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ACUD MACHT NEU PLAYLIST APRIL 2019

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MEDICINE INTRO TESTER #3

Devilish Trio  – Southern Hostility

TELFAR FW17
Music by Aaron David Ross
Voice narrated & written by Ryan Trecartin
Special thanks Telfar + Babak Radboy + Art Tatum

ADR feat. Ryan Trecartin - What People? (TELFAR FW17)

No harm

The invocation of LaMagra reaches critical mass.

These songs are excerpts from Kilbourne's rescore of the 90's vampire classic Blade. While preserving the original dialogue, Kilbourne has provided an entirely new 2-hour soundtrack to the film, taking the audience through hardcore techno bloodraves and breakbeat vampire sacrifices. 

Vocals by Jeremy Senie

Book Blade: A Rescore by Kilbourne in your city kilbourne.blade@gmail.com
Purchase the cassette at https://kilbourne.bandcamp.com/
Purchase a shirt at https://coldbrewcollective.bandcamp.com/merch/blade-a-rescore-by-kilbourne-long-sleeve-tee

1. Rave Breaker
2. Injustice Gods
3. Fault
4. Blade In Moscow
5. When It's Cold I'd Like To Die (With Jess)

Bloodrave: Songs From Blade

Cassette

When It's Cold I'd Like To Die (With Jess)

Lifted from the new album 'Monsters Exist', out Sept 14
Pre-order https://orbital.lnk.to/MonstersExist

Follow Orbital
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Tiny Foldable Cities

Amnesia Scanner — AS Chaos (feat. Pan Daijing) 
Cat.No. PAN 96S

purchase: http://p-a-n.org/shop/
bandcamp: https://bit.ly/2EIfMbg
video: https://youtu.be/vPe2_IGK_Ng

Amnesia Scanner, the music and xperienz design group founded by Ville Haimala and Martti Kalliala, committed to the carnivalization of the now, present their first release on PAN; a neo-savage avant-EDM anthem for the faceless ragers amongst us.

The English and Mandarin vocal refrain, is performed by Chinese-born, Berlin-based performance artist and musician Pan Daijing.

AS Chaos marks the beginning of a new cycle of work to be released with PAN throughout 2018. It follows their two 2016 EPs AS and AS Truth on Young Turks as well as the critically acclaimed, independently released audioplay Angels Rig Hook and AS Live [][][][][] mixtape.

The release is mastered by Jeremy Cox. It is accompanied by artwork, a t-shirt and video by Amnesia Scanner’s long-time collaborators PWR Studio and two performances: HKW, Berlin 6.4. and Donaufest 4.5.

@amnesia-scanner
@pan-daijing

http://p-a-n.org

AS Chaos (feat. Pan Daijing)

AS Chaos

Amnesia Scanner — AS Chaos (feat. Pan Daijing) (PAN 96S)

CANT COME DOWN

“In My Escape I Look For A Weapon”, a declaration of intent in an ever-progressing struggle for existence. Urging not to surrender while also calling for empathy and comprehension. Haunter co- founder, DJ, producer and writer Francesco Birsa Alessandri, under his Sense Fracture alias, launches a call to arms to all resisting forces and collective efforts for progress, freedom and equality, riding a punishing, uncompromising sound through an unquiet harmonic body: hard-edged yet unapologetic about its own vulnerability. The dancefloor’s potential for political affirmation and the ambivalent nature of escapism are the forces that sharpen the Fracture. Channeling the writings of Kathy Acker, Amy Ireland and Mark Fisher as well as bits of rave extremism, breakcore, dub, grime and trap, Alessandri aims to reflect and infect reality by challenging the structure of conventional club narratives. It is by enhancing the nonlinear, abrasive qualities dwelling between the beats that They build a critique of language and power relations.

Written, recorded, produced and mixed by Francesco Birsa Alessandri.
 Additional mixing, mastering by Studio Apt. 233
Graphics  by Numero 1 Studio

In My Escape I Look For A Weapon

Sense Fracture - In My Escape I look For A Weapon [from HR017 - Sense Fracture - In My Escape...]

TAR071

@flokosh
&
@nevaa7

Artwork: Ravel Schoofs
Mastered by Yiannis Christodoulatos at Sweetspot Productions


More from TAR at:
www.wearetar.com
twitter.com/wearetar
facebook.com/wearetar
http://wearetar.bandcamp.com/

Distress

FlökosH & Evaa - "Skylark Drone"

Amnesia Scanner - Another Life
Format: LP / CD / Digital
Cat.No. PAN 96
Release date: 7 September 2018
pre-order album: bit.ly/2JxE61G / bit.ly/2uxWLWx

'Another Life' is the debut album from Amnesia Scanner, the Berlin-based music duo, performing arts group, experience design studio and production house, created by Finnish-born Ville Haimala and Martti Kalliala.

