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Skee Mask, Arca - Routine Wound (KAVARI Ambient Mix)

From the album 'What Dreams May Come' http://whatdreamsmayco.me

"No Ceiling" written, arranged, produced by Rabit 
Vocals by Embaci (@embaci)
Instrumentation by Maxwell Sterling (@sehnsuchtsounds)
Guitar by Victoria Wright
additional vocals by Cecilia (@babiaudi)
Mixed by Rabit
Mastered by Heba Kadry
Art direction Lane Stewart & Rabit
Artwork by Nicola Tirabasso, Lane Stewart & Collin Fletcher

Buy Rabit Merch
https://shop.halcyonveil.com

Follow Rabit 
Instagram https://www.instagram.com/rabitwhatdreamsmaycome/
Twitter https://twitter.com/RabitMusic
Facebook https://facebook.com/rabitmusic
Spotify https://open.spotify.com/artist/2X3e2rDdxibDfJGv0CwS7A
Apple Music https://music.apple.com/us/artist/rabit/1499159282
Soundcloud https://soundcloud.com/halcyon-veil

#WhatDreamsMayCome #Rabit

What Dreams May Come

No Ceiling

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Rabit - No Ceiling (feat. Embaci)

Written and Produced by james K
Mixed by Paul Corley
Mastered by Anne Taegert at Dubplates and Mastering
Artwork by james K, Alex McCullough & Jen Shear

'Eiv Mude' is taken from james K's Random Girl LP
ORDER: Vinyl 2x12"/Digital: https://jameskmusic.bandcamp.com/album/random-girl
Out September 30, 2022
INC-016

‘Eiv Mude’ video directed by james K and Jaxon Whittington:
https://www.youtube.com/watch?v=38jGOa58Aw8&ab_channel=JAMES%2aK

james K
@jamesk_1
www.james-k.com
www.instagram.com/___pet___
www.jameskmusic.bandcamp.com

Incienso
www.inciensorecs.bandcamp.com
www.instagram.com/inciensorecs
www.incienso.nyc

james K - Eiv Mude [INC-016]

Doon Kanda - Burning

على فلوريان

Thx to Ricardo Memory number 36 recordings, Nina Orliange, and my dear Varsee for the mastering . 

this is all about love.  

1. LOADED

Tongue In The Mind - Pretty Canary 
Label: PAN
Cat.No.: PAN 140S
Release Date: 20 September 2023
Purchase: pan.lnk.to/PrettyCanary

Tongue In The Mind shares ‘Pretty Canary’, the first single from the upcoming EP out via PAN.

Performed by Juliana Huxtable, Via App, Jealous Orgasm

Production by Juliana Huxtable, Joe Rinaldo Heffernan, Fakethias
Vocals by Juliana Huxtable
Synthesizers by Joe Rinaldo Heffernan, Juliana Huxtable
Guitar, Drums, Backing Vocals by Joe Rinaldo Heffernan

Tongue In The Mind - Pretty Canary (PAN 140S)

1: White Socks - Monday, 06:05 (Granie, Soma Lyra 8, Soma COSMOS)
2: White Socks - Tuesday, 04:09 (Granie, Soma Lyra 8, Soma COSMOS)
3: White Socks - Wednesday, 04:36 (Granie, Soma Enner, Soma COSMOS)
4: White Socks - Thursday, 05:18 (Granie, Soma Pipe, Soma COSMOS)
5: White Socks - Friday, 03:39 (Granie, Soma Lyra 8, Soma COSMOS) 
Total 23:47

Dates:
15-Dec-2025 (inception), 17-Dec-2025 (finalised), 18-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/white-socks

Description:
Whilst on a my daily walk around the neighbourhood, I looked down at my white socks and wondered what sounds would be heard if I slipped my iPhone into my socks and pressed record? My initial thoughts were granular synthesis using my Granie synthesiser. It was very much a case of expecting weird stuff not knowing what sounds it may pick up. Five passages in White Socks: Monday, Tuesday, Wednesday, Thursday and Friday. All using the sounds from the white socks passed through the Granie granular synthesiser to provide inspiration for performances on Soma hardware synthesisers Lyra 8, Enner and The Pipe. The Soma COSMOS provided the echo chamber that talks to the musician, the musician responds. Both the Lyra 8 and Enner were driven by my human hands, turning dials or activating sensitive touch pads. The Soma Pipe was driven by my human voice. Final multi-track recording by my Granie and FindTheBeat digital software based synthesiser/recording systems. Keeping it human, no AI used here!

Track 1: White Socks - Monday
Sounds of foot steps as heard by socks,
Slow at first,
Every crackle and creak,
Other ambient sounds,
Pace builds up,
Sock sounds enter Granular synthesis,
Sounds re-imagined,
Lyra 8 interprets.

