Azure

Freefall

Cold Reading

All My Dreams Are Nightmares

Devon Rexi return with Mini-LP “Biya Ba Man”, a new and improved take on the no wave steppers and post punk grooves of their debut “Tambal EP”.

The five track Mini-LP sees the band expand to a quintet, with originators Nic Mauskovic (drums and vocals) and Nushin Naini (bass and vocals) joined by Tobias Jansen on turntables, Lyckle de Jong on synths and effects and Goya van der Heyden on percussion.

The extra players collaborate to send Devon Rexi’s sound in new directions, amplifying the already extra-dimensional vibe. Synths and vinyl manipulation render a trip hop vibe to the post punk brew, reminding of zoned-out jams like Maxinquaye, or those heady early Mo’Wax.

Opening track “Sjikamo” sets the tone at a deconstructed hip hop tempo, samples spliced up like a classic Celluloid album. “Fargh Nimikoone” ups the pace with a funky 135 bpm lean, and Nushin’s harmonized vocal sounding ever more alien over the conga rhythm. “Marde Pir” closes the first side at another beatdown tempo, the drums flexing like factory pistons. 

The B side fires up with “Biya Ba Man Biya” - a proper steppers bounce, Nushin’s farsi singalong chorus is as catchy as it’s ever been. The Mini-LP concludes with “Koja Raftan” bringing plenty of Bomb Squad energy, crescendoing in fine maximal percussive style. 

It’s no wave, but not as we know it. With new members bringing effects and collage elements to the spacious minimal wave core, there’s plenty of avenues for future formations of Devon Rexi to explore. 

- Liner Notes by Fizzy Veins

Music played and arranged by Nic Mauskovic, Nushin Naini, Tobias Jansen, Goya van der Heyden & Lyckle de Jong
Mixed and Mastered by The Cologne Wizard
Recorded by Fokke de Witt
Photography by Abel Minee
Design by Ryan Dougan & Dominik Rodemann
Distributed by Rush Hour

Release date around 07.02.2024

Pre-order at: https://southofnorthamsterdam.bandcamp.com

Pre-order

SON12-005 - Devon Rexi - Biya Ba Man (snippets)

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* Read more: https://boltingbits.com/guava-angel-faux-poly/
* Watch on YouTube: https://youtu.be/UzL_TdEldmk
* Pre-order: https://guavanoise.bandcamp.com/album/afterglow

2023 has been a great year for Bradley Hutchings aka Guava. Alongside many successful dance singles and remixes, his self-released debut album ‘Out Of Nowhere’ is a gorgeous blend of indie electronica that steps away from his typical club focussed productions. 2024, however, sees Guava move back towards the dancefloor with his latest EP Afterglow, which drops on Faux Poly on March 8th. Since rooting himself in Berlin, Guava has drawn inspiration from across the different facets of the city, something that is strongly reflected in this release.

The opening track ‘Angel’ is a dark trip, born out of experiments with reverb and guitar harmonics influenced by UK Bass and Dubstep, an ethereal techno track described by the artist as “guitar music for Berghain”. Next up is ‘140 Drums’, an essential DJ club tool, a chopped stuttering break and hoover bass roll through a restrained but surprisingly heavy hitting finale to the EP.

‘F641’ accelerates with continuously pitching synth stabs and a rumbling low end. Inspired by F1, the track hits hard and never stops ramping up. Finally the title track ‘Afterglow’ brings a lightness and warmth to the release, delicately catchy and rooted with a bouncy house beat, the sound of Berlin in Guava’s productions is unmistakably clear.

Afterglow [FP008]

PREMIERE: Guava - Angel

Jeremy Shaw, There In Spirit, Konrad Black - Phase Shifting Index (PAN 146)
Label: PAN
Cat.No.: PAN 146
Release Date: 28 March 2025
Purchase: pan.lnk.to/PSI

Phase Shifting Index is a time capsule record of Jeremy Shaw’s vast original artwork that includes audio excerpts, voiceover passages and music composed by There in Spirit and Konrad Black. Shaw’s seven-channel video, sound and light installation–that premiered at Centre Pompidou in 2020–uses science fiction, documentary, visual effects and synchronisation to induce an ecstatic experience in narrative temporality. Each video details the belief systems of one of seven fictional subcultural groups spread across time that aspire to induce parallel realities that could redirect the evolution of the human species through embodied forms of ritual, ideology and movement. 