Founded in 2014, Amnesia Scanner's approach is informed by a unique perspective on technology and the way it mediates contemporary experience. System vulnerabilities, information overload and sensory excess inform their work, which has found a home in both clubs and galleries.

Building on their mixtape 'AS Live [​]​[​]​[​]​[​]​[​]' (2014), Amnesia Scanner’s critically acclaimed audio play 'Angels Rig Hook' (2015) laced a potpourri of dancefloor tactics with a machinic narrator. Their dual EPs for Young Turks, 'AS' and 'AS Truth' (2016), distilled this immersive environment into an abrasive collection of cryptorave tools. The most striking detail of ‘Another Life' is Amnesia Scanner's use of both human and inhuman voices. The latter is provided by the latest addition to the production unit, a disembodied voice called Oracle, which represents the sentience that has emerged from Amnesia Scanner.

Oracle's vocal performance ranges from exuberant mania to anxious dread and beyond. Coupled with the pop song structures that Amnesia Scanner employs for the first time, the avant-EDM productions of ‘Another Life’ evocatively explore a schizophrenic present marked by narratives of a slow apocalypse or salvation via technology. Indeed, the lullaby of 'AS Another Life' swings between trill hope and casual threat, lending a precarious gait to the song's staggering rhythm. The album's first single, 'AS Chaos', is its most powerfully direct track, with Pan Daijing’s English and Mandarin vocals taking over for Oracle. At its peak intensity, as in ‘AS Faceless’, Amnesia Scanner's doombahton overheats into nu-metal-gabba.

Amnesia Scanner has presented work at art institutions such as ICA London, HKW Berlin, and the Serpentine Gallery Marathon in London. They collaborate with PWR Studio for their design and visual direction. The AS live experience is co-created with Stockholm-based Canadian designer Vincent De Belleval. When unplugged from the Amnesia Scanner stream, Haimala works as a composer and producer with a wide range of musical and visual artists, and Kalliala co-directs the think tank Nemesis.

The album is mastered by Jeremy Cox, featuring photography by Satoshi Fujiwara, and visual direction from PWR Studio.

@amnesia-scanner

p-a-n.org/

Another Life

Amnesia Scanner - AS Another Life (PAN 96)

RINGOS DESERT available everywhere: https://ZHU.lnk.to/ringosdesert

DUNE Fall Tour on-sale now: www.zhumusic.com/tour

9/7 - El Rey - Chico, CA 
9/8 - Bill Graham Civic Auditorium - San Francisco, CA
9/11 - The Catalyst - Santa Cruz, CA
9/14 - The Shrine - Los Angeles, CA 
9/15 - The Shrine - Los Angeles, CA 
9/16 - The Van Buren - Phoenix, AZ 
9/18 - Bomb Factory - Dallas, TX 
9/19 - Stubb's Waller Creek Amphitheatre - Austin, TX 
9/20 - Warehouse Live - Houston, TX 
9/24 - Echostage - Washington, DC 
9/25 - Electric Factory - Philadelphia , PA 
9/27 - Brooklyn Steel - Brooklyn, NY 
9/28 - Brooklyn Steel - Brooklyn, NY 
9/29 - Brooklyn Steel - Brooklyn, NY 
9/30 - House of Blues - Boston, MA 
10/2 - New City Gas - Montreal, QC 
10/3 - The Rebel Complex - Toronto, ON 
10/5 - Aragon Ballroom - Chicago, IL
10/6 - The Fillmore - Detroit, MI
10/7 - The Intersection - Grand Rapids, MI
10/9 - First Avenue - Minneapolis, MN 
10/10 - The Rave - Milwaukee, WI
10/13 - The Palace Theatre - Calgary, AB 
10/15 - The Vogue Theatre - Vancouver, BC 
10/16 - Paramount Ballroom- Seattle, WA 
10/17 - Roseland Theatre - Portland, OR 
10/19 - The Depot - Salt Lake City, UT
10/20 - The Pearl - Las Vegas, NV 
10/22 - The Observatory – NORTH PARK - San Diego, CA 
10/23 - Fox Theater - Pomona, CA
10/24 - The Van Buren - Phoenix, AZ
10/26 - Red Rocks - Morrison, CO

Listen to RINGOS DESERT PT. 1: lnk.to/ringosdesertpt1
text 'z' to join the Blacklizt: +1(773) 8BL-KLZT (825-5598)

Follow ZHU: 
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www.instagram.com/zhu
www.facebook.com/zhu 
twitter.com/zhumusic 
soundcloud.com/zhumusic 
smarturl.it/ZHUspotify

RINGOS DESERT

Love That Hurts (feat. Karnaval Blues & Indiana)

Bad Zu was created three years ago and remained a well kept secret of Moscow underground until it got signed to Berlin's finest Through My Speakers label. Soon after Bad Zu played more shows in Berlin than in Russia for a while, but eventually Moscow rave crowds started to fall in love with the fusion of African traditional music and grime and the band played huge shows for thousands of party and festival people before they were even present on the social media. More releases followed via Through My Speakers and #internetghetto.

