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Abstractions

VOID

Psycho Surf-a-Billy band toqueira de garagem de Curitiba, este é o primeiro e o ultimo disco de estúdio do Handevu e os Mandorovas, banda cativa do Linos bar, bar por onde viu nascer e crescer o movimento punk rock da cidade de Curitiba. O Handevu e os Mandorovas surgiu em 2000 e teve seu fim em 2005 com o falecimento de um dos integrantes da banda o grande  William Domakoski, a banda era formada por William no baixo e vocais , Moita na bateria e Klaus Koti na guitarra e vocais. A banda teve vários sucessos desconhecidos como "Mutações em Okinawa", "Quisto no Cocix", "Chernobyll" e também versões de músicas como "bata no moleque" (Beat on a Brat - The Ramones) e Chumbo Quente (Leo Canhoto & Robertinho). Handevu & os Mandorovas existiu no momento onde a cena underground de rock de Curitiba flertava fortemente com o Punk Rock e o Psychobilly, a música surf dos anos 60 e o rockabilly dos anos 50, a banda Handevu existiu nesse turbilhão misturando tudo isso dentro do sonido de garagem. 

01 Ataquem os EUA - Handevu e os Mandorovas - 2003

Split Single No. 4 in the Fuzz Club 10" split single series including Alan Vega and The Vacant Lots. 
Edition of 400. 300 on white vinyl / 100 on clear vinyl (exclusive to Fuzz Club Records)

FUZZ CLUB
Fuzz Club is an independent record label, online store and production company that focuses on experimental rock and roll, influenced by shoegaze, electronica, noise, garage, blues, folk and psychedelia.
Based in East London, Fuzz Club has gained a reputation for surfacing the best emerging talent from Europe and beyond, and releasing them on high end, limited edition vinyl pressings, alongside a roster of the best known names in the underground scene including Anton Newcombe, Goat, Alan Vega, The Black Angels, Dead Skeletons, A Place to Bury Strangers, The Telescopes, Sonic Jesus and The Underground Youth.
Established in rural Norway during the 24 hour darkness of the Arctic winter, Fuzz Club entered the scene in 2012 with their compilation The Reverb Conspiracy – made in collaboration with Austin Psych Fest – a now annual release capturing the essence of the underground scene as it is today.
Today Fuzz Club has around 20 artists and over 40 releases.

Alan Vega - Nike Soldier

Teléchargement gratuit! Tous droits réservés Alain Souchon - Parlophone

Arrangé et interprété par culture ; générale (ex-ChantalGOA). Produit et mixé par culture ; générale et Sylvain Ehinger. Masterisé par Sylvain Ehinger @ www.pixelsound.ch

LE CLIP : www.youtube.com/watch?v=E3Sth_GgASU

www.facebook.com/chantalgoamusique

FOULE SENTIMENTALE

Centres

Drifting to Void on All Sides

First single from upcoming full-length release out December 2016.
Bary Center - "Just Dust"
NB-024

Video: https://www.youtube.com/watch?v=XHRmmC9cvlY

Bary Center - "Dead Savant"

SIDE A

Post Six / An End of Rooms

An End of Rooms

Spooky Mix #2, brings you my picks of the best in rockin' female artists, from Poison Ivy to April March!

8 spooky horror trash, surf, rockabilly, psycho, garage tracks intercut with even spookier movie trailers - what's not to love?

