the window seat; walking in the rain; pacing; taking a yellow cab; after hearing good news; going to get groceries; Wednesday afternoon; strolling through LES;  taking the long way home; holding an iced latte; waiting to cross the street; the first day of September the third Wednesday in January; fitting in footprints in the sleet

The Romanticization Of My Life On A Wednesday This Month

huddle inside a train long gone

20220617

diviser par zéro

I Love My Mom

How I Get Myself Killed

this tune without the voice : http://nurykabe.com/stockage/audio/stems/kv/le%20grand%20machin%20bleu%20kv.wav
sheet : https://musescore.com/morusque/le-grand-machin-bleu

le grand machin bleu

"Archive" by Nuage is a compilation of his early works. Available exclusively on Bandcamp: microfunk.bandcamp.com/album/archive

"The idea to make an archive of music I started my career from came to me spontaneously. I collected 24 tracks, some of which have been released, some are unfinished demos and others have been shared as freebies. I re-rendered the tunes from my DAW and leave them unmastered so you can hear them exactly how I’m when was creating them. I took out vocals from most of the songs to keep the attention to instruments and also leave the original project titles of the tracks.

Today, at the Archive release day, I deleted all those projects to completely let that music go and free my mind for new music experiences. I hope you’ll share some nostalgic moments with me listening to Archive." — Nuage

@nuagesounds

Microfunk pages:
instagram.com/microfunkmusic
www.fb.com/microfunkmusic
microfunk.bandcamp.com
twitter.com/microfunkmusic
vk.com/microfunkmusic

Bandcamp

Nuage - process rns

I must apologise

I Must Apologise

Quite a new name in electronic music scene - Lydia Vilas is on Rąžė airwaves. Her selection travells all around the world with her mix series - "Dancing Dolphins".  This mix absolutely shows class of Lydia, check and enjoy!

@lydiavilas

Rąžė Radio Mix 040: Lydia Vilas

as usual. is a Berlin-based imprint for electronic music, which basically began as a weekly event series in 2013. Four years later, the music label as usual.music was launched and concentrates on releasing a deeply groovin' cutting-edge sound in various facets, delivered by some fabulous artists of the labels surrounding, as well as several other renowned acts with a contemporary sense for underground and club music.

as usual.music is focused on Techhouse and Minimal, with influences of multiform ranges in Techno and House music, such as Deeptech/Deephouse. Deeply groovin' cutting-edge sounds and crispy tight rhythms are basic to what makes it shakin' or bangin' – consequently, the demanding nature of our music is fundamentally made for having maximum aesthetics to please the dancefloors. With no fear to break the rules at some point. It's represented by some of the most interesting artists in the underground music and club scene. We love to connect diverse aspects of creativity to having an intense excitement in projects and concepts. The result is a highly inspiring and perceptive state of quality dance music. Taking the challenge of the ongoing evolution in contemporary music industries and feeling the impulses of tomorrow are implanted genes of our beings.

@as-usual-music
@beelincoln

6:00 – 7:00pm
Monthly on the second Friday

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.twitch.tv/blooplondon
www.mixcloud.com/blooplondon
@blooplondon

Bloop London Radio

as usual music w/ Bee Lincoln - 13.05.22

Un set trippy et hypnotique de la paire du label @hardfist : @neskeh_41 & @warum (résidente du Sucre) 🌀

Warum & Neskeh @ Le Sucre 27.03.2022

DJ Corridor’s mix layers ubiquitous sounds with percussion and colourful basslines as a taste of the sound driving through his upcoming EP.

DJ Corridor [Deviant takeover III] [07.04.2022]

As an active part of Colombia's electronic music scene, Anne Artikel (aka Magdalena) has built a prolific and enduring career as a music producer, DJ and live act that has been renowned in both the local and international scene due to her outstanding genre bending approach and prominent boundary pushing style in music. Having worked with all different sorts of genres under her different monikers (Anne Artikel, Magdalena, Ana Gartner, Magdalena Solo Project, Telequinetics (Lead Singer) she has worked in different styles ranging from punk, post punk, trip- hop, techno, synth wave and industrial music and therefore developed a peculiar sound, filled with dynamics, moments of sheer passion and expression and an uncanny way of connecting with the ethereal realms of the soul which transcends beyond mere listening to make her performances
unique and to be remembered. Iconic shows such as her Boiler Room debut in Bogotá, which was charted by Pulse Radio as one of the best techno streaming sets of 2016, her live performance recently in the Museum of modern Art in Medellín (MAMM) and countless residencies and DJ performances throught the years in many prolific clubs and venues all around the word, serve to show her great endeavour and passionate approach to music. Besides her work as a musician, she is also the label owner of Broken Mind Recordings, an imprint that has released music in digital and vinyl format and is still
underway to showcase the more experimental and unique sounds of music within a sub lable which is currently in the works. Also, she is the curator of Desobediencia Civil, a electrónic music dance party based in Colombia that has booked amazing artists such
as Pinion, Oliver Klingenberg and PERC, focused mainly on allowing self expression, resilience and freedom of self for the attendees and a streaming project in Medellín called Kubo, made to showcase the evergrowing talent of local artists as well as invite visiting musicians to showcase their work while touring in Colombia. Born out of perpetual and undying desires to create and give light to the crevices of the soul, Anne Artikel aka Magdalena is an artist that will forever be remembered for her relentless passion and discipline towards music, constantly reinventing her sound to envelope the escence of
changing times and pave the vision of the past, present and future of music.

https://soundcloud.com/anneartikel

| EPISODE 129 | Anne Artikel

Marina Herlop - Pripyat
Label: PAN
Cat.No. PAN 128
Format: DL
Release Date: 20 May 2022
Purchase: pan.lnk.to/Pripyat

Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India. 

miu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date. 

Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects. 

Added to this production expertise are songs of incredible grace and poise. Kadish is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubunto has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release. 

Songs composed, produced and performed by Marina Herlop. 
Mix: James Ginzburg 
Mastering: Joker 
Mix and mastering of 'miu (choir version)': Borja Ruiz 
Ukulele and ending synth in 'shaolin mantis': Adri González 
Electric guitar in ‘lyssof’:Òscar Garrobé 
Electric bass in ‘ubuntu’ and ‘miu’: Òscar Garrobé