Hello? That handclap makes me think that's an mfb-522 all over this track!

sounds like Cómeme, specially this track :) https://soundcloud.com/comeme/pata-pata

Your 2024 Playback

Artist: Giant Claw
Album: Mirror Guide
Format: Digital / Vinyl
Release: May 14, 2021

Music by Keith Rankin
Vocals by NTsKi https://soundcloud.com/ntski
Visual art by Ellen Thomas and Keith Rankin
Mastered by Starkey

Disworld (vocals: NTsKi)

Untitled [HOA018]

The Influence Of

mp3 download here: http://www.sendspace.com/file/73l58z

Knight Fare(post-war dub)

the ride away - 3:12:23, 10.53 PM 2

'Closer', taken from 'You Said You'd Hold My Hand Through The Fire', 🔥 a collaboration between Iceboy Violet & Nueen 
 Out on 7th June, CD LP/ Digi
Available to preorder now: 
https://iceboyandnueen.lnk.to/holdmyhandthroughthefire

You Said You'd Hold My Hand Through The Fire

Closer

Preorder Album

Iceboy Violet & Nueen - Closer

first single from my next album 'hexed!' out on hyperdub march 28th

off to the ESSO

Hesaitix - Noctian Airgap (PAN 152)
Label: PAN
Cat.No.: PAN 152
Release Date: 06 December 2024
Purchase: pan.lnk.to/NoctianAirgap

Through the haze we could make out hardly anything. Just the black line of the horizon. And in the distance the faint glimmering of the sea.

James Whipple returns from a long period of musical dormancy with his first full length LP for PAN since 2017.

As M.E.S.H., he honed a singular and unpredictable sonic identity on his debut album Piteous Gate. Re-emerging as Hesaitix, the now-familiar motifs have become streamlined, the sound palette both more refined and more elaborate. Even at its most abstract, there is an uncanny presence permeating the record, a convincing emotional reality with its own narrative and spatial logic.

Opener ‘Cusp of Unknowing’ announces itself with crushing low end synths feathered with delicate chimes before dissolving into the oceanic din of a data center. Rolling, engine-like subs mark the start of ‘Taurian Shade,’ a low- tempo percussive drive past iced-over chords and angular synth lines. ‘Geflatnet’ and ‘Volunteer’ dip into grooves bordering on nostalgic, referencing a misremembered golden era of electronica long-players. On ‘Santarosae (Black Dolphin),’ a sense of primordial awe comes to the fore, while ‘Black Line,’ originally presented as an audio installation in 2022, uses the human voice to explore a narrative approach to sound. ‘Noctian Airgap’ and ‘Anticrime’ return to syncopation and its complex moods, while ‘Subdermal’ and ‘Hypersea’ embrace repetition in service to atmosphere.

Hesaitix - Taurian Shade

Tracey EP

Sweet

Jeremy Shaw, There In Spirit, Konrad Black - Phase Shifting Index (PAN 146)
Label: PAN
Cat.No.: PAN 146
Release Date: 28 March 2025
Purchase: pan.lnk.to/PSI

Phase Shifting Index is a time capsule record of Jeremy Shaw’s vast original artwork that includes audio excerpts, voiceover passages and music composed by There in Spirit and Konrad Black. Shaw’s seven-channel video, sound and light installation–that premiered at Centre Pompidou in 2020–uses science fiction, documentary, visual effects and synchronisation to induce an ecstatic experience in narrative temporality. Each video details the belief systems of one of seven fictional subcultural groups spread across time that aspire to induce parallel realities that could redirect the evolution of the human species through embodied forms of ritual, ideology and movement. 

"Cross-Temporal Sync" written and produced by There In Spirit. All other titles written and produced by Konrad Black.
Mixed by Konrad Black at Blackprint Studios.
Mastered by Rashad Becker at Clunk, Berlin
Design by Information Office, Vancouver.

Phase Shifting Index premiered at Centre Pompidou, Paris, in 2020 and has since been exhibited in nine international venues including ARoS, Denmark, MONA, Tasmania, MAC, Montreal and Hamburger Bahnhof, Berlin

Jeremy Shaw, There In Spirit, Konrad Black - Zero-Ones

Magnus

Taken from the 'Persona' EP, out now on Warp Records.