TRACK LIST/CREDIT:

The Bone Collectors - They Call Me Zombie
Hillbilly Moon Explosion - Maniac Lover
The Cramps - Creature From The Black Leather Lagoon
The Retarded Rats - The Head and the Axe
Patsy Montana - The Yodelling Ghost
Messer Chups - Insomnia of the Mummies Tomb
April March - Chick Habit

SPOOKY MIX #2: BRIDE OF SPOOKY MIX

Track 7 from LEYA 'The Fool' [NNA113]
Available May 11th, 2018 on Cassette & Digital formats.
http://nnatapes.com

The Fool

LEYA "666 (feat. Eartheater)"

The PeaBrains - Forgotten Line

KIDS SEE GHOSTS

Reborn

from 'Radiate Through You' [CD|LP|DIGITAL]
Denovali Records · den295
available on all formats at http://denovali.com/ensembleeconomique

The latest long-player of devotional noir by Humboldt County romantic Brian Pyle aka Ensemble Economique was originally titled Music Saves Lives, in response to the misguided backlash directed at underground artists in the wake of the tragic Ghost Ship fire in Oakland. Since Pyle’s career threads through a decade and a half of Northern California’s independent experimental music community, the blow struck a uniquely deep and personal chord. As a way to process, he began recording at his coastal home studio in Manila, California, channeling inner states of mind, seeking something “more personal and intimate, the idea of love, and shining through.”

Radiate Through You delivers on its title, exuding a nuanced catharsis, alternately tempestuous and transcendent, forlorn but undefeated. Vaulted heavens of interwoven electronics ebb into hushed dirges of skeletal percussion and candlelit guitar. Roiling noise seethes, swells, and subsides as an ashen string arrangement rises in the mix, keening a somber, circular elegy, as if overtaken by memory on a long walk alone.

Two key guest appearances lend the album even more dynamism and drama: the first by Barcelona synthesist Alexander Molero on the questing, celestial opener, “Music Is Life,” the second by New Zealand psychic sisters Purple Pilgrims on the devastating finale, “Blue Hour.” Both showcase impressive shades of Pyle’s finesse as producer and muse, sparking his collaborators to new heights.

Whether taken as expressionist memorial, therapeutic song cycle, or something more ambiguous, Radiate Through You stands as a pensive, passionate statement by an enduring light of the West Coast canon, drawn from “a deep, special place of giant emotions, feelings.”

Radiate Through You

Ensemble Economique - I See You (Three Crosses), Part 2 [Edit]

BIT-TUNER — ARABIAN NIGHTS — OUS015 — Live Album

Release: September 7, 2018
Format: Cassette +digital

Flexuous, Synchronous, Capricious

Bit-Tuner’s «Arabian Nights» is based on tapes,  eld recordings and sounds produced in Cairo. The glea- ming heat of Egypt was processed into a grinding 40-minute live set, contrasting the layered textures with Bit-Tuner’s signature staccato beats. Swirling sounds fall into place as the recording evolves. As blasts of wind carry away the dust, sights of a dense and vibrant metropolis are set free.

After his previous works «The Japan Syndrome», «The China Syndrome» and «Athina Tape», Bit-Tuner’s new recording «Arabian Nights» takes an edgy approach: He extracts grainy physicalness from his sounds and brews them in his high-energy arrangements. It is this directness that marks Bit-Tuner’s distinctive qualities as a live act. He manages to tell stories through waves of sonic pressure.

___Tracklist
Bit-Tuner - AN 1.1 - 3:35
Bit-Tuner - AN 1.2 - 6:04
Bit-Tuner - AN 2 - 7:01
Bit-Tuner - AN - 8:34
Bit-Tuner - AN 4 - 7:44
Bit-Tuner - AN 5 - 7:05

___Credits
A live performance by Bit-Tuner based on  eld recordings & tapes from Cairo. Recorded live at Helsinki Klub, Zurich.

All tracks written + performed by Marcel Gschwend, @bit-tuner
Mastered by Adi Flück, Central Dubs
Graphic arts by Mathias Forbach

Arabian NIghts

Arabian Nights

Buy cassette + digital

Bit-Tuner - AN 3 - Arabian Nights (cassette + digital)

Tha Carter V

Dark Side Of The Moon (feat. Nicki Minaj)

Open Letter

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - GLITCH (PAN 84)

Label based in Berlin, est. 2008. http://www.p-a-n.org