amo esta cancion 💘💘🩸🩸🩸🩸💕🔥

The vocals at the very end of the chorus remind me of Pipilotti Rist "I'm Not the Girl Who Misses Much" (1986) https://youtu.be/hjvWXiUp1hI

💆🏻‍♂️🧚🏼‍♂️🖤🖤🖤

MUTEK Édition 25

Changeling

The Sun and the Stars

Stream/Download: https://chemicalx.ffm.to/scripture

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Scripture

Lolahol - Lock&Key
https://chemicalx.ffm.to/lockandkey

Song Credits -
Executive producer - Eartheater
Production - Samuel Burgess, Kiri Stensby, Eartheater
Lyrics - Lolahol, Eartheater
Writing - Lolahol, Eartheater
Engineered by Kiri Stensby  
Mastered by Joe LaPorta

Lyrics - 
Why can’t I just lock into a Polly pocket
It could all be crystal clear 
Keep a photo of you in my locket 
addicted to the comfort 
Till the comforter gets 
too hot too hot to sleep 
I’m tossing and tearing 

I need a breeze
Whisk me away 
I need to breathe
Nothing to say

Snap you in and out of my direction 
Running to you from both ends 
Wanna keep you close for my protection
The delusion keeps me safe
No sleep 
Next plane 
No sleep 
Make up 
Next club 
Next car 
Next plane 
No sleep 
No fear 

I need a breeze 
Whisk me away 
I need to breathe 
Nothing to say 

Gimme that street rat 
Street rat 
black car 
white trail 
Chem trail 
White line 
Rub me Like a genie 
You’re a genius 
And I need that 
Can’t fuck w a dummy 
Ya you know that 
Cus you know me 
Know me like that 
Looking at each other like
freeze tag 
Freeze tag 

I need a breeze 
Whisk me away 
I need to breathe 
Nothing to say t I just lock into a Polly pocket
It could all be crystal clear 
Keep a photo of you in my locket 
addicted to the comfort 
Till the comforter gets 
too hot too hot to sleep 
I’m tossing and tearing 

I need a breeze
Whisk me away 
I need to breathe
Nothing to say

Snap you in and out of my direction 
Running to you from both ends 
Wanna keep you close for my protection
The delusion keeps me safe
No sleep 
Next plane 
No sleep 
Make up 
Next club 
Next car 
Next plane 
No sleep 
No fear 

I need a breeze 
Whisk me away 
I need to breathe 
Nothing to say 

Gimme that street rat 
Street rat 
black car 
white trail 
Chem trail 
White line 
Rub me Like a genie 
You’re a genius 
And I need that 
Can’t fuck w a dummy 
Ya you know that 
Cus you know me 
Know me like that 
Looking at each other like
freeze tag 
Freeze tag 

I need a breeze 
Whisk me away 
I need to breathe 
Nothing to say

2022 Chemical X

Lock&Key

https://chemicalx.ffm.to/puresmilesnakevenom

Song Credits - 
Performed by Eartheater
Produced by Eartheater and Sega Bodega
Mixed by Gabriel Schuman
Mastered by Joe LaPorta

Pure Smile Snake Venom

Stream / Download: https://hypeddit.com/tpqnri

Homesick

Stream / Download

String

Lip Flip

aya - Lip Flip (ft. LOFT)

Aïsha Devi nurtures an idiosyncratic approach to her music. She describes her sound as Aetherave, and uses bassy-heavy club motifs and intentional aesthetic signifiers to transport listeners to a dizzying, kinetic environment, harnessing timeless frequencies. On each record, Devi has advanced her philosophy and developed her technology; her last album 'DNA Feelings' was a radical hybrid of ancient mysticism and rebellious pop, and 'Death is Home' propels listeners towards the extremes, bending fictile beats and cybernetic textures into transformational songs. This eagerly-awaited new album is a livable, breathable sonic essence that reveals itself alchemically, reorienting anachronistic cultural preconceptions with its contemporary, ornate language and eerie architecture.

'Death is Home' is ultimately a manifesto. It's Devi's most revealing work to date and a direct result of her personal evolution and ongoing quest. Growing up under the shadow of isolation and abuse, she formed her practice as a healing method, using it to neutralize her past and recreate an alternate, more hospitable reality - beyond the human condition. 
Her feelings were compounded when she tracked down the whereabouts of her father B.K. Gurung, a Nepali drummer whom she never knew. Devi was informed he had died young, but rather than perceive this as a binary, through mourning, she realized that his existence had already offered her a lifeline and a refuge. 