"Zupreme" is the first full length album by Bad Zu. It elaborates and develops the extravert "Ritual Rave", where the audience and their state of consciousness are always in the focus, rather than the creator of the music and his thoughts. 10 tracks for dancing and sex, infused and mixed with our reality: from fake brands and darknet, to being beaten up for the wrong look in the club.

CAT: HYPR065
Release type: Digital (all formats) 
Mastering by iBenji
Cover art designed by German Kapitonov

Zupreme

BAD ZU - MSKVBD

LYZZA - IMPOSTER 

Over the past several years, London based artist LYZZA has emerged as a singular voice at the intersection of on-the-cusp club music and incisive songwriting. IMPOSTER is her second release, offering an expansive follow-up to 2017’s Powerplay and a furthering of the vision heard in radio/DJ sets for the likes of NTS Radio and Boiler Room. IMPOSTER is centered on an externalization of LYZZA’s internal struggle, a determined fight to claim a place at the table with the knowledge that the system is not intended for her. The sound is dark and anxiety-ridden, but powerful, riven with forceful rhythms and a variety of seductive vocal techniques.

LYZZA’s performance begins with two breathy, mood setting tracks in “Get What U Got” and “2BORNT2B”, immediately establishing the lilting rhythms and melodic bass lines that run through the EP’s entirety. The energy dial is soon ramped up as “Sleeve” and “Girls R Us” feature LYZZA in full diva mode, sing-rapping over frenzied productions, while “Fraud”, her first official production-only track, finishes off the release with a disarmingly gorgeous hardcore flourish.

The contradictions in “Fraud” exemplify LYZZA’s approach throughout IMPOSTER, balancing brusque dancefloor propulsion against elaborate, emotionally cutting vocal performances. Those contradictions are also thematically born out as LYZZA’s interior narrative is born out in wide screen clarity. The spotlight is on LYZZA this time, but the defiant spirit embodied throughout IMPOSTER is universal.

IMPOSTER was mastered in full by Night Slugs’ Bok Bok (@bokbok)

IMPOSTER

Sleeve

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There Will Come a Time

There Will Come a Time (We Will Die Remix) [feat. Prof. Brian Cox]

Mastering: Álvaro de Felipe (instagram: @aldefemor)
Artwork: Tomás Aciego (instagram: @tomas_aciego)

Merca Zip /2018/ - Vol. 1

Download

OPN - Topline Demo 1 x Separated Bae (Skit)

VOL. 4 :: SLAVES OF FEAR

PSYCHONAUT

Pistola

Pistola (Feat. LARINHA)

Agora

Fennesz - We Trigger the Sun

2) Yes! Come Parade With Us
"I remember leaning right off the slipway in Sheringham to record the waves that I used in this track. I had to get really close to the surface of the water to be able to hear the pebbles moving around. It was early in the morning and the sound was so alive that It made me want to make some very positive and uplifting music."

Watch John's hand-animated video here>> https://www.youtube.com/watch?v=XaCOvylhxks&

-----------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often-organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come. 

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - Yes! Come Parade With Us

Artist: Bath Consolidated
Album: Narryer Gneiss Terrane
Format: Cassette / Digital
Release: April 12, 2019

Music by Noelle Johnson
Visual art by Galen Tipton/Seth Graham

A millennial is someone caught in between the past and the future.
This perspective naturally has a desire to be recognized. There is a fear in this generation of being lost or effaced from the canon of mythology, for example, legacy fomo.
This album is copying and pasting my peers into Dante's Inferno or the bible and seeing what happens.
This sits in the background on the theme for Narryer Gneiss Terrane. The main thrust is studying the aesthetics, flow, and syntax of a mythology attempting to form a millennial mythos. I thought often in imagery rather than words. For the track medulla, I pictured a boltzmann brain appearing at the big bang with the personality of a millennial, the great filter climbing the walls of the biblical bottomless pit.

Bath Consolidated - Narryer Gneiss Terrane

Label based in Berlin, est. 2008. http://www.p-a-n.org