Watch the music video here: https://www.youtube.com/watch?v=kJEos2XfIiE

listen/buy the full album,  𝑾𝒊𝒔𝒉 𝒀𝒐𝒖 𝑾𝒆𝒓𝒆 𝑵𝒊𝒄𝒆𝒓 [ENXPL19]:
https://enmossed.bandcamp.com/album/wish-you-were-nicer
https://psychicliberation.bandcamp.com/album/enxpl19-wish-you-were-nicer

Video by Adriana João
Sound by usof
Audio finalized by Glyn Maier

https://adrianajoao.com
https://linktr.ee/usofusofusofusof
https://enmossed.org
https://nickklein.work

Wish You Were Nice

watch

Brat [ENXPL19]

'a downtempo centric self-inquiry quest by means of binge-shiftin'

https://ab-u.bandcamp.com/album/binge-shiftin

released March 7, 2025

artwork by Mery Khugashvili & Arsen Iy
composed & mixed by @ab_y
mastered by @yeyomf & @qwqwqwqwa

outta phase snapp type beat

remix of a song from our band, 
https://cancerhouse.bandcamp.com/album/a-hiding-place

cancer house - a hiding place (leaf miner mix)

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

James Hoff - A... ...Cha.... A... I Feel Like A Ghost Uh

'Пізнання льодовикового рельєфу' is the first artefact of our duet, the cornerstone of the ongoing asynchronous work with Comechelet (@comechelet). The debut 10-composition LP is set to be released in December 2024 — bear with us. 
____________________________________

About VA : COLLAGE
If it appeared right before you, just for a second, would you either walk this fleeting path or let it vanish in a blink, hidden forever beyond the fine lining of your eyelid? Taking the road to nowhere can be tempting, just as the urge to leave everything behind. Paradoxically, embracing the void feels so fulfilling - but isn’t acceptance part of the grief? We’re all searching for our own secret place, where inner peace could finally grow from its embryonic stasis.

Much like that uncertain trail, the present 'Collage' compilation charts a course through the soft, dreamy side of contemporary electronic music. Designed either for the club or a living room, this ethereal patchwork of 14 tracks is woven from silk-like sound design. ambient techno, experimental, IDM, atmospheric dub sonic - each genre highlights in turns ultra-stretched audio spectrums, smooth instrumental lines, introspective reverberations or digital breaks.

After Jonnnah’s ‘The Next Kingdom’ - debut LP published earlier this year, this second release embodies the label’s musical ethos once again: cold yet heartwarming textures, celestial synths and volatile rhythms.

Credits:
A.D : Jonnnah (@jonnnah / @second-end-rec)
Graphic design : Tiphaine Voix, Lucas Dupuy
Mastering : kick21
Words : Loïs Markarian


Collage

ᵖʳᵉᵐⁱᵉʳᵉ ϙue x Comechelet — Пізнання льодовикового рельєфу [Second End Records]

Hesaitix - Noctian Airgap (PAN 152)
Label: PAN
Cat.No.: PAN 152
Release Date: 06 December 2024
Purchase: pan.lnk.to/NoctianAirgap

Through the haze we could make out hardly anything. Just the black line of the horizon. And in the distance the faint glimmering of the sea.

James Whipple returns from a long period of musical dormancy with his first full length LP for PAN since 2017.

As M.E.S.H., he honed a singular and unpredictable sonic identity on his debut album Piteous Gate. Re-emerging as Hesaitix, the now-familiar motifs have become streamlined, the sound palette both more refined and more elaborate. Even at its most abstract, there is an uncanny presence permeating the record, a convincing emotional reality with its own narrative and spatial logic.

Opener ‘Cusp of Unknowing’ announces itself with crushing low end synths feathered with delicate chimes before dissolving into the oceanic din of a data center. Rolling, engine-like subs mark the start of ‘Taurian Shade,’ a low- tempo percussive drive past iced-over chords and angular synth lines. ‘Geflatnet’ and ‘Volunteer’ dip into grooves bordering on nostalgic, referencing a misremembered golden era of electronica long-players. On ‘Santarosae (Black Dolphin),’ a sense of primordial awe comes to the fore, while ‘Black Line,’ originally presented as an audio installation in 2022, uses the human voice to explore a narrative approach to sound. ‘Noctian Airgap’ and ‘Anticrime’ return to syncopation and its complex moods, while ‘Subdermal’ and ‘Hypersea’ embrace repetition in service to atmosphere.

Hesaitix - Volunteer

Hesaitix - Hypersea

Inviting my first guest, 9itton for this season&amp#39;s last episode. 


a Path to the Unknown

THIS IS NOT FOR FREE USE.

To lease this track or obtain exclusive rights to use for any project, please contact via email: 4thKindMovement@gmail.com.

Production available for the following:

- Artists of multiple genres, completely custom and able to be released on all DSPs (Spotify, Apple Music, etc).
- Content Creator, custom and royalty free for use on TikTok, Instagram, YouTube and others.
- Streamer background music, custom and royalty free for use on Twitch, Kick, YouTube, etc.

...and more.