Dark Enlightenment (Low)

Marina Herlop - abans abans
Label: PAN
Cat.No. PAN 128S3
Format: DL
Release Date: 4 May 2022
Purchase: pan.lnk.to/abansabans

Third single from the upcoming debut album by Marina Herlop on PAN. Composed, produced and recorded by Marina Herlop.

Mix: James Ginzburg
Master: Joker

Prypiat

Marina Herlop - abans abans (PAN 128S3)

Zugunruhe

END - 40 Days Of Silence - Jacob Kirkegaard - Soundtrack -VON019

from the album "Cult Appeal" coming out on Hausu Mountain on 10/2/15

For more info:
http://hausumountain.com/?page_id=2257

Andrew Bernstein - Thought Forms III

BONDAID#7 FIESTA!
2015.11.22 sun before Holiday 
START : 23:30 at WWW Tokyo
ADV ¥3,000 | DOOR ¥3,500 | UNDER 23* ¥2,500

液状化するダンス、レイヴ、アートの融点。ダブの霧に身を潜めるミステリアスなロンドンの才女 Inga Copeland と“点描トランス”と称されるミラノの革新派 Lorenzo Senni を迎えた新感覚の屋内レイヴが開催！

Co La (Software)、Andrew Pekler (Entr’acte)、D/P/I (Leaving)、TCF (Ekster)、M.E.S.H. (PAN)といった世界各地の先鋭的な電子音楽作家を招聘してきた〈melting bot〉プロデュースの越境地下電子イベント〔BONDAID〕が第7回目のラッキー・セブンを迎えて送る祝祭“FIESTA!”を今年で５周年記念を迎える渋谷WWWにて開催。ゲスト・アクトはHype Willimas (Hyperdub)での来日パフォーマンスが大絶賛だったロンドンの女流電子作家Inga Copelandの日本初のソロ・ライブとミラノのサウンド・アートティストLorenzo Senniの〔Sonar〕でも評判となった“点描トランス”と称されるレイザーを使った、こちらも日本初となるインスタレーション“Oracle (神託)”。本公演は今年の6月に東京のLIQUIDROOMと大阪のCONPASSで行われたベルリンの実験／電子レーベル〈PAN〉をフィーチャーしたイベント〔PAN JAPAN SHOWCASE〕に続く、現在のイメージ化するジャンルと抽象化するダンス・ミュージックの坩堝を体現したコンテンポラリーな屋内レイヴ・ナイト。音楽、ダンス、アート、ファッションの先鋭がシーンを超えて集まった全14アクトでかつてない夜をお届けします。

LIVE :

Inga Copeland [ex Hype Williams  / from London]
Lorenzo Senni “Oracle Set” [Editions MEGO / Bookman Editions / Presto!? / from Milan]
Kyoka [raster-noton]
Metome
Renick Bell [Quantum Natives / the3rd2nd]
Koppi Mizrahi [Qween Beat / House of Mizrahi] 
& yumeka [OSFC] “Vogue Showcase”

VJ : Ukishita [20TN! / Nice Air Production]

DJ :

Toby Feltwell [C.E]
Sapphire Slows [Not Not Fun / Big Love]
Yusuke Tatewaki [meditations]
HiBiKi MaMeShiBa [Gorge In]
Hibi Bliss [BBC AZN Network]
Pootee
SlyAngle [melting bot]

#LEFTFIELD #ELECTRONIC #RAVE 
#TRANCE #DANCEHALL #VOGUE 
#TECHNO #GLITCH #GORGE #NEWAGE
#CONTEMPORARY #DANCE #ART

ADV TICKET OUTLET : 10.15 ON SALE

e＋ / WWW / RA / Clubberia
disk union (Club / Dance Online, Shibuya Club, Shinjuku Club / Honkan, Shimokitazawa Club, Kichijoji)

*23歳以下のお客様は当日料金より1000円割引になります。ご入場の際に生年月日が記載された身分証明書をご提示下さい。Under 23 get 1000 yen discount off door charge with Photo ID.

※20歳未満の方のご入場はお断り致します。年齢確認のため顔写真付きの身分証明書をご持参下さい。Over 20’s only. Photo ID required.

Info : WWW 03-5458-7685
B1F Rise Bldg, 13-17 Udagawacho, Shibuya-ku, 150-0042, Tokyo

主催 : BONDAID | http://bondaid.jp
制作 / PR : melting bot | http://meltingbot.net
協力 : Inpartmaint / p*dis | http://www.inpartmaint.com
会場 : WWW | http://www-shibuya.jp

Inga Copeland - Advice To Young Girls (w/Actress)

The NYC-via-Kansas producer Brian Leeds (Huerco S), known for his distinctly murky productions, returns to Anthony Naples' Proibito imprint with a brilliant full-length release of dense meditative ambiance. A marked move away from Leeds' house music ventures, For Those of You Who Have Never (And Also Those That Have) is an intensely cerebral experience, sparking raw emotions throughout.

Our pick of the bunch is "Promises of Fertility". Seven blissful minutes of softly smudged chords lay the foundation for an innocent melody that beams you into a world of mystical sounds and fantasy.

Dropping on June 6th, For Those of You Who Have Never (And Also Those That Have) is now available to pre-order.

