CLOUD 74

EARthEATerMetaAlbum

Stream/Download: https://chemicalx.ffm.to/scripture

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Scripture

Stream/Download: https://chemicalx.ffm.to/airborneashesrmx

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Airborne Ashes

Airborne Ashes (Eartheater & Aleksandir Remix)

Powders

Sugarcane Switch

Crushing

Black Sheep — Epitaph [OKVLT001] [B]

Zwei Kreize [Ft. Karmatic Dreams] — Coral Loom Forage [OKVLT001] [A]

Odyssey

Incoming / 4th OKVLT Release / Tape / 7th May 2018
https://okvlt.bandcamp.com/album/okvlt004-tales-from-the-far-east

Brothers From Helios
Sacred Lodge 
Penelope's Fiancé 
Plein Soleil / Kaumwald 
Zaliva-D
AIR LQD
Humbros
Opaque 
Isidore Vds
Slingsby / Graal

B6. Humbros ㅡ Untilted (Live Extract)

B5. Plein Soleil ㅡ Telegramme (Kaumwald Remix)

drool smh

GIL - Storm Salon [YGK008]

Video out via AQNB
https://www.aqnb.com/2020/02/21/gils-halo1-reinterprets-the-romance-of-an-oscar-wilde-fairy-tale-through-the-playful-melancholy-of-its-classical-composition

Youtube: https://www.youtube.com/watch?v=vwtdRpjmcXA&feature=youtu.be

1. Halo1
2. Leveret Suite
3. After Us

Format: Digital/EP
Release Date: 26 Feb, 2020
Cover: Clemens Stumpf

All music written by Gil Schneider
Performed by Gil Schneider (piano), Yukari Aotani (violin) and Marie-Claire Schlameus (cello)

Recorded and Mixed by Robin Hunt at Atlas Studio Berlin
Mastered by Simon Lancelot

GIL - Halo1 [YGK008]

STARDUST

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Volcano (PAN 112)

Permanest

Bandcamp

Focus

Eartheater - Phoenix: La Petite Mort Édition 
Format: DL
Cat.No. PAN 112-R
Release Date: 26 February 2021
Purchase: pan.lnk.to/LaPetiteMort

Last year, Eartheater released her latest album, Phoenix: Flames Are Dew Upon My Skin, via PAN.Eartheater is now sharing a fully reworked version of the album, Phoenix: La Petite Mort Édition, out February 26, 2021 on PAN. Originally conceived as a “sleep” mix for CRACK Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.” - Eartheater

Eartheater - Airborne Ashes (La Petite Mort Edit) (PAN112-R)

Label based in Berlin, est. 2008. http://www.p-a-n.org