Track 2: White Socks - Tuesday
Echos of granulised sock sounds,
Shifting delays,
Tentative touches of Lyra 8,
Like shifting sands,
The Granular socks come and go,
Washing over Lyra 8.

Track 3: White Socks - Wednesday
Tides of granular socks,
Swaying rhythms of the Enner,
Walker journey continues,
Is it bird song,
Or is it Enner speaking?

Track 4: White Socks - Thursday
Tidal remnants of the grains float past,
Walker responds through the Pipe,
Grains answer back,
Ever present steps of the walker,
Stirring the grains.

Track 5: White Socks - Friday
Grains intertwine and reverberate,
Lyra 8 interrupts,
Pauses for a moment,
Walker contemplates,
Lyra beckons.


Granular synthesis in Granie release 6.2 using the new graphical sequencer. The Soma COSMOS played the roles of reverb and taking fragments of sounds from the Lyra 8, Pipe and Enner replaying them in creative ways as directed by the performer. Each of the five passages of a continuity of theme, using the rhythmic choices of the previous passage as a starting point, then changing them. 

Tuning of the granular synthesiser was a simple harmonic series of 1,2,3,4,5,6,7,8 with the master reference frequency of 6 Hz. Because it was granular synthesis, this 6 Hz was the replay frequency of the grains, length of grains (in milliseconds) was varied. There were up to four voices with their root notes as follows: voice 1 tuned at 6 Hz, voice 2 tuned a perfect fourth a 4/3 ratio at 8 Hz, voice 3 tuned 4 octaves up a ratio of 16/1 at 96 Hz. Occasionally a fourth voice came into play at 0.346 Hz, again tuned in a harmonic series, with the root tuned 4949 cents below the master reference frequency of 6 Hz. The negative 4949 cents (4 octaves and 139 cent), seems like an odd ball tuning, it's root note was tuned by ear, I liked it, so kept it.

The Soma Pipe algorithms used were Orpheus (twin resonant reverberators), Filtera (resonant band pass filter) and Drum #1.

The Granie synthesiser can be purchased from my GumRoad site at:
https://normanfreund.gumroad.com/l/granie

White Socks - Thursday

That's Harakiri

Great God Pan

Heterocetera

Slay

Amnesia Scanner - Another Life
Format: LP / CD / Digital
Cat.No. PAN 96
Release date: 7 September 2018
pre-order album: bit.ly/2JxE61G / bit.ly/2uxWLWx

'Another Life' is the debut album from Amnesia Scanner, the Berlin-based music duo, performing arts group, experience design studio and production house, created by Finnish-born Ville Haimala and Martti Kalliala.

Founded in 2014, Amnesia Scanner's approach is informed by a unique perspective on technology and the way it mediates contemporary experience. System vulnerabilities, information overload and sensory excess inform their work, which has found a home in both clubs and galleries.

Building on their mixtape 'AS Live [​]​[​]​[​]​[​]​[​]' (2014), Amnesia Scanner’s critically acclaimed audio play 'Angels Rig Hook' (2015) laced a potpourri of dancefloor tactics with a machinic narrator. Their dual EPs for Young Turks, 'AS' and 'AS Truth' (2016), distilled this immersive environment into an abrasive collection of cryptorave tools. The most striking detail of ‘Another Life' is Amnesia Scanner's use of both human and inhuman voices. The latter is provided by the latest addition to the production unit, a disembodied voice called Oracle, which represents the sentience that has emerged from Amnesia Scanner.

Oracle's vocal performance ranges from exuberant mania to anxious dread and beyond. Coupled with the pop song structures that Amnesia Scanner employs for the first time, the avant-EDM productions of ‘Another Life’ evocatively explore a schizophrenic present marked by narratives of a slow apocalypse or salvation via technology. Indeed, the lullaby of 'AS Another Life' swings between trill hope and casual threat, lending a precarious gait to the song's staggering rhythm. The album's first single, 'AS Chaos', is its most powerfully direct track, with Pan Daijing’s English and Mandarin vocals taking over for Oracle. At its peak intensity, as in ‘AS Faceless’, Amnesia Scanner's doombahton overheats into nu-metal-gabba.

Amnesia Scanner has presented work at art institutions such as ICA London, HKW Berlin, and the Serpentine Gallery Marathon in London. They collaborate with PWR Studio for their design and visual direction. The AS live experience is co-created with Stockholm-based Canadian designer Vincent De Belleval. When unplugged from the Amnesia Scanner stream, Haimala works as a composer and producer with a wide range of musical and visual artists, and Kalliala co-directs the think tank Nemesis.

The album is mastered by Jeremy Cox, featuring photography by Satoshi Fujiwara, and visual direction from PWR Studio.

@amnesia-scanner

p-a-n.org/

Another Life

Amnesia Scanner - AS Rewild (PAN 96)

Amnesia Scanner - AS Faceless (PAN 96)

Label based in Berlin, est. 2008. http://www.p-a-n.org