New mix for kotik 2

Cumbia rework on Japan's Let's Get Lost label.

JD Twitch - Cumbia 1

Bala - Radio 2 Terry Wogan Breakfast show rip

Bass Clef 'Raven Yr Own Worl' EP (PAN 41)
www.pan-act.com

Bass Clef 'Self-Perpetuating Fun Loop' (PAN 41)

Lifted - 1 
Format: LP / DL
Cat.No: PAN 61
http://p-a-n.org/

Lifted 'Medicated Yoga' (PAN 61)

HELM — Olympic Mess (PAN 63) 2xLP/CD/DL
Release Date: 15th June 2015
http://p-a-n.org

HELM - Olympic Mess (PAN 63)

i made this in laundry room

@ssiege / star boy / vanessa

thousand vixtasy

Eager Buyers

The Mob Expects Malnutrition

Proactive

Reducer

Rest Here

transgression

Cool Skunk

30 minutes of unreleased music I made in 2020-2025

Tracks for the club and wandering the city

Styles include 180 BPM/shibuya kei/DJ tools/future optimistic electro 

Aired at @radiokapital thanks to @matka_boska_rejwowa

Ku Ku - 30 Minutes of Ku Ku Muzik

@plasterfe
@sani-kova

https://www.wrir.org/2025/10/21/finding-sounds-60-plaster-fe/

60: Plaster Fe

@zerocrossingpoint

"Rebound" is the new EP from Zero Crossing Points coming out on katharsis on November 17th, a work that feels both intimate and expansive, drifting between reflection and release. Drawing elements from several genres, the EP ranges from quiet and discrete soundscapes, to vivid blasts of raw emotions. Fragments of voice appear throughout, human yet often transformed, woven together with sweeping synths, bowed strings, digital manipulations, and textures that feel at once fragile and grounded. The result is a sound world that blurs the line between the synthetic and the organic, the remembered and the reimagined. Japanese video game music dances together with musique concrete elements, echoes of sacred music meet screaming metal drones. There is a sense of searching that runs through Rebound - it is music that lingers in the in-between, where distortion becomes tender and introspection turns into motion.
credits
releases November 17, 2025

mastering by jjjacob
artwork by Louis Vuillerme (@spriagar) & Zero Crossing Point

pre-order

premiere: Zero Crossing Point - Primordial Sky [full EP release on katharsis, november 17]

Why Autonomous Africa?

----------------------

Many of the problems Africa faces are a result of outside interference by other countries, and as the 21st century progresses we will see the continued pillage of African resources to feed the global capitalist machine on an unprecedented scale. Corrupt and greedy regimes gladly sell their land and mineral wealth to finance their own extravagant lifestyles while the vast majority of ordinary people see little or no improvement in their own lives. An autonomous Africa run by the people for the people, where African land is predominantly used to feed African people and Africa's vast wealth of resources is used to benefit the people of Africa seems the only logical way forward. Autonomous Africa's goal is to highlight this message and here presents to you 4 tracks of African inspired grooves.

We fully realise a small run, independently released 12" is going to make very little difference to the world, but doing something has to be better than doing nothing. The idea of an autonomous Africa may be naive and unrealistic, but at some point the world we live in will have to change or future generations are going to be left with very little as we consume way more than our fair share. We have collectively buried our heads in the sand thinking we are powerless to engender change. Individually we have little power but collectively, the power is ours.

JD Twitch, June 2013.

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About The Mtandika Mission
--------------------------

Mtandika is a large village in the dry Ruaha river valley, 400km west of Dar es Salaam. It is a very poor village.

One of the prime movers in the village is Sister Barberina Mhagala. Since she retired from being Headmistress of the Primary School in 2005, Sister Barberina has been developing a Trade School at Mtandika to provide skills training for girls who are either orphans or have no fees for secondary education. She started by building a classroom and dormitory for the Trade School girls who were given sewing lessons and learning to make garments to sell.

Because many of the children do not have homes locally, accommodation is critical. So Sister then built extra accommodation blocks, not only for some of the girls attending the Trade School but also for some 80 girls attending the local Lukosi Secondary School where there was no accommodation.

The girls are taught to be as self sufficient as possible and as well and grow their own food and rear animals in the school grounds.

Water supply is critical, as water is not only required for every day purposes at the school but for irrigating the shambas [allotments]. Water is currently pumped from the nearby perennial Lukosi river some 500 metres away using a petrol pump. Investigations into a cheaper alternative are being investigated.

Education is essential if Tanzania is to fully develop its full potential and anything is possible given the opportunity. As well as supporting Sister Barberina in her capital expenditure, some 10 of the children at the Trade School and 30 at local Secondary Schools who cannot afford the fees are sponsored by funds raised by the charity.

Midland - Checkbob [Autonomous Africa Vol.2]

Label based in Berlin, est. 2008. http://www.p-a-n.org

Bass Clef 'Self-Perpetuating Fun Loop' (PAN 41)

PAN

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