Recommended tracks of February from Insert.

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Insert Recommends: February

Premiere of a track by qwqwqwqwa taken from his upcoming album on Neoplasm.

Producer and DJ from Saint Petersburg, Russia, who has already appeared on Neoplasm compilations, will present his debut full-length record "Fashion Music For Scammers" on November 25th.

The idea of the album was born at the beginning of the pandemic during the first lockdown. At that time, the artist moved from St. Petersburg to the countryside. In addition to the large amount of free time that could now be spent on writing music, the feeling of how much different life in the big city was from the calm and measured countryside became more clearly evident, especially to the ear. This influenced the sound and mood.

"You can hear pretty well what was produced in the city and out of town. There was this idea of using city noises to convey the atmosphere associated with the place I live in," says the artist. "And everything I did when I was out of town turned out to be more voluminous and light, not as overloaded." As a result, the album conveys a sense of disconnection from city life, and the feeling you get when you return there.

Artist: qwqwqwqwa / @qwqwqwqwa
LP: Fashion Music For Scammers
Label: Neoplasm / @ne-sm
Release date: November 25, 2021
Format: digital 

pre-order/order: https://qwqwqwqwa.bandcamp.com/album/fashion-music-for-scammers

order / preorder

PREMIERE: qwqwqwqwa — Vaskelovo drift (Neoplasm, 2021)

Italian dudes from Pho Bho Records to display another release from co-founder Matteo Coffetti soon! With his 'Safe Crash' EP, the Torino based artist invites on the B-Side some fellow producers to completely wreck and re-interpret his four tracks appearing on A-Side.
For our premiere, Pampsychia's Reptilian Expo drops the perfect Sci-Fi dancefloor killer. Made of head-banging halftime rhythms, otherworldly sound design, fantasized Egyptian grime.
At last, they were right, Cleopatra came from space!

Cassette and digits available on May 6: https://phobhorecords.bandcamp.com/album/safe-crash

@phobhorecords
@matteocoffetti
@reptilianexpo
------
FEEL THE SPIRIT
Bandcamp: bambooshows.bandcamp.com/​
SoundCloud: soundcloud.com/bambooshows/​
Facebook: facebook.com/bambooshows/​
Instagram: instagram.com/erevan_bamboo/​
YouTube: bit.ly/YouTubeBambooShows
Spotify: bit.ly/SpotifyBambooShows
Web: www.bambooshows.com​
Discogs: bit.ly/DiscogsBambooShows
Mixcloud: mixcloud.com/bambooshows/​
Contact: bambooastruth@bambooshows.com

Safe Crash

℘ཞɛɱıɛཞɛ ≈ Matteo Coffetti - Anubis Ritual (Reptilian Expo Crash Version) [Pho Bho Records]

Prolific New York artist @jiovanni-nadal steps up on Couldn't Care More with five cuts of shapeshifting, dubwise electronic music 

More info: https://djmag.com/listen/premiere-j-albert-court

NT015

Premiere: J. Albert ‘Court’

@professional_music
@bliss-point-sound

SPF 50, real name Stephan Kimbel Olson, is a resident of the longstanding Bob & Shirley party, runs the Professional Music label, and has graced New York’s finest sound systems with his deep, rolling club sets. In his numerous roles - DJ, engineer, party promoter, label head, producer and dancer - Stephan has become an essential contributor to the city's nightlife culture, a fixture in our extended sonic community.

Stephan's first release on Bliss Point, Social Life, might well be a transmission from a nearby dimension; a collection of club artifacts peaking from just behind the thin veil. On Side A, Stephan has channeled two booming workouts, each with modular synthesis evoking the organic: an unruly bassline snakes through the aural fauna of "Body Concept", while breaks and acid fly by on "Liquid USB", an intricate sonic constellation propelling through space, culminating in the release of classic house chords midway.

On the B side, Stephan takes us further into the unknown. "Grove Map" is world-building club ambiance aptly named after The Grove, a stage deep in the woods at New York's Sustain-Release festival, where portals have long known to be opened. "Iris (Bad Water Version)”, rounds out the offering, a drippy dub that time seems to slip off of, perfect for a melted warm up or come down.

