Like the absence of light

October 2024 Releases

secrets from a girl (whos seen it all)- lorde  (slowed + reverb)

Djrum Vs EP - 10"

A1      Onoe Caponoe - Milkyway 1311 (Djrum Remix) 
A2      Onoe Caponoe - Milkyway 1311 (Djrum Remix Dub) 
B        Royce Wood Junior - Jodie (Djrum Remix) 

Djrum Vs Onoe Caponoe - Milkyway 1311 Remix + Dub [CLIPS]

Mix me
master heba kadry
cover art mario dante
~lyrics~
ud rather live to please
and die a virgin
said u wanna go see the world
but ur stuck at work
i wanna take it serious
and take it slow
said i wanna make it to christmas
but i fall off the bone
and i could wish he hears this
but when he does i wont
id rather live to please
the lips beneath his nose
if u could go anywhere where would u go?
if u could go anywhere where would u go?
if u could go anywhere would u wanna stay here?
if u could go anywhere where would u go?
if u could go anywhere where would u go?
if u could go anywhere would u wanna stay?
and when the wind whistles ull wake up unlucky again
with none of ur things
ur bandmates ur lovers and friends

Flash in the Pan

Dream Sequence

Amnesia Scanner & Freeka Tet - Over
Label: PAN
Cat.No.: PAN 148S
Release Date: 17 July 2024
Purchase: pan.lnk.to/Over

Amnesia Scanner drops a schitzo pop anthem to celebrate the neverending cycle of us being so back – it being so over; boom vs doom; hyperoptimism vs hyperpessimism.

Freeka Tet also interprets, or cancels, Amnesia Scanner’s original on FT Over, where an active noise cancelation script reveals a hidden dimension of lowercase ambient sublime.

Written and produced by Amnesia Scanner
Mixed by Amnesia Scanner
Additional mixing by Enyang Urbiks
Mastered by Enyang Urbiks

Amnesia Scanner - AS Over

Negative Spaces

vital

nothing

Amnesia Scanner & Freeka Tet - HOAX (PAN 148)
Label: PAN
Cat.No.: PAN 148
Release Date: 04 October 2024
Purchase: pan.lnk.to/HOAX

Mutating out of the collaborative practice established on STROBE.RIP, Amnesia Scanner and Freeka Tet are so back with a new dual record project that explores and explodes norms of music production, songwriting and sonic aesthetics. HOAX is *not* an album and remix released together, but rather, a singular experience unfolding as two mirroring, mutually-reinforcing (or perhaps deconstructing) records.

The Amnesia Scanner “AS HOAX” record administers the liquid drip of devastating ballads, wandering mosh-ups and industrial flood lights that we fiend for. But, as with every AS record it is impossible to mistake the grunged-out doom for nihilism: there is simply too much raw emotion, vulnerable narrative and playful experimentation. With drums and chaos from Freeka on four “ASFT” tracks, AS has delivered perhaps their most prescient, hopeful and soon-to-be-seminal record of their genre-defining career.

Against this belligerent crispness emerges the sublime obelisk of noise in Freeka Tet’s “FT HOAX”. This is the debut full-length record released under the Freeka Tet moniker. It is a conceptual art piece that is unapologetically immediate. Using custom bashed scripts the AS record is negated, inverted and buffed down to reveal underlying rhythms and textures.

Freeka has taken the ubiquitous technology of noise-canceling headphones as a point of departure for this experiment in music-denial. The desire for eliminating environmental sounds is turned inwards to undermine the music itself. A variety of original techniques are used for ambient AS cancellation including creating a virtual space simulation and adding noise to spectrogram images.

While Freeka’s gesture is extreme, the result brings you to a serene contemplative plateau. The dual mirrored records are meant to be unlocked together: listening to the drone-ification opens up patterns and movements previously hidden, your newly trained ear will go deeper into the layers of subliminal encoding on HOAX leaving you reprogrammed.