Devi's words and productions reach out to a place where weightlessness has the power to dissolve the corporeal world's manufactured terror of death. Without this trepidation, life's boundaries and limitations fall away. "Burn the flesh, a Deva's born," she sings over tense, pneumatic kicks on 'Not Defined by the Visible'. Her voice is contorted by electronic processes, but the meaning is human: to reach the holy, we must shed our skin. The narrative that guides the album unfurls with the plasticity of an open-world videogame, a space where one can unravel the dogma of life vs. death. On 'Lick Your Wounds', Devi reveals her deepest trauma, pacifying it with rousing, ritualistic rhythms and melancholic pads. "Vapors of violence remain in my broken bones, intoxicate my DNA," she invokes. "I'll lick my wounds and heal at night. I'll take over." She extends this invitation to anybody tuned in to her signals, providing lodging for those that crave it. Birth is virtual. Death is home.

Death Is Home

vinyl / stream

Immortelle

We are Anatoly - Final Edit

Produced & vocals by @coucouchloe

Artwork photography by Nhu Xuan Hua
Artwork graphic design by Jase Coop

Mastered by Sean D

Erika Jane

Watch Official Video

COUCOU CHLOE — GS

official video at http://www.youtube.com/watch?v=1FLFnmv1wWI&hd=1

「Manners」

Water can put out flames 
But nothing can stop this day
I feel a high tide in my eyes 
Brimming at the sight of you 
I feel a high tide in my chest
Ready to flood this house 
Gush down the hallway 
Crashing through the windowpane 
Wash the pain away 
Water can put out flames
But nothing can stop this day

Written and performed by Eartheater 
Produced by Acemo and Eartheater
Mixed by Kiri Stensby 
Mastered by Heba Kadry 
Cover art direction by Christian Velasquez 
Photography by Sam Clarke

Eartheater - High Tide (prod. Acemo, Eartheater)

Amnesia Scanner — AS Acá (feat. Lalita)
Format: DL
Cat.No. PAN 108S
Release Date: 19 November 2019
Purchase: https://bit.ly/352sY8t / https://bit.ly/2O9pN88
Video: https://bit.ly/34XnZWn

AS Acá is the first song to surface from a new collaboration between Amnesia Scanner and Peruvian musician and artist Lalita who has both written and performed the song’s Spanish-language vocals. 

More music from Amnesia Scanner and Lalita’s collaboration is forthcoming.

AS Acá is Amnesia Scanner’s first release since the critically acclaimed album Another Life released by PAN in September 2018. It marks the beginning of a new cycle of work to be released throughout 2019-2020.

The single is accompanied by artwork and a music video by Amnesia Scanner’s long-time collaborators PWR. The video features a performance by three Lalitas.

The release is mastered by Enyang Urbiks

@amnesia-scanner
http://p-a-n.org

Amnesia Scanner - AS Acá (feat. Lalita)(PAN 108S)

Amnesia Scanner — Tearless
Format: LP / DL
Cat.No. PAN 108
Release Date: 19 June 2020
Purchase: pan.lnk.to/Tearless

Berlin-based duo Amnesia Scanner have announced the impending release of their sophomore LP, Tearless, a sonic reflection of how it feels to experience Earth at a time when collapse is emerging as the prevailing narrative. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw- the staggering scale of political recalibration and the worldwide climate crisis blows open old norms. “There’s a looming sense of radical change,” they noted pre-COVID, connecting the period of making the album to a fin de siecle horror and curiosity regarding what new world is being ushered in. Tearless has been referred to as “a breakup album with the planet”, to which Amnesia Scanner responds, on the LP’s closing track: “You will be fine, if we can help you lose your mind.” Amnesia Scanner are previewing the album in the form of a video for their accidental quarantine anthem “AS Going,” a clip featuring a cascade of images of spiraling humans.