"Cross-Temporal Sync" written and produced by There In Spirit. All other titles written and produced by Konrad Black.
Mixed by Konrad Black at Blackprint Studios.
Mastered by Rashad Becker at Clunk, Berlin
Design by Information Office, Vancouver.

Phase Shifting Index premiered at Centre Pompidou, Paris, in 2020 and has since been exhibited in nine international venues including ARoS, Denmark, MONA, Tasmania, MAC, Montreal and Hamburger Bahnhof, Berlin

Jeremy Shaw, There In Spirit, Konrad Black - Cross-Temporal Sync

Venera - Exinfinite
Label: PAN
Cat.No.: PAN 153
Release Date: 12 September 2025
Purchase: pan.lnk.to/Exinfinite

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn's James "Munky" Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. VENERA's sophomore full length is darker, heavier and more percussive than its predecessor, but there's something more intimate wired into its circuitry that's harder to define - something mystical, mysterious and melancholy. Songs materialize from the void only to be dissolved by acidic synths or pierced by Hunt's whetted beats, while Shaffer's dense, tortured riffs are offset by euphoric, time-dilated vocals from FKA twigs, Dis Fig and Chelsea Wolfe. Following their encounter with vastness, VENERA have peered inward, ruminating on the limits of existence and excavating their most deeply buried emotions.

VENERA emerged in 2022 when Hunt and Shaffer veered into their own musical territory after recording with Albanian artist Xhoana X. Improvising together and experimenting with cinematic, sci-fi-inspired sound design, the duo realized the collaboration had potential, so they began developing and evolving the sound further, bringing in assistance from former Mars Volta drummer Deantoni Parks, Queens of the Stone Age's Alain Johannes, post-punk duo VOWWS and LA noise rock legends HEALTH. And after their debut album appeared on Mike Patton's Ipecac imprint in 2023, VENERA kept deconstructing and rebuilding their approach to songwriting, swapping out ambient Eno-esque atmospheres for blown-
out beats and dense textures, and figuring out how to extend the narrative they'd opened up without retreading old ground.

On 'Tear', the duo's new direction can be heard clearly as Shaffer's primal guitar noises are reformed into eerie widescreen expositions that Hunt punctuates with pneumatic kick and snare cycles. Broken up by airlock hisses and luminous synths, the track proposes a backdrop that VENERA continuously transmute, reforging the concept as the album develops. Cult singer-songwriter Wolfe adds a gothic American flavor to the crepuscular 'All Midnights', crooning powerfully over VENERA's vacuum packed rhythms and gaseous synths, and Berlin-based noisemaker Dis Fig follows work with The Body and The Bug on 'End Uncovered' lending breathy, emotionally layered tones to Shaffer and Hunt's tape-damaged industrial pops and whirrs. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering 'Asteroxylon', and Hunt replies to Shaffer's reverberating plucks with foghorn groans on the ominous, pensive 'uuu773'.

'EXINFINITE' perpetually builds momentum until it hits 'Caroline', an intense collaboration with FKA twigs that isolates her most unearthly tones. Initially curling her words around ominous electrical distortions and mangled, ghostly voices, twigs launches into a charged operatic cry that Shaffer and Hunt meet with skittering cybernetic beats and dense walls of guitar noise. It's this track that fully cracks open VENERA's concept, merging the synthetic with the natural and prompting dysphoria, loss of self and infinite regress. So the blood-curdling noise and sinister ambiance of 'Decreation' acts like a dissociated coda. In the 'EXINFINITE', destruction and death are not overcome, they're intensified until they metamorphose completely.


Venera ft. Chelsea Wolfe - All Midnights

2. They Walk amongst us (mixed)

DOWNLOAD AT https://megumimusic.bandcamp.com/album/night-traveler

BANDCAMP

NIGHT TRAVELER - DEEP IN MY SOUL

Tides of War

Psychic Nausea

@perila track from self-release collection
"decision to longing"
https://perilazone.bandcamp.com/album/decision-to-longing
defrosting dark winter waters into spring brook
________

if you accept all sounding sounds atm
you are most likely to enjoy it

perila – can we just be real

Label based in Berlin, est. 2008. http://www.p-a-n.org