Bliss Point is proud to present Social Life, an offering for those familiar with the power of the deep, as SPF 50 is.
credits

BC: https://spf-50.bandcamp.com/album/social-life

Social Life

pi pi pi premiere: SPF 50 - Iris (Bad Water Version)

The second entry on Dance Data is the debut album by Izapa, also known as Andrew Felix. 
Izapa has been a fixture in LA’s modular synth community for some time now, so it’s a treat to get a glimpse into the sounds he’s been honing in his private world. 
The record showcases his sensibilities for a wide variety of rhythmic structures / styles, from angular hi-tek drum n bass to half time electro zoners, there is a little something for anyone that’s looking for dance music that prioritizes feel over function (while still retaining the latter). Featuring a swirling acidic remix from Buttechno.

Presale 4/28/23
Vinyl out 5/15/23
Digital releases 6/1/23

Composed by Andrew Felix
Mastered by Pavel Milyakov
Remix by Pavel Milyakov
Artwork by Jesse Pimenta
Distribution by Dance Data (US) and Rubadub (UK/EU)

@andrewfelix
@buttechno

GAMMA

IZAPA - GAMMA LP (DDRO02)

Pour tous les fadas du ptit dej !
Voici une compilation qui réunit tous les artistes ayant contribué aux précédents opus de la série aux tempos ralentis "Délices du Midi".
Au menu Dancehall, Dembow, Slow Baile, Slow Jungle, Slow Grime, Rap & Dubbed tracks.

Pour l'occasion, une cassette est disponible en édition limitée de 50 quantités. Livrée avec son couteau tartineur et ses stickers.

TRACKLIST :
A1. Tom Manzarek - Higher
A2. Sevenbeatz - Backyard
A3. Pura Pura - Shika
A4. Kaval - Knife Thrower
A5. Stacktrace - Meek A Chooce
A6. Qant - A Certain Sense Of Urgency
B1. H2O - Bad Transmission
B2. Gipsyan - Sad Dancer
B3. Knurx - Inward
B4. Jumboclat - Ouais
B5. Le Frit - Bateque

RELEASE DATE : 16.06.2023
LABEL : DÉLICES DU MIDI
REF : DDMFADA001
CAT : DIGITAL & K7
BANDCAMP ONLY
MASTERING : QANT

Pre-order

Délices du Midi - Fada Acamp Vol.1 (Clips)

RioT Crew ( Instrumental )

Mad Aggresive Jerk x Drill Type Beat!!!

Collab - https://soundcloud.com/huskytheproducer

Shout Out To Husky On This One!!!!!

Violent By Design (Red-I Productions & Husky The Producer)

https://ynys.bandcamp.com/album/sand - buy here 

art work by Djj

(7) stabzzz [dJJ Edit]

This upcoming mix tape perfectly encapsulates gqom’s frenetic power.

See the tracklist here → crackm.ag/2H8vTCG

From Avoca Hills to the world – Mixed by Citizen Boy

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Workaround Eight (PAN 106)

Inflicter

Narcissus Wept

INTERVIEW + TRACKLIST > inverted-audio.com/mix/perko

@perkopair delivers an agile mix of atmospheric electronics and opens up about how his adopted home of Copenhagen has weaved itself into his sophomore release on @nmbrs - 'The City Rings' EP.

IA MIX SERIES

Read

IA MIX 325 Perko

Ayln - Thieves

For FWD Transmissions, EB's new content format spotlighting BIPOCs in the dance music industry, Somatic Rituals co-founder Mukuna reimagines the traditional drums of the Umutomboko “dance of victory” ceremony over urgent club rhythms.

Read the full piece here: https://www.electronicbeats.net/fwd-transmissions-mukuna-lumuenu-chukwuka/

FWD Transmissions: Mukuna - Lumuenu

Zoë Mc Pherson on the buttons!

Track taken from the forthcoming LV VA compilation, and available on 12" right now >> strictly vinyl for now, but available digitally as part of the compilation later this year too....

SUPPORT:
RWDFWD.COM
lavalavarecords.bandcamp.com

Zoë Mc Pherson - Alva

A/V Platform — Rec. Label — Live Visuals — Rave⁣⁣

Label based in Berlin, est. 2008. http://www.p-a-n.org

Beatrice Dillon - Workaround Eight (PAN 106)

PAN

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