Ouroboros [or-roh-bor-ous] uses the raw sound of four horns, drums and vocals to bring you heavy dance grooves and melodies inspired by cultures from around the world. 

This blistering 5-piece explores, tears apart, and wails over everything from stanky funk, to glitchy free-jazz, to Balkan party jams. Named after an ancient Greek symbol for cyclicality, the band's mission is to keep you dancin' and groovin' and dancin' and groovin' and dancin and groovin'...

With Susan Evoy, Greg Bruce, Chris Harnett, and Nicole Hand on the horns, Andrew McCarthy on drums, Ouroboros is happy to bring a fresh new sound to Newfoundland and Labrador and beyond. Please visit www.yourouroboros.com for more info about the band.


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I'm a music producer from Ottawa who makes spacey dance music.

New Album 'Cook’ Out Now 👨🏽‍🍳🥬 Try CRUSH Wine 🍇 Text Us 720.724.9285 💬 Get Tour Tix 🎫 Stream & Shop COOK ⬇️
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In the progressive rock world, I worked under the names Sir Millard Mulch and Dr. Zoltan. I’ve made music with Dweezil Zappa, Virgil Donati, Mike Keneally, Marco Minnemann, Travis Orbin, Thomas Lang, and Morgan Agren. My 2005 album, “How To Sell The Whole F#@!ing Universe To Everybody, Once And For All!” was co-released on Mimicry Records owned by Trey Spruance of Mr. Bungle. 

I now focus on scoring orchestral music for TV and film. I studied composition at State College of Florida and I have a Master Certificate in Composition and Orchestration for Film & TV from Berklee Online. 

In the filmmaking world, I’ve worked on several documentaries (Jon Schnepp’s The Death Of Superman Lives: What Happened starring Tim Burton and Kevin Smith, Apocalypse Later: Harold Camping Vs The End of the World, and Morgan Agren’s Conundrum featuring Devin Townsend and Brendon Small). 

Lately, I create my own animated shows, which I also write, direct, and score. 

Creative work inquiries: carl@carlkingdom.com

The attention to detail and passion for excellence give David's music a dimension beyond the common. 

Progressive, yet remaining musically accessible, a David Locke track, with it's unique time signatures is instantly recognisable by its multi-layered depths and fathomless solos. 

Playing all the instruments for his own musical endeavours, in addition to various external guitar projects, David's wide-ranging abilities stem from an early interest in the work of Brian May. 

Engaged as a guitar teacher, David manages to combine the moulding and honing of fresh guitarists with the creation of his own unique brand of progressive rock music. 

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