Bleep - http://smarturl.it/persona-bleep
Stream - http://smarturl.it/persona-stream

Win In The Flat World

Cade Swet (@cadeswet) releases his 3rd consecutive beat tape, titled "What's a Genre? Lol" to indicate that he doesn't typically box his music into one specific style which would block the mindset of being totally creative and experimental. Kick back and enjoy the wild vibes that will surely entice your brain to bob. CD's are now available on bandcamp, along with the available purchase of the full tape. Please contact me here if you desire a cassette tape:

fb.com/aliascadeswet

PURCHASE AVAILABLE HERE: https://aliascade.bandcamp.com/album/whats-a-genre-lol

What's a Genre? Lol

SKATING

Timeleft - Days (original mix)

Artist: Errorsmith
Album: Superlative Fatigue 
Format: 2xLP / Digital
Cat.No: PAN 81 
Release Date: 20 October 2017
@errorsmith

pre-order: https://errorsmithpan.bandcamp.com/album/superlative-fatigue

Returning with his first album in 13 years, Errorsmith’s ‘Superlative Fatigue’ long-awaited release on PAN arrives as his perhaps most optimistic record yet.

Placing a strong emphasis on spectral exploration, the tracks tell an inherent story and span a musical arc with his recognisable synthesised tones, computerised vocal effects and timbral changes in motion.

In comparison to his previous productions, Errorsmith (Erik Wiegand) sees the release as less abstract, harsh or aggressive: “I would say it is rather accessible and cheerful; at times ridiculously cheerful but still very sincere and emotional.” He suggests. “I find it touching when this little android raises its pitch at the end of ‘Lightspeed’ or the android catching its breath in ‘My Party’ for instance.”

The album title, ‘Superlative Fatigue’ reflects this tension between an over-the-top, hysterical emotion, against more deeply felt expressions or realness.

Besides collaborating with the likes of Mark Fell, to Berghain resident Fiedel as MMM, and Soundstream as Smith N Hack, Wiegand has released a string of seminal dancefloor tracks. Building his own instruments using modular software synthesizers is a large part of his work. Where almost all the sounds in the LP were created with his synth, ‘Razor’, (a synthesizer plug-in he developed for Native instruments, released in 2011) or slightly modified versions of it.

Premiered at Unsound Festival last year, this new material he has developed since has finally taken form in this epic full-length.

The album is mastered by Rashad Becker, featuring artwork by James Hoff and layout by Bill Kouligas.

Superlative Fatigue

Errorsmith - I'm Interesting, Cheerful & Sociable (PAN 81)

Versatile A/V artist and producer based between Riga and Berlin, N1L intersects eclectic "club" music experiments with post-industrial psychedelia and intense alien soundscapes. Having recently been focused on independent self-publishing, his previous releases have also been put out by acclaimed labels such as UIQ, Opal Tapes, among others.

ПОТОП (“potop”, or deluge in Russian) presents seven pieces encapsulating dark apocalyptic themes, each setting the scene for a disorientating sonic landscape that references the genesis flood narrative found in the world’s ancient mythologies. Centered on Earth's return to a pre-anthropocene state of watery chaos, this allegory illustrates both punishment for man’s mortal sins as well as new beginnings born from the washing away of everything that has reached its final, obsolete stage — the message of which is increasingly relevant today.

Release date: September 15th, 2019
Pre-order via: https://n1lmusic.bandcamp.com/album/-

Tracklist:

1. потоп
2. fang mark semantics
3. 8bit telekinesis
4. reality distortion field
5. cracks in the monolith
6. disrupt the karmic cycle
7. universal cannibalism of the sea

https://soundcloud.com/n_1_l

ПОТОП

Pre-order

Premiere: N1L - fang mark semantics [Self-Released]

Exploring experimental music, and other art forms; becoming inspired while inspiring others.

Label based in Berlin, est. 2008. http://www.p-a-n.org

Errorsmith - I'm Interesting, Cheerful & Sociable (PAN 81)

PAN

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