The lyrics are a sticker suspended above reflective abyss: labeled ingredients are anchors that pull a connection out of the crashing shores of Oracle’s baritone sax croning and operatic countertenor samples from latent space. The resulting They Live glasses that are ripped from your eyes makes this dual record project a scathing polemic on state of music and creativity, thus raising the stakes of what it means to be an artist in the post-post-post-digital-crypto-AI-utopia-anthropocene.

Written and produced by Amnesia Scanner
ASFT RUFF, ASFT TAZZIE, ASFT ISSOK, ASFT ICAROS, written and produced by Freeka Tet & Amnesia Scanner
Drums on ASTF TAZZIE & ASFT ISSOK by Freeka Tet
Mixed by Amnesia Scanner
Additional mixing on AS OVER by Enyang Urbiks
Mastered by Enyang Urbiks

AS HOAX

Amnesia Scanner - AS Back

Amnesia Scanner - AS Mantra

Amnesia Scanner - AS Neverend

Amnesia Scanner - AS Amygdala

Amnesia Scanner & Freeka Tet - ASFT Ruff

https://oklou.com/choke-enough
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‎ 
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https://soundcloud.com/girlfrnt/shopping

choke enough

panchiko - D>E>A>T>H>M>E>T>A>L

Vinyl: http://www.redeyerecords.co.uk/vinyl/65451-subalt009-piezo-antelope-swing-ep

Digital: http://www.junodownload.com/products/piezo-antelope-swing/2816261-02/

https://soundcloud.com/piezopz
https://soundcloud.com/clearlightdub
https://soundcloud.com/owldub

SUBALT009 - Piezo - Antelope Swing EP + Clearlight & Owl Remix - OUT NOW

Kedr Livanskiy is Russian for Lebanese Cedar.

Kedr on growing up in Russia and the influence that had on her music: 
"Of course the big problem was perpetual drunkenness—people would drink themselves to death. I was born on October 4, 1990. It was a very interesting but critical time for Russia—a time of great change. The Soviet Union was no more, and old values were anathematized because of the reconstruction.

In my early teens no one seemed to understand me in this world (I thought), so I read Washington Irving novels and listened to The Cure. At around 20 years old I felt a real need to find myself, so I entered the directing department of the Moscow School of New Cinema. At the same time, electronic music fascinated me completely.

A small circle of my friends formed around a mutual interest in music. We always went to concerts together, of which were mostly international artists: Inga Copeland, DJ Spinn and DJ Rashad, Legowelt, Death Grips, Florian Kupfer, Dean Blunt, etc. It wasn’t long until we organized the community and DIY record label known as John’s Kingdom. It’s not only about music; it’s also a channel for art, videos and lifestyle. Now it’s the most alive and honest thing in Moscow.

My music is strongly inspired by Autechre, Aphex Twin and Boards of Canada, but with the lyrics and mood of Mazzy Star. I admire contemporaries Inga Copeland and Laurel Halo, however, my songs are more pop-leaning because of the powerful influence MTV had on my adolescence."

www.facebook.com/Kedr-livanskiy-1006510909393113/
https://www.youtube.com/channel/UCeQ-sEipCI_MiMYrR-4iopA/videos
www.facebook.com/2mikesrecords
Pre-order vinyl/mp3/wav/flac: http://www.omnianmusicgroup.com/products/january-sun

January Sun

Razrushitelniy Krug (Destructive Cycle)

GET VINYL/DIGI

Kedr Livanskiy - Razrushitelniy Krug (Destructive Cycle)

Nowhere

I Have The Moon

Taken from the Hypnagogia EP (split 12" with Dopplereffekt) on Leisure System from 2014

Hypnagogia EP

Buy on Bandcamp

Ganzfeld

Country (Porches cover)

@when-in-rome-official - The Promise

I Love The 80s (Official Playlist)
https://soundcloud.com/cleopatra-recs/sets/ilovethe80s

Get The #80s on CD & Vinyl:
https://cleorecs.com/store/?s=80s&post_type=product

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I Love The 80s

When in Rome - The Promise

Label based in Berlin, est. 2008. http://www.p-a-n.org