Pre-Order

Huerco S "Promises Of Fertility" - Boiler Room Debuts

You Only Live Ice

"How To Swallow A Sword"

4. HOW TO SWALLOW A SWORD

V/A - mono no aware もののあわれ

Format: 2xLP / Digital
Label: PAN
Cat.No: PAN 77
Release Date: 17 March 2017

http://p-a-n.org/

purchase:
site: http://bit.ly/2mQN5AO
bandcamp: http://bit.ly/2n9ToSm

mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things", or "a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Molly Matalon and design by Bill Kouligas. A limited version of 100 copies will be released as a special art edition in collaboration with Mount Analog for the LA Art Book Fair 2017, before going on general release.

mono no aware

7. Flora Yin-Wong - Lugere (PAN 77)

10. Jeff Witscher - ok, American Medium (PAN 77)

13. SKY H1 - Huit (PAN 77)

Oh my my

Venus In Leo

Dream Symbol

MURCOF + PHILIPPE PETIT: 1st chapter
(LP + CD + Digital / Rev. Lab. - Aagoo)

Release date: September 2013

www.aagoo.com
www.revlaboratories.com

Fernando Corona
Hailing from Tijuana, on the Mexico/US border, and now a Barcelona resident, Fernando Corona rose to attention as part of Mexican collective Nortec, mostly for his work as Terrestre, but it is with another project, Murcof, that he has made an extremely strong impact. Merging micro-beats with samples of contemporary classical music, his work, often crystallised into sweeping haunting pieces, bridges the gap between Arvo Pärt or Henryk Górecki and part of the electronic scene of today. He is credited with being one of the main influences of the likes of Erik Skodvin and of many of the artists who have appeared on Miasmah in recent years.
www.murcof.com

Philippe Petit
This self-styled musical activist began his career as a journalist and DJ in his native Marseille, and went on to form Pandemonium Rdz., a label with which he explored the outer reaches of experimental rock, before turning his interest to electronic music by setting up BiP_HOp Records at the beginning of the noughties. Since 2009, his focus has shifted once again, this time on his own music, a refined blend which can incorporate elements of experimental rock rock or classical music and can take the form of complex electronic, electro-acousticism, experimentation or turntablism. Although Petit occasionally works alone, it is in the collaborative space where he truly thrives, casting his sonic world against that of the likes of Eugene S. Robinson, Lydia Lunch, Pietro Riparbelli, Bella Emerson, Cosey Fanni Tutti, Asva & loads more... 
www.philippepetit.info

The album
The meeting of such unconventional musicians was always going to result in a pretty incredible piece of work, but confronting such strong identities and getting them to work together was not a given. For the past three years, Philippe Petit and Fernando Corona have regularly played live together, undoubtedly refining their collaboration with each new performance and finding the right balance between their respective sound worlds. The result is this album which equally finds its roots in Murcof’s modern classical influences and Petit’s coarse post modernist soundscaping.
The album may barely reach the forty minute mark, but in the space of three tracks, Corona and Petit create a magnificent soundtrack which teems with haunting choral chants, lush string work and unsettling atmospherics. This album is rooted in ancient myths and legends, borrowing from Greek mythology for "The Call Of Circé", daughter of Helios and powerful enchantress, and winged divine horse "Pegasus", or from Nordic tales of giant squid-like sea monsters on "The Summoning Of The Kraken". This very much characterises the epic proportions of this album, echoing in parts the amplitude of Murcof’s "Cosmos" (Leaf, 2007), and in others Petit’s equally ambitious "Off To Titan" (Karlrecords 2010), but they temper this with much more delicate moments, for which they assemble incredibly detailed and refined atmospheric passages.
Clocking at just over twenty minutes, the opening piece "The Call Of Circé" is articulated around a series of sequences which range from stern, doom-like guitar stabs and harsh percussive noises to eerie choral laments and theatrical vocal flourishes. The haunting melodies and ambiences of the first half are slowly broken apart by the recurring thuds of metallic percussions. When these recede, the mood has become darker, grittier, more oppressive, and remains as such for much of the remainder.
"Pegasus" recalls some of the more baroque treatment Murcof experimented with on his commissioned work for Les Grandes Eaux Nocturnes de Versailles, especially through his use of the viola de gamba as a primary sound source, but this sound source becomes corrupted as the track progresses, perhaps subject to Philippe Petit’s radical decay processing, until only a few distorted strands of grating bowed strings remain.
With the last track, Corona and Petit opt for an overall softer, warmer atmosphere, but there is a lingering feeling of impending danger lurking below the surface of the whole piece. This is marked by the use of sparse percussions, magnified vinyl crackles and processed guitars and textures which, assembled in various combinations, weight heavily on the otherwise almost pastoral nature of the composition.
Philippe Petit knows how to find collaborators with whom he can go beyond his own sonic universe and make them venture into unfamiliar territories, and he is an expert in making these collaborations gel perfectly. And this is one hell of a collaboration: two artists, each with this visionary approach, working together to create a truly magnificent piece.
WRITTEN BY Bruno Lasnier / January 2013 (www.themilkfactory.co.uk/st/)

MURCOF & PHILIPPE PETIT : The call of Circé

Vinyl Edition available now via Second Thoughts Records:
https://secondthoughtsrecords.bandcamp.com/album/music-for-turntable-guitars-sampled-instruments

Recorded and produced by Chuck Blazevic, Summer 2017 - Fall 2019.
Mastered by Stephan Mathieu at Schwebung Mastering.
Graphic Design by Simone at Studio-Noi.
Co-released by Second Thoughts Records and Reliable Effects

Music For Turntable, Guitars & Sampled Instruments

Light Patterns

Label based in Berlin, est. 2008. http://www.p-a-n.org

10. Jeff Witscher - ok, American Medium (PAN 77)

PAN

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