Elysia Crampton - ORCORARA 2010
Format: 2LP (July 10) / DL
Cat.No. PAN 101
Release Date: 1 May 2020 
Purchase: https://bit.ly/2WeCpPj

This album follows intergenerational trauma, fugitives of Christian violence in a twilight called Puruma, returning to Mama Cocha, the sea that theorists call Nowhere.

Dedicated to the life of Paul Sousa, who while incarcerated, worked years as an inmate firefighter across the Sierra Nevada of California. Also dedicated to the work of Sage LaPena and Dr. Gretel Mendizabal Nolte. (Includes misreadings of Jimenez, Saenz, Claudel, & Wright).

Not one, not world, not body, not god, not salvation, not zero; only a ceaseless approaching toward, with, and as the great mystery, by Grace, Tatamama. Jallalla.

ORCORARA 2010 was comissioned and released in 2018 by Centre d’Art Contemporain, Geneva, CH for the first floor at the Biennale de l’Image en Mouvement 2018 ‘The sound of screens imploding’.

The album is mastered by Jeremy Cox.

All proceeds go to the American Indian Movement West/ AIM SoCal chapters.

Elysia Crampton - ORCORARA 2010 (PAN 101)

Experimental Music - part 6

Mixes - Part 1

lounge, relax, electronic etc.

Extrait du Concert de Paris, Champ de Mars - 14 Juillet 2013

Orchestre National de France sous la direction de Daniele Gatti
Musique : Joseph Kosma
Paroles : Jacques Prévert

Philippe Jaroussky - Les Feuilles Mortes

Josey In Space

Phase Two

Landau

از موسیقی انیمیشن آدم‌برفی
http://www.gooshe.net/?p=1642

Walking in the Air

Underworld - Banstyle   Sappy's Curry

What’s The Plan?

BBoy

I Dream So Loud

Dub (Dub)

Collected over three years within the overlaps between music, poetry and visual arts, Music for Self Esteem is what Tucson-born, Berlin-based artist bod [包家巷] refers to as a world-building exercise from an alienated yet observant perspective on unrestrained fields of research.

Designed for the diffusing boundaries expressed in contemporary technology and life, the thirty-seven track album Music for Self Esteem refuses sonic isolation, instead abruptly switching from gentle piano melodies to harsh noise, snippets of dance tunes to apathetic ambiences.

@baojiaxiang
musicforselfesteem.com

Dedicated To Danse Noire (the briefest, weakest, most vulnerable moment is the most powerful)

Dedicated To Beerwizard (a memory of a different self is a reminder of repeatable mistakes)

Dedicated To AMEN (reinvigoration of a sense of aesthetic belonging in a foreign concept)

For Everyone Who Released Shorter Or Secretive Works

LA Was Worth The Struggle But I Had To Leave

Elysia Crampton - ORCORARA 2010
Format: 2LP / DL
Cat.No. PAN 101
Release Date: 1 May 2020


This album follows intergenerational trauma, fugitives of Christian violence in a twilight called puruma, returning to mamacocha, the sea that theorists call nowhere.
Dedicated to the life of Paul Sousa, who while incarcerated, worked years as an inmate firefighter across the Sierra Nevadas of California. 
Also dedicated to the work of Sage LaPena and Dr. Gretel Mendizabal Nolte. (Includes misreadings of Jimenez, Saenz, Claudel, & Wright.)

Not one, not world, not body, not god, not salvation, not zero; only a ceaseless approaching toward, with, and as the great mystery, by grace, tatamama. Jallalla.

ORCORARA 2010 was comissioned and released in 2018 by Centre d’Art Contemporain, Geneva, CH for the first floor at the Biennale de l’Image en Mouvement 2018 ‘The sound of screens imploding’.

The album is mastered by Jeremy Cox. 

All proceeds go to the American Indian Movement West/ AIM SoCal chapters.

ORCORARA 2010

Elysia Crampton - Morning Star-Red Glare-Sequoia Bridge (ft. Jeremy Rojas) (PAN 101)

Elysia Crampton - Crucifixion (ft. Shannon Funchess) (PAN 101)

PAN