Playable Trackz

it’s all muddled up 🥉🤹🏾‍♀️🎺🎰🎯🦽🧩🎨🎬🎧🏎️🛩️🛸🚤🎠🎢⛲️🌋🏛️🕋🎥📲💡💰💡💰💡💰⛓️‍💥🔬🦠🩻🕳️💊🛋️🛁🖼️🗝️🪩🪄🛍️☯️🔱🆕⬆️👁️‍🗨️👾👾👾 🎖️= 150-650,000k

🫥🤘🗣️🫀👩🏾‍💻🧖🏾‍♀️👩🏿‍❤️‍👨🏿🧥🥽🕶️🐦🪼🐳🪽

metamodernic money

2025 - 2

playboi carti - NO. 9 (REMIX @king1ndigo)

LIFE IN HELL OUT NOW: https://orcd.co/lf-lifeinhell

LANCEY OR LANCEY

wood tip

can't fight the devil (feat. Diamond Cafe)

For All The Dogs

Members Only (feat. PARTYNEXTDOOR)

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP 
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera 

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.


Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all. 

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann 
Mastering by Rashad Becker

Pollution Opera

buy / stream

Pollution Opera - Cairo ???

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera - Your Tracks Are Too Dark (ft. ZULI)

Pollution Opera - Danse Le Flou

Pollution Opera - CRÎ Me A River

Pollution Opera - Bite

Benny L makes his long-awaited return to Metalheadz with the menacing 'Shadow People' - the highly-anticipated title track from his new 4-track EP. Get it here: https://bfan.link/shadowpeople

Benny L: 
Facebook → https://www.facebook.com/bennylmusic/
SoundCloud → https://soundcloud.com/bennyldnb
Instagram → https://www.instagram.com/bennyl_dnb/

Metalheadz:
Facebook → https://www.facebook.com/metalheadz.music/
SoundCloud → https://soundcloud.com/metalheadz
Instagram → https://www.instagram.com/metalheadzmusic/

Drum&BassArena:
Join the family → www.family.breakbeat.co.uk/
Spotify → www.open.spotify.com/user/officialdnba
YouTube → www.youtube.com/user/officialdnbtv
Instagram → www.instagram.com/officialdnba/
Mixcloud → www.mixcloud.com/drumandbassarena/
Facebook → www.facebook.com/officialdnba
Twitter → www.twitter.com/OfficialDnBA
Music news → www.breakbeat.co.uk/
Send us a demo: demos@breakbeat.co.uk

Benny L - Shadow People

Special Request X Tim Reaper - Pull Up (ZENIVO Rework)

Family Doggo - Special Request

Heith - Escape Lounge 
Label: PAN
Cat.No.: PAN 147
Release Date: 25 April 2025
Purchase: pan.lnk.to/EscapeLounge

Heith's music has always been infused with sacred mystery, striking a delicate balance between lived experience and imagination.

On Escape Lounge, his second full-length release for PAN, Heith draws inspiration from contemporary digital spirituality and interpretations of experience that are crossing over from cultural niches into the mainstream – including internet-based conspiracy theories and psychological operations. The album presents a sonic diary recorded across Milan, Berlin, London, and Stockholm, crafting a post-informational folklore while exploring new territories in personal songwriting.

The title Escape Lounge, inspired by airport waiting areas, serves as a metaphorical waiting room of the mind. Its hidden passages can lead either to peril and loss or to enlightenment and kaleidoscopic mental landscapes. This liminal space echoes the mysterious realms of Twin Peaks or the viral "Backrooms" phenomenon. Within it, contributing musicians – including frequent collaborators Leonardo Rubboli, Aase Nielsen, and 33 drummer Alexander Iezzi – move like ethereal presences, creating intangible soundscapes that leave traces of post-hypnotic melancholia. Notably, the vocal contributions from Price and James K enhance the otherworldly atmosphere, their multifaceted timbres adding layers of intentional ambiguity.

Throughout the album, Heith masterfully blends acoustic instruments, human voices, and digital technology along an uncharted path that references the experimental pop of 90s trip-hop, 2000s indie-folk songwriting, and lush Mediterranean psychedelia. The sounds are meticulously crafted, combining synthesizers with guitar-based compositions in a computational songwriting approach that creates a collage across eras and landscapes. Each track unveils new dimensions of this delicate hallucinogenic narrative, delivering an immersive listening experience. As reality continuously shifts, Escape Lounge emerges as both sanctuary and confinement – a space of momentary connections and endless potential.

In 2025, Heith will debut a new live show and audiovisual collaboration titled 'The Talk' with James K and Günseli Yalcinkaya, commissioned and premiering at Sonar Festival, Terraforma, Nuit Sonores, and Reworks.

All tracks written and produced by Heith 2021-2024.
Mixed at TWS
Mastered by Amir Shoat
Artwork by Heith and Nicola Tirabasso
Vocals by Heith, Price, James K
Strings by Leonardo Rubboli, H, Renato Grieco, Fausto Cigarini Guitars by Heith, Leonardo Rubboli
Drums by Heith, Alexander Iezzi, Jacopo Battaglia, Leone Ciocchetti Flutes by Leonardo Rubboli
Saxophone by Aase Nielsen
Lyrics on track 4 by Cecile Believe, Price and Heith
Lyrics on track 10 by Alia Seror O'Neill and Heith

Heith - ()()()()()()()___

What A Time To Be Alive

Diamonds Dancing

Hallucinatious

From new album, 'Structuralism' out on April 26th. 

Pre-order Structuralism here: AlfaMist.lnk.to/Structuralism 

Keys - Alfa Mist 
Vocals - @kaya-thomas-dyke 
Bass - Rocco Palladino 
Drums - Jamie Houghton 

Violin I - Simmy Singh
Violin II - Katie Neaves
Viola - Lucy Nolan
Cello - Peggy Nolan

Artwork: Kaya Thomas-Dyke

https://twitter.com/KayaThomasDyke https://www.facebook.com/KayaThomasDyke https://www.instagram.com/KayaThomasDyke

https://alfamist.bandcamp.com https://www.instagram.com/alfamist/ https://www.facebook.com/alfamist/ https://www.twitter.com/alfamist/

Falling Feat. Kaya Thomas-Dyke

From new album, 'Structuralism' out on April 26th.
Buy Structuralism here: AlfaMist.lnk.to/Structuralism

Rhodes/Piano - Alfa Sekitoleko 

Bass - Kaya Thomas-Dyke 

Drums - Peter Adam Hill 

Trumpet - John Woodham

Guitar - Jamie Leeming 

Artwork: Kaya Thomas-Dyke

℗ & © SEKITO RECORDS 2019.
ALL RIGHTS RESERVED

https://alfamist.bandcamp.com
https://www.instagram.com/alfamist/
https://www.facebook.com/alfamist/
https://www.twitter.com/alfamist/