BOUDOIR DIARIES 3

flashing lights vol 4

шум

Iku - Star Shopping [Lil Peep Cover]

Mastered by @avbvrn

JEROME Mixfile #305-7038634357

"Lisp" is a startling deconstructed electronic fantasia by Cologne-based Swan Meat. She started the track whilst participating in the RBMA Bass Camp at Bonnaroo Festival in Manchester, Tennessee. The track premiered on July 23 on Peak Time, Red Bull Radio's daily new music show, alongside a live interview with Swan Meat. 
@swanmeat

Listen in here: https://www.redbullradio.com/shows/peak-time/episodes/july-23-2018

Swan Meat - "Lisp" [PEAK TIME PREMIERE]

VOL. 4 :: SLAVES OF FEAR

PSYCHONAUT

Agora

Fennesz - We Trigger the Sun

MM - Terrible Muscle
ETS004
Release date: 15/03/2019

Terrible Muscle layers and switches percussion over fields of bitcrushed energy; HFL Track is hard drum via hard style, an unruly audio laser-show to grind your jaw to.

@djdoublem94
Artwork by 3000000000am
Mastered by Jeremy Cox

MM - HFL Track

2) Yes! Come Parade With Us
"I remember leaning right off the slipway in Sheringham to record the waves that I used in this track. I had to get really close to the surface of the water to be able to hear the pebbles moving around. It was early in the morning and the sound was so alive that It made me want to make some very positive and uplifting music."

Watch John's hand-animated video here>> https://www.youtube.com/watch?v=XaCOvylhxks&

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On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often-organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come. 

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - Yes! Come Parade With Us

DIGITAL FAST AND FURIOUS TRIBAL CEREMONIES SPAWNED FROM THE MUD.

Produced and Mastered by KROLIK @voronhil
Design by Gianluca Lonigro 
www.gianlucalonigro.net 
#00FF00 © 2019 HEEL.ZONE RECORDS 
www.heel.zone | heel.records@gmail.com

KROLIK - HIGHER RITUAL

Artist: Bath Consolidated
Album: Narryer Gneiss Terrane
Format: Cassette / Digital
Release: April 12, 2019

Music by Noelle Johnson
Visual art by Galen Tipton/Seth Graham

A millennial is someone caught in between the past and the future.
This perspective naturally has a desire to be recognized. There is a fear in this generation of being lost or effaced from the canon of mythology, for example, legacy fomo.
This album is copying and pasting my peers into Dante's Inferno or the bible and seeing what happens.
This sits in the background on the theme for Narryer Gneiss Terrane. The main thrust is studying the aesthetics, flow, and syntax of a mythology attempting to form a millennial mythos. I thought often in imagery rather than words. For the track medulla, I pictured a boltzmann brain appearing at the big bang with the personality of a millennial, the great filter climbing the walls of the biblical bottomless pit.

Bath Consolidated - Narryer Gneiss Terrane

TRACKLIST -- https://www.dummymag.com/mix/dummy-mix-543-scintii/

As part of a blossoming pan-Asian scene mining the areas of experimental club sounds, Taiwanese producer Stella Chung aka Scintii is pushing the boundaries. Growing up in Taipei, her time spent living in London (and attending Goldsmith’s) put her onto experimental club sounds, and it was there, influenced by free-wheeling collectives like Bala Club, that she recorded her first EP, ‘Mica’. Having moved to Shanghai in 2017, she dropped the EP on Eternal Dragonz, and has since released on Shanghai labels like cult imprint SVBKVLT and Genome 6.66MBP. Inspired by pop as much as experimental electronics, Scintii’s productions tend to chop up and piece together crystalline sounds (including her own voice) to fashion ethereal and futuristic sonics. Bass-heavy and exploratory, Scintii mixes “mostly tracks I don’t get to play in clubs but love,” she says. “A lot of old(ish) favourites.” Press play on her mix, and check the tracklist after the jump.

Dummy Mix 543 // Scintii

@freddymn
https://hakunakulala.bandcamp.com/album/lasakaneku-tomo-lp

Mastered by Alexis Chan

Slikback - SENSHI

@le_dom "Schism" EP

Out now : https://ledom.bandcamp.com/album/schism-ep

Written and produced by Le Dom
Mastered by Jeremy Cox
Artwork by Weirdcore

PRDX006 - Paradoxe Club
www.paradoxeclub.fr

Schism

Le Dom - 13 Layers Of Stone

Amnesia Scanner & Bill Kouligas
Format: LP / Digital
Cat.No: PAN 83
Release Date: 5 April 2019
Buy: https://bit.ly/2OMcSsJ / https://bit.ly/2UivhmG

Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas & Harm van den Dorpel.

Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work – known simply as Lexachast.

Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in its current, full-grown form.

Whilst broadly inspired by the experience derived from and exposure to algorithmic patterns as generated by visual artist Harm van den Dorpel’s specially-devised program, the work is a sonic reference to the fallouts of avant-EDM and cyberdrone. This in turn is simultaneously mirrored by the perturbing visuals, created by a unique algorithm that sources and blends various filtered imagery from DeviantArt and Flickr in real time – with a bias towards the NSFW, extreme banality, and ornamental melancholia. The results were a perfect fit for the deliberate intention of non-intent, an anti-video of sorts, which ended up as a defining element for the project.

The artwork is created with Harm van den Dorpel’s ever-evolving, image-sourcing algorithm and it is mastered by Rashad Becker at D&M, Berlin

Lexachast

Amnesia Scanner & Bill Kouligas - Lexachast I (PAN 83)

Label based in Berlin, est. 2008. http://www.p-a-n.org