Tearless marks a turning point in the duo’s trajectory, one begun in 2014 with the AS Live [][][][][] mixtape, followed by audio play Angels Rig Hook, two EP’s for Young Turks, and their 2018 debut album, Another Life (PAN). For Amnesia Scanner in 2020, the walls of the nightclubs, galleries, and institutions fall away and are replaced by full-scale theatrical productions complete with jumbotron stages, animatronics, and a surrealist costumed cast (literally so in the XL version of the album’s live show, Anesthesia Scammer). Likewise, the musical scope of the album is expansive, with guest vocalists — the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA — descending into a vast uncanny valley of sound. With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Opener “AS Enter” sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed “AS Tearless”) make clear there’s plenty of roaring to come. A feature from metalcore band Code Orange on “AS Flat” follows, along with “AS Trouble” (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as black-metal-gaze dirges. Closing Tearless is the sadboy grunge of “AS U Will Be Fine” with a clear statement of intent: doom, despair, insanity, absurdity, it’s all natural, all cathartic, and all OK.

For the art direction of this release, Amnesia Scanner collaborators PWR scavenged the pop cultural unconscious, as if ventilating memory dissociated by trauma. The gatefold vinyl reveals a four-panel comic, full of iconic pre-millennial motifs, which arrive cut up and reassembled collage-style: fitting visuals for an album that channels Deftones as much as reggaeton, menace as much as the drop-outness of grunge. Refuse like the ‘90s and party like the ‘20s—if that seems senseless, you are doing it right.

The album is mastered by Enyang Urbiks, featuring visual direction from PWR Studio.

@amnesia-scanner
https://p-a-n.org/

Tearless 

Amnesia Scanner - AS Tearless (feat. Lalita) (PAN 108)

Arca - &&&&&
Format: LP (Special etched vinyl edition) / DL
Cat.No. PAN 100
Release Date: 18 September 2020
Purchase: pan.lnk.to/Arca
Fully remastered & first-time release of individual tracks

For anyone who can remember, Arca’s &&&&& was a moment. Its 25-minute stretch of coiling, contorted grime and glitch; dub and hip hop dropped with the buzz of an impending co-production credit on Kanye West’s Yeezus in 2013. It included cuts of sound and beats that were too weird for that pop project, while becoming a piece of experimental art that what would come to define what is by now broadly known as a ‘post-club’ sound. It’s music that is as visceral as it is experimental; made as much for the mind, as it is for the body.

Released with no warning seven years ago, &&&&& became a bridge between Alejandra Ghersi’s time partying and collaborating with her queer peers, while still living in New York to the next stage of her career releasing on Mute in London. She’d go from making beats for rapper Mykki Blanco and fashion label Hood By Air, posting lurching bass reworkings of pop hits on YouTube, and producing her first fluid mixtapes with DIS Magazine, to finishing off this seminal mixtape on the synths in Daniel Miller’s studio.

After dropping three impressive EPs the year before, &&&&& marked a transition. Continuations and extrapolations of material from Stretch 1 and Stretch 2 appeared in the mangled RnB sampling of “Century” and Arca’s signature vocal layering in the pitched flow of “Waste”. Along with the fluttering, muted heartbeat of “Obelisk”, and the lumbering piano chords of “Mother”, fourteen sonic sketches were elegantly woven together into a single, downloadable whole.

As Alejandra’s course turned toward moving to Europe from the United States, &&&&& became a remarkable challenge to the form of the mixtape, which was a relatively new trend taking hold of the online-oriented underground at the turn of the 2010s. But where many, if not most mixtapes where treated simply as a showcase of individual tracks presaging a more ‘official’ release to come, &&&&& was a complete piece in its own right. “I wanted to make something that was my best work,” Alejandra says about a record that has stood the test of time, “I listen to it very fondly today.”

Now, with the lifespan of the Arca project nearing a decade, Alejandra has entered a new era of ‘non-binary pop’ with her fourth album, KiCk i, out on XL Recordings. It’s more important than ever to look back while forging ahead, and &&&&&’s ground-breaking hybrid dance music is a good place to start:

“A sense of possibility, a sense of the unknown; punk attitude, respect for classical music and formality; cyberpunk, anime, sexual tension; trauma, innocence, fear of death; kink, lots of weed, and wanting to connect with people, but not on the terms of a status quo. That kind of sums up &&&&& for me.”

The release is mastered by Enyang Urbiks, with artwork by Jesse Kanda.

&&&&& (PAN 2020 Reissue)

Arca - Obelisk (PAN 100)

Arca - Fossil (PAN 100)

Next Edition: 19_24.08.25 | International Festival of Digital Creativity & Electronic Music

Label based in Berlin, est. 2008. http://www.p-a-n.org

Amnesia Scanner - AS Acá (feat. Lalita)(PAN 108S)

PAN

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