Mutant, Gqom, Deconstructed, Gabber, Unclassified

October 2024 Releases

хмммм

LISTEN/PRE-ORDER ALBUM:
https://found.ee/uffie_sf

"where does the party go?" is Uffie's 3rd single off of her upcoming sophomore album, Sunshine Factory, on Toro Y Moi's Company Records.

Produced by Chaz Bear, Lokoy & Kacper Tratkowski

p + c 2022 Company Records

Sunshine Factory

Uffie - "where does the party go?"

Djrum Vs EP - 10"

A1      Onoe Caponoe - Milkyway 1311 (Djrum Remix) 
A2      Onoe Caponoe - Milkyway 1311 (Djrum Remix Dub) 
B        Royce Wood Junior - Jodie (Djrum Remix) 

Djrum Vs Onoe Caponoe - Milkyway 1311 Remix + Dub [CLIPS]

FOX BOP

Hecc is here, and it's here to stay! 

thx and enjoy💔

Cryalot - Hell Is Here [Matteslied RMX]

A mashup of Records by Weezer and MUFFIN by BadBoyHalo, CG5, Hyper Potions, Skeppy, and Captain Puffy.

Made by me a long-ass time ago.

PS, it works better than you’d think.

Records by Weezer but it’s MUFFIN by BadBoyHalo & CG5

Amnesia Scanner & Freeka Tet - Over
Label: PAN
Cat.No.: PAN 148S
Release Date: 17 July 2024
Purchase: pan.lnk.to/Over

Amnesia Scanner drops a schitzo pop anthem to celebrate the neverending cycle of us being so back – it being so over; boom vs doom; hyperoptimism vs hyperpessimism.

Freeka Tet also interprets, or cancels, Amnesia Scanner’s original on FT Over, where an active noise cancelation script reveals a hidden dimension of lowercase ambient sublime.

Written and produced by Amnesia Scanner
Mixed by Amnesia Scanner
Additional mixing by Enyang Urbiks
Mastered by Enyang Urbiks

Amnesia Scanner - AS Over

Amnesia Scanner & Freeka Tet - HOAX (PAN 148)
Label: PAN
Cat.No.: PAN 148
Release Date: 04 October 2024
Purchase: pan.lnk.to/HOAX

Mutating out of the collaborative practice established on STROBE.RIP, Amnesia Scanner and Freeka Tet are so back with a new dual record project that explores and explodes norms of music production, songwriting and sonic aesthetics. HOAX is *not* an album and remix released together, but rather, a singular experience unfolding as two mirroring, mutually-reinforcing (or perhaps deconstructing) records.

The Amnesia Scanner “AS HOAX” record administers the liquid drip of devastating ballads, wandering mosh-ups and industrial flood lights that we fiend for. But, as with every AS record it is impossible to mistake the grunged-out doom for nihilism: there is simply too much raw emotion, vulnerable narrative and playful experimentation. With drums and chaos from Freeka on four “ASFT” tracks, AS has delivered perhaps their most prescient, hopeful and soon-to-be-seminal record of their genre-defining career.

Against this belligerent crispness emerges the sublime obelisk of noise in Freeka Tet’s “FT HOAX”. This is the debut full-length record released under the Freeka Tet moniker. It is a conceptual art piece that is unapologetically immediate. Using custom bashed scripts the AS record is negated, inverted and buffed down to reveal underlying rhythms and textures.

Freeka has taken the ubiquitous technology of noise-canceling headphones as a point of departure for this experiment in music-denial. The desire for eliminating environmental sounds is turned inwards to undermine the music itself. A variety of original techniques are used for ambient AS cancellation including creating a virtual space simulation and adding noise to spectrogram images.

While Freeka’s gesture is extreme, the result brings you to a serene contemplative plateau. The dual mirrored records are meant to be unlocked together: listening to the drone-ification opens up patterns and movements previously hidden, your newly trained ear will go deeper into the layers of subliminal encoding on HOAX leaving you reprogrammed.

The lyrics are a sticker suspended above reflective abyss: labeled ingredients are anchors that pull a connection out of the crashing shores of Oracle’s baritone sax croning and operatic countertenor samples from latent space. The resulting They Live glasses that are ripped from your eyes makes this dual record project a scathing polemic on state of music and creativity, thus raising the stakes of what it means to be an artist in the post-post-post-digital-crypto-AI-utopia-anthropocene.

Written and produced by Amnesia Scanner
ASFT RUFF, ASFT TAZZIE, ASFT ISSOK, ASFT ICAROS, written and produced by Freeka Tet & Amnesia Scanner
Drums on ASTF TAZZIE & ASFT ISSOK by Freeka Tet
Mixed by Amnesia Scanner
Additional mixing on AS OVER by Enyang Urbiks
Mastered by Enyang Urbiks

AS HOAX

Amnesia Scanner & Freeka Tet - ASFT Icaros

Amnesia Scanner - AS Mantra

Amnesia Scanner - AS Neverend

Amnesia Scanner - AS Amygdala

Amnesia Scanner & Freeka Tet - ASFT Ruff

Vinyl: http://www.redeyerecords.co.uk/vinyl/65451-subalt009-piezo-antelope-swing-ep

Digital: http://www.junodownload.com/products/piezo-antelope-swing/2816261-02/

https://soundcloud.com/piezopz
https://soundcloud.com/clearlightdub
https://soundcloud.com/owldub

SUBALT009 - Piezo - Antelope Swing EP + Clearlight & Owl Remix - OUT NOW

Taken from the Hypnagogia EP (split 12" with Dopplereffekt) on Leisure System from 2014

Hypnagogia EP

Buy on Bandcamp

Ganzfeld

https://soundcloud.com/bungalovv-ii
https://soundcloud.com/aylu

As we enter into the 2018th Sequence of the modern earth time, so too does the Nostro Hood System advance forward, the system itself generating a gravitational pull marginally similar to that of the solar system nestled against it. Within the vast confines of the Nostro Hood, a vessel floats proudly – a beacon for the myriad of living spheres that surround it from every angle. The Waystation; a point of congregation for unimaginable beings who seek refuge, resources or even knowledge regarding the various species that occupy nearby worlds. 

At this time, at the beginning of a new year, the vessel lends its halls to the beings of the Nostro Hood. A celebration to the glowing star that lights the terrain for so many beings as it ages yet another lifetime. Providing the aural selections for this momentous occasion are ten artists, each hailing from their own homeworld, each offering a piece of auditory culture to represent the people of their planet. This multicultural experience truly defines the nature of the Nostro Hood – a celebration of difference both sonically and culturally.

Mastered by Cyrcular Mastering
Artwork by Azul De Monte

Waystation Compilation: Sequence I

Bungalovv & Aylu - Xens

Bring Me The Horizon - Happy Song

Nyege Nyege Tapes sibling, Hakuna Kulala host the hardass debut by Don Zilla, manager of the Boutiq studio at the heart of Kampala, Uganda’s vital music scene

Following up his remixes of STILL’s ‘I’ album cuts in 2018, Don Zilla bares his teef in both parts of ‘From The Cave to the World’, first churning up a viscous groove full of shadow-boxing drums and gutter bass distortion on the cusp of dubstep rave and halfstep D&B with ‘From The Cave’, before opening up a stargate like portal in his studio with 12 minutes of plunging beatless depth and unheimlich terra forming in ‘Inside Me’, and in a way recalling early Emptyset or stare-out Prurient piece.
credits

From the Cave

Don Zilla - 01 - From The Cave

Taken from SBKT028: Zaliva-D - Calling
Release date: 12th July 2019

‘Calling’ is the new EP from Beijing based audio/visual duo Zaliva-D. 4 original tracks plus remixes from Dis Fig (PTP), Citizen Boy (Gqom Oh!) and Tayhana (Naafi).

Artwork by Jesse Osborne-Lanthier
Mastered by Raphael Valensi

Calling

Zaliva-D - Groan (Citizen Boy Remix)

Omar Faruk Tekbilek - Beledy (Siu Mata Edit) /FREE DL

Hello there,

We are back with another single from Beijing-based bass music producer Negative808.

About the track: 

Jacking swing is an improvisation using hardware synthesizer based originally on a Techno frame.  Further experimenting at a tempo of 140 bpm while adding Bass music elements to the created rhythm, such a damn swing tune came out, which brings you straight back to the old good rave time. 

About Negative808:

Negative808 is a Beijing bass producer who hails from the southern Chinese province of Fujian. He has had several singles released on the Beijing based electronic label Ran Music. Since living in the capital he has integrated various upbeat electronic dance styles into his work; such as Drum & Bass, Grime, Footwork and Juke. On many occasions he has taken part in events thrown by one of China’s most respected Bass DJ collectives, Syndicate and the S!LK Crew. 

In addition to being an avant-garde creator, Negative808 is also a behind the scenes promoter and supporter of the Chinese electronic music community. Along with fellow producer, EZZZ, he is a founding member of the online electronic music media platform, FREQ. Negative808 is well known to the young electronic musicians in China as a regular contributor to the music technology review platform Midifan. Aside from being a producer, Negative808 is also an active DJ in the Beijing underground scene. He consistently presents workshops on Ableton Live and electronic music production in conjunction with Floso x Ran Music.

Negative808 – Jacking Swing

Label based in Berlin, est. 2008. http://www.p-a-n.org