high school, Dubamine started creating hip-hop, drawing influence from artists such as Pete Rock, J Dilla, 9th Wonder and other jazzy beat makers. When introduced to Dubstep in 2007 through FabricLive 37 featuring Caspa and Rusko, Dubamine was hooked. He immediately gravitated toward the deep, shuffley, bass heavy riddims that were being produced by some of the pioneers of dubstep such as Digital Mystikz, Kromestar, Cotti, Loefah, and The Widdler, and was soon on his way to creating his own take on dubstep.
 	 As he began to experiment with creating this foreign sound, Dubamine soon realized that his passion for pulsing bass would be the catalyst for further education. Enrolling in Ex'Pression College for digital arts in Emeryville, CA in 2009 allowed him to gain a more thorough understanding of sound and synthesis which increased his production abilities exponentially.
	 As a student, Dubamine became a familiar face in the bass scene through attending renegade parties in the forest. He loved the raw energy and woodsy vibe that these gatherings offered. As Dubstep started to become more mainstream, Dubamine wasn't hearing the deep, bass driven rhythms that he had originally fallen in love with, so he moved to the bay and began creating what he felt reminded him of the good old days.
 	

Conversations with talented traders—in stocks, futures, options, forex and crypto markets. Podcast hosted by Tessa Dao and Ian Cox.

Real Trap Samples Vol.3 : https://bit.ly/3HzAPNx
Real Trap Samples Vol.2 : https://bit.ly/3trlQ38
Real Trap Samples Vol.1 : https://bit.ly/3thh87W

Management: mouna@kompassmg.com
Booking (USA): alex@abtouring.com & brian@abtouring.com
Booking (AUS/NZ/ASIA) : alex@fatcatmusicgroup.com

French-born, UZ stands out as one of the pioneering figures and most forward-thinking innovators in electronic trap music, sharing the spotlight with icons Baauer and Flosstradamus. With an impressive portfolio of just over 250 releases, he remains an influential tastemaker, continuously shaping the trap genre through his groundbreaking original compositions and his trendsetting label, Quality Goods Records.

UZ made his mark on SoundCloud in 2012 with the groundbreaking "Trap Shit" series, a collection of 25 genre-defining trap classics. His influence extends beyond SoundCloud, with heavyweight projects like the "BallTrap Muzic Vol.1" compilation commissioned by Redbull Studios and his 2017 debut album "Layers," which soared to #24 on the Billboard charts. His discography boasts numerous albums and collaborations with major pop, rap, and electronic artists, including T-Pain, Ice Cube, DJ Shadow, and many more.

UZ's electrifying live performances draw dedicated fans worldwide, exploring the newest sounds and artists in trap, rap, bass, and beyond. His presence has graced every major global music festival stage, including Coachella, Sonar, and Ultra Music Festival, among others. Beyond festivals, his headline tours have rocked top clubs and venues across continents, from North America, Australia, Canada, Asia, Europe, South America and Africa.

Celebrating over a decade of UZ's pioneering contributions to the global bass scene, his impact resonates through his dynamic live sets and his forward-thinking electronic music label, Quality Goods Records. UZ has been at the forefront of discovering and nurturing the next generation of bass acts. Since its launch in 2016, the label has been instrumental in propelling breakout artists into the spotlight, headlining shows worldwide. UZ's legacy continues to shape the future of electronic music worldwide.

#1 Riddim Label In The World
EST 2015

Submit: Riddimnetworkpromotion@gmail.com

Follow Our Spotify Playlist "Riddim Church" : https://open.spotify.com/playlist/1L5f5EMDOlYdYtLak7KeoN

Need SoundCloud/Spotify Promotion? Dm on IG 
Ig: https://www.instagram.com/riddim_network/


@Trench-network
@officialrunes
@Tearout-network

🫧EDATS ON EDATS
🫧@DIMMAKRECORDS A&R
🫧LIVE DJ SERVICE

🫧BOOKING🫧 cory@worldlive.io
🫧MGMT🫧 justin@cardinalartists.com
🫧DEMOS🫧 benzi@dimmak.com


There's no doubt that Benzi is one of the most triumphant and prolific DJs on earth and a true master of the mixtape. Both his Girl Trapz and Get Right Radio series have achieved worldwide acclaim and praise from both fans and his contemporaries. There's no producer who wouldn't benefit from having their music showcased in the finely crafted and produced mixes. But that's not all that makes Benzi such a force in the world of electronic music, and verily, music in general. He's half of well known duo TWRK, with eSenTRIK and they racked up millions of streams with releases on Mad Decent and Capitol Records. BENZI then became the first resident DJ on Diplo & Friends on BBC Radio 1 and helmed his own show #BANGUERS with BENZI' that ran on Sirius/XM for three years. In recent times BENZI can be found looking to take over the music industry from the inside. He launched Parametric Records under the umbrella of Atlantic/APG and saw instant success with a string of big singles released all in the span of two years. This lead him to his current position at Steve Aoki’s DIM MAK Records where he serves as the main tastemaker and A&R.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Branch of SwampWoofer Productions

Send submissions to CoolidgeAveRecords@gmail.com

"No matter the medium, bringing forth the light on the unique, weird, and unusual sound of the earth."

The official page for Comedy Central and Comedy Central Records.

Big Beard, Bigger Bass

Bookings: brent@good-direction.agency

MGMT:
Megan@visionartists.co
Parker@visionartists.co

come see me on tour: https://laylo.com/hairitage/m/1EX7fl

Management: 
Loper@optimysticendeavors.com

Label: WAKAAN // SSKWAN

